Home > LOUIS J. DIANNI, LLC AUCTIONS > Day 1 of 2 Palm Beach Auction, Feb. 19 & 20 > Lot 308


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9:00 AM PT - Feb 19th, 2012

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LOUIS J. DIANNI, LLC AUCTIONS

 

1304 SW 160TH AVE
SUITE 228A
SUNRISE, FL 33326
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Lot 308
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O/C 'Dal Mio Balcone', Venezia by Dietz Edzard

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Oil on canvas painting 'Dal Mio Balcone, Venezia' by Dietz Edzard, German, 1893-1963. Depicting a bouquet of flowers, lute and columns in the foreground. A Mediterranean tartan sails slowly before a landscape of Santa Maria della Salute at the entrance to the Canal Grande. Venice c. 1960. Housed in its original gold finished frame.
Size: H.27" x W.54" x D.2.5"
Weight: 17 pounds
Condition: Small patch on verso and a small 'L' shape area of inpaint conservatively and expertly rendered.

Dietz Edzard was born in Bremen in 1893. He traveled extensively through Germany, Holland and France. Edzard, a colourful artist who has carried on the traditions of the masters of French Impressionism, studied painting with Max Beckmann. In 1929, Edzard’s work was included in an exhibition of Contemporary Painting at the Jeu de Paume, Paris, a museum dedicated to the Impressionist masters. In 1938, Edzard married Suzanne Eisendieck (1908-1998), a well-regarded artist in her own right who worked in an impressionistic style.
In his book D. Edzard, Gerd Muehsam writes: “Edzard has captured in his canvases the charm of the Parisian atmosphere. With the light, vibrant touch of his brush, he produced sparkling, and yet delicate, paintings of beautiful women, dancers and flowers. His brilliant delineations of circus life and the theatre, his spirited portrayals of Parisian café scenes have made him a favorite of art circles in this country and abroad”
“Consciously, (Edzard) turns his back on the experimental art of his contemporaries, opposes all weighting of art programs and theorems. Deliberately, he avoids the representation of human conflict and inner discord and the chaos and shifting quicksands of modern existence. Instead, he prefers to work along well-defined modes of expression. The line begun in portraits of Velazquez and Goya and continued in the art of Manet and Renoir becomes Edzard’s artistic credo”.

Condition report

Small patch on verso and a small 'L' shape area of inpaint conservatively and expertly rendered

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