Charcoal drawing on paper in the manner/style of Eugeen Van Mieghem. Our definition of “In the manner/style of”: The auction house believes that the work is done in the manner or style of the named artist and possibly after their lifetime, but the actual authorship is unknown. Dimensions: 24.5 x 35.5 cm. Artist information: Eugeen Van Mieghem (October 1, 1875-March 24, 1930) was an artist born in the port city of Antwerp, Belgium. As a boy Van Mieghem was confronted with the harsh reality of life at the waterfront. Even at primary school he showed a talent for drawing. He was introduced to the work of Vincent van Gogh, Georges Seurat, Camille Pissarro, Henri de Toulouse-Lautrec and others at an exhibition organised by Flemish painter and architect Henry Van de Velde at the Antwerp Academy around 1892. He attended the Antwerp Academy but was sent from school because his conservative teachers disliked his subject matter and his free, spontaneous way with it. He threw his lot in with progressive political and cultural movements, and joined an anarchist group. By the early 1900s was recognized as one of the most promising young artists of the Antwerp school. He would never renounce his idealism. He became the artist of the typical harbour folk: sack porters, sack makers, emigrants, dockers, bargees, and tramps. Van Mieghem had his first taste of real success at La Libre Esthétique in Brussels, where his pastels and drawings hung alongside works by French impressionists such as Claude Monet, Paul Cézanne, Camille Pissarro, Jean Renoir and Édouard Vuillard. Van Mieghem married Augustine Pautre in 1902. At the end of November 1904 his young wife fell ill. Van Mieghem depicted her in an impressive series of drawings and pastels that rate alongside similar work by artists such as Rembrandt (The Series of Saskia) and Ferdinand Hodler (Valentine Godé). Grief-stricken at the death of his wife, it was not before 1910 until Van Mieghem showed his work again. After his first individual exhibition at Antwerp's Royal Society of Fine Arts in 1912, international interest in his work mounted and group exhibitions followed in Cologne and The Hague. In March 1919 he showed his wartime work in Antwerp. This remarkable series of mainly drawings and pastels met with the wide approval of art critics, who compared this work to that of Théophile-Alexandre Steinlen, Jean-Louis Forain, and Käthe Kollwitz. After an article by his friend and Flemish author Willem Elsschot appeared, Van Mieghem was also able to show his wartime work in a gallery in Scheveningen in The Netherlands. In 1929 he became a teacher of life drawing at the Academy in Antwerp and he participated in exhibitions every year until his death in 1930. In European social art of the turn of the century, international art critics compare his work to that of figures like Käthe Kollwitz, de Toulouse-Lautrec, and Steinlen. Provenance: Private collection, EU. Lots that do not carry established documented provenance, nor any past auction record are described in this catalog as "in the manner/style of". Pieces are being sold "As Is". No additional information regarding provenance will be provided after the auction. It is fully bidders' responsibility to check, read the description well and review the photos of this item or lot before bidding. Customers must agree to purchase our item acknowledging the descriptions presented. Shipping: Buyer pays shipping costs. We combine your shipping, if you buy more than one item. All shipments will be shipped by DHL EXPRESS, fast, easy and safe to track after we ship your item. Any questions, you can contact us 24/7.

Good Condition