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Lithographic Prints - Leonardo Da Vinci Drawings (Set
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Description
Set of two lithographic prints comprising:
lithographic print of drawing by Leonardo da Vinci entitled Neptune with his Sea-horses., originally drawn c.1504-5
Acquired by Charles II, King England (1630-85). Bequeathed to Francesco Melzi; purchased by Pompeo Leoni, c.1582-90; Thomas Howard, 2nd Earl of Arundel by 1630 and finally resting with The Royal Collection by 1690.Black chalk on white paper. A study for the drawing of Neptune for his friend Antonio Segni, master of the papal mint. Although highly praised in the sixteenth century, the large finished drawing is now lost and what we see here is a preparatory study. The flowing design and movement is comparable with the Battle of Anghiari on which Leonardo was working at the same time. At the top of the paper is written, in Leonardo's hand a reminder to 'Abasse icchacalli' (lower the horses).
Print size inches: 9.3 x 6.1 together with lithographic print of drawing by Leonardo da Vinci entitled The Head of Leda, originally drawn c.1504-6
Acquired by Charles II, King England (1630-85). Bequeathed to Francesco Melzi; purchased by Pompeo Leoni, c.1582-90; Thomas Howard, 2nd Earl of Arundel by 1630 and finally resting with The Royal Collection by 1690.Pen and ink over black chalk. This is a study, four of which survive, for the head of Leda in the painting Leda and the Swan. The theme is based on the mythical tale of Leda seduced by Jupiter in the form of a swan. Leonardo demonstrates his attention to detail with the whorls and braids of the hairstyle, not dissimilar to forms created by water. The painting itself does not survive, having been destroyed in the eighteenth century.
Print size inches: 6 x 7.2
lithographic print of drawing by Leonardo da Vinci entitled Neptune with his Sea-horses., originally drawn c.1504-5
Acquired by Charles II, King England (1630-85). Bequeathed to Francesco Melzi; purchased by Pompeo Leoni, c.1582-90; Thomas Howard, 2nd Earl of Arundel by 1630 and finally resting with The Royal Collection by 1690.Black chalk on white paper. A study for the drawing of Neptune for his friend Antonio Segni, master of the papal mint. Although highly praised in the sixteenth century, the large finished drawing is now lost and what we see here is a preparatory study. The flowing design and movement is comparable with the Battle of Anghiari on which Leonardo was working at the same time. At the top of the paper is written, in Leonardo's hand a reminder to 'Abasse icchacalli' (lower the horses).
Print size inches: 9.3 x 6.1 together with lithographic print of drawing by Leonardo da Vinci entitled The Head of Leda, originally drawn c.1504-6
Acquired by Charles II, King England (1630-85). Bequeathed to Francesco Melzi; purchased by Pompeo Leoni, c.1582-90; Thomas Howard, 2nd Earl of Arundel by 1630 and finally resting with The Royal Collection by 1690.Pen and ink over black chalk. This is a study, four of which survive, for the head of Leda in the painting Leda and the Swan. The theme is based on the mythical tale of Leda seduced by Jupiter in the form of a swan. Leonardo demonstrates his attention to detail with the whorls and braids of the hairstyle, not dissimilar to forms created by water. The painting itself does not survive, having been destroyed in the eighteenth century.
Print size inches: 6 x 7.2
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Lithographic Prints - Leonardo Da Vinci Drawings (Set
Estimate £60 - £100
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