Biblical Scene, lithograph, 17.7x13.7" (45x35cm), open edition print.
Print is in good condition and has a thick white matt around.
For further information about this artist, please log on to our eBay store or to our gallery (Bineth Gallery) website.
Marc Chagall (1887-1985) is a Russian-born French painter. Chagall was born to a humble Jewish family in the ghetto of a large town in White Russia, and passed a childhood steeped in Hasidic culture. Very early in life he was encouraged by his mother to follow his vocation and she managed to get him into a St Petersburg art school. Returning to Vitebsk, he became engaged to Bella Rosenfeld (whom he married twelve years later), then, in 1910, set off for Paris, 'the Mecca of art'.
He was a tenant at La Ruche, where he had Modigliani and Soutine for neighbors. His Slav Expressionism was tinged with the influence of Daumier, Jean-Fran?ois Millet, the Nabis and the Fauves. He was also influenced by Cubism. Essentially a colourist, Chagall was interested in the Simultaneist vision of Robert Delaunay and the Luminists of the Section d'Or.
Chagall returned to Vitebsk in 1914, where he was caught by the outbreak of the First World War. He married Bella there in 1915. He was appointed provincial Commissar for Fine Art in 1917 and became involved in ambitious projects for a local academy, but he left after two and a half years in order to escape the revolutionary dictates of Malevich.
After a stay in Moscow, where he worked in the Jewish theatre, then in Berlin, where he studied the technique of engraving, he returned to Paris in 1923.
For the publisher Vollard he illustrated Gogol's Dead Souls, La Fontaine's Fables and the Bible.
Breton, who admired the 'total lyric explosion' of his pre-war painting, tried to claim him for Surrealism but Chagall only flirted with it briefly during his exile in New York (1941-48).
His emblematic irrationality shook off all outside influences: color governed his compositions, calling up chimerical processions of memory where reality and the imaginary are woven into a single legend, born in Vitebsk and dreamed in Paris. Back in France, Chagall discovered ceramics, sculpture and stained glass. Commissions poured in: for the Assy baptistery in 1957, the cathedrals of Metz (1960) and Rheims (1974), the Hebrew University Medical Centre synagogue in Jerusalem (1960), the Paris Op?ra (1963). The Musee Chagall in Nice dedicated to the 'Biblical Message' set the seal on his fame in July 1973. A painter-poet celebrated by Apollinaire and Cendrars, "Chagall brought back the forgotten dimension of metaphor into French formalism."
* * * An official CERTIFICATE OF AUTHENTICITY issued by Bineth Gallery (Tel Aviv, Israel) will be provided with this work upon request * * *
Starting bid of this lot is $280
Print is in good condition and has a thick white matt around.
For further information about this artist, please log on to our eBay store or to our gallery (Bineth Gallery) website.
Marc Chagall (1887-1985) is a Russian-born French painter. Chagall was born to a humble Jewish family in the ghetto of a large town in White Russia, and passed a childhood steeped in Hasidic culture. Very early in life he was encouraged by his mother to follow his vocation and she managed to get him into a St Petersburg art school. Returning to Vitebsk, he became engaged to Bella Rosenfeld (whom he married twelve years later), then, in 1910, set off for Paris, 'the Mecca of art'.
He was a tenant at La Ruche, where he had Modigliani and Soutine for neighbors. His Slav Expressionism was tinged with the influence of Daumier, Jean-Fran?ois Millet, the Nabis and the Fauves. He was also influenced by Cubism. Essentially a colourist, Chagall was interested in the Simultaneist vision of Robert Delaunay and the Luminists of the Section d'Or.
Chagall returned to Vitebsk in 1914, where he was caught by the outbreak of the First World War. He married Bella there in 1915. He was appointed provincial Commissar for Fine Art in 1917 and became involved in ambitious projects for a local academy, but he left after two and a half years in order to escape the revolutionary dictates of Malevich.
After a stay in Moscow, where he worked in the Jewish theatre, then in Berlin, where he studied the technique of engraving, he returned to Paris in 1923.
For the publisher Vollard he illustrated Gogol's Dead Souls, La Fontaine's Fables and the Bible.
Breton, who admired the 'total lyric explosion' of his pre-war painting, tried to claim him for Surrealism but Chagall only flirted with it briefly during his exile in New York (1941-48).
His emblematic irrationality shook off all outside influences: color governed his compositions, calling up chimerical processions of memory where reality and the imaginary are woven into a single legend, born in Vitebsk and dreamed in Paris. Back in France, Chagall discovered ceramics, sculpture and stained glass. Commissions poured in: for the Assy baptistery in 1957, the cathedrals of Metz (1960) and Rheims (1974), the Hebrew University Medical Centre synagogue in Jerusalem (1960), the Paris Op?ra (1963). The Musee Chagall in Nice dedicated to the 'Biblical Message' set the seal on his fame in July 1973. A painter-poet celebrated by Apollinaire and Cendrars, "Chagall brought back the forgotten dimension of metaphor into French formalism."
* * * An official CERTIFICATE OF AUTHENTICITY issued by Bineth Gallery (Tel Aviv, Israel) will be provided with this work upon request * * *
Starting bid of this lot is $280
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Auction details
Israeli Jewish and International Fine Art
10:00 AM PT - Apr 17th, 2006
offered by
Bineth Gallery
15 Frishman st.
Tel-Aviv, 63578
Tel-Aviv, 63578
