Lot 0506

Follower of Cornelius Johnson (British, first half of

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British School (First Half 19th Century): British School (First Half 19th Century) Group of Four Fine British and American Miniature Portraits of "Dandies" each watercolor each unsigned. Each glazed in an oval pendant with plated rolled gold;

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British School (First Half 19th Century): British School (First or Second Quarter 19th Century), "Portrait of a Gentleman", oil on artist's board, unsigned, 8-7/8" x 7-3/4". Framed.

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British School, First Half 19th Century: British School, First Half 19th Century Portrait of a Young Boy with a Riding Whip oil on panel 19 x 14 3/4 inches. Provenance: Harry B. Hartman Antiques, Pennsylvania

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"Flying Seabirds". Monogrammed Oil on Masonite: Likely British School, first half of 20th century. "Flying Seabirds", oil on masonite, illegibly monogrammed lower left EGA?. Horizontally-aligned painting depicting four larger black and white seabir

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CORNELIUS JOHNSON, PORTRAIT OF EDWARD WALKER, 1649: Cornelius Johnson or Cornelis Janssens van Ceulen (Anglo-Dutch, 1593-1661). Portrait of Sir Edward Walker, Garter Principal King of Arms (British, 1611-1677) - 1649, oil on canvas, apparently unsigned

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EUROPEAN SCHOOL OIL PAINTING SIGNED BY THE ARTIST: A vintage European School oil painting on board depicting a portrait of a girl in the manner of John Dawson Watson (British, 1832-1892). Signed by the artist lower right. Circa: first half of the 20th

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EUROPEAN SCHOOL OIL PAINTING SIGNED BY THE ARTIST: A vintage European School oil painting on board depicting a portrait of a child in the manner of John Dawson Watson (British, 1832-1892). Signed by the artist lower right. Circa: first half of the 20t

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Follower of Sir Peter Lely (British 1618-1680), ,: Follower of Sir Peter Lely (British 1618-1680) Portrait of a Lady, Said to be the Duchess of Marlborough, Half-Length Oil on canvas 27 1/4 x 23 1/4 in. (69.2 x 59.1cm) PROVENANCE: Private Collection,

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Italian school of the first half of the seventeenth: Italian school of the first half of the seventeenth century. School of "CORREGGIO" Antonio Allegri (Italy, 1494 - 1534). "Madonna and child with St. Jerome and Mary Magdalene". Oil on canvas. Re-tinte

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ROMAN SCHOOL, FIRST HALF OF 17th CENTURY Salome with the head of the Baptist: Oil on canvas, cm. 123x92,5

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India, Sultanate Period, first half 16th cent painting: India , Sultanate Period, first half 16th century. Illustration from the so called “ Bombay Chandayana” Watercolor and gold on paper. . This belongs to a dispersed illustrated Chandayana manuscrip

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French school of the first half of the 19th century. "Orientalist scene". Oil on canvas. Relined.: French school of the first half of the 19th century. "Orientalist scene". Oil on canvas. Relined. Signed "A. Garneray" in the lower right corner. Measurements: 79 x 62 cm; 94 x 78 cm (frame). The pain

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Italian school; first half of the 17th century. "Allegory of charity". Oil on canvas. It presents: Italian school of the first half of the 17th century. "Allegory of Charity". Oil on canvas. It presents restorations and faults on the pictorial surface. Measurements: 118 x 74 cm. Allegory image in w

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GENOAN SCHOOL, FIRST HALF OF THE 17th CENTURY - Ecce: GENOAN SCHOOL, FIRST HALF OF THE 17th CENTURY Ecce Homo Oil on canvas, cm. 92x69,5. Framed

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2023FRANÇOIS DE NOME CALLED "MONSU DESIDERIO" (Metz, France, c. 1593 - Naples, Italy, c. 1644)See Sold Price

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Charles van Sluys (Dutch, 1st Half 19th Century): Charles van Sluys (Dutch, First Half 19th Century) "Still Life with Oysters, Lemons and Cruet", 1846 oil on wood panel signed "Ch. van Sluys" and dated "1846" lower right and en verso. Framed. 16" x 1

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Follower of Cornelius Johnson (British, first half of

Item Details

Description

Follower of Cornelius Johnson (British, first half of 17th Century) Portrait of the Reverend Doctor Johnstone (b.1600), half length holding a red book Inscribed (probably?) "Pvlveris imago imagins umbra umbrae insomnium insomnii oblivio " and charged with a coat-of-arms oil on canvas 75 x 62cm (29 x 24in)

Condition

Canvas is lined. Thinly painted with wear and abrasion visible in lighter paint passages. Paint layer is sound and stable. Scattered areas of retouchingcovering abrasion. Varnish is dull and discoloured with scuffs and scratches. Frame in a good condition with small losses.