Age: 1947
Size: 13.25x10.5"
Weight: 3.4lbs
Maker: Clarence John Laughlin
Frame/Mat Size: 24.25x18.25"
Frame Description: Steel framed glass
Provenance: New Jersey Estate
Description: This downward angled black and white photograph achieves a dizzying perspective with its inclusion of a chandelier at the center of a spiraling staircase. The shadows of the stairs create illusory spirals following the physical spiral of the banister, creating concentric patterns that draw the eye and scatter focus. The bottom left corner of the mounting paper titles the piece as "The Superb Spiral: 1947 (The Houmas House)" followed by his signature at the bottom right corner.
Condition: Very well preserved, this piece shows no losses or scratches along the surface.
History: Clarence John Laughlin (1905 – 2 January 1985) was an American photographer best known for his surrealist photographs of the U.S. South.Laughlin was born into a middle-class family in Lake Charles, Louisiana. His rocky childhood, southern heritage, and interest in literature influenced his work greatly. After losing everything in a failed rice-growing venture in 1910, his family was forced to relocate to New Orleans where Laughlin's father found work in a factory. Laughlin was an introverted child with few friends and a close relationship with his father, who cultivated and encouraged his lifelong love of literature and whose death in 1918 devastated his son.Although he dropped out of high school in 1920 after having barely completed his freshman year, Laughlin was an educated and highly literate man. His large vocabulary and love of language are evident in the elaborate captions he later wrote to accompany his photographs. He initially aspired to be a writer and wrote many poems and stories in the style of French symbolism, most of which remained unpublished.Laughlin discovered photography when he was 25 and taught himself how to use a simple 2½ by 2¼ view camera. He began working as a freelance architectural photographer and was subsequently employed by agencies as varied as Vogue Magazine and the US government. Disliking the constraints of government work, Laughlin eventually left Vogue after a conflict with then-editor Edward Steichen. Thereafter, he worked almost exclusively on personal projects utilizing a wide range of photographic styles and techniques, from simple geometric abstractions of architectural features to elaborately staged allegories utilizing models, costumes, and props.Through this period one of his favorite models was Dody Weston Thompson who went on to become a notable photographer in her own right.Many historians credit Laughlin as being the first true surrealist photographer in the United States. His images are often nostalgic, reflecting the influence of Eugène Atget and other photographers who tried to capture vanishing urban landscapes. Laughlin's best-known book, Ghosts Along the Mississippi, was first published in 1948.He died on January 2, 1985 in New Orleans, leaving behind a massive collection of books and images.