Lot 0607

John Vanderbank (British, 1694–1739) - Portrait of Mary

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John Vanderbank (British, 1694-1739): John Vanderbank (British, 1694-1739) "Portraits of Mr. and Mrs. Charles Taylor", 1726 pair of oils on canvas each signed and dated mid left. One unframed, the other in a Georgian gesso and giltwood fr

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(18th c) PORTRAITS OF KING WILLIAM AND MARY: British School oil on canvas 25 x 21 inches. unsigned. framed. 29 x 25 inches (overall).

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John Pettie (1839-1893) British. Portrait of a Scottish: John Pettie (1839-1893) British. Portrait of a Scottish Laird, Oil on Canvas laid down, Signed, 11.5" x 9".

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Circle of John Hoppner (British, 1758–1810) Portrait of a Young Lady, Bust-Length: Circle of John Hoppner (British, 1758–1810) Portrait of a Young Lady, Bust-Length Oil on canvas30 1/8 x 25 1/8 in. (76.5 x 63.8cm) Provenance Private Collection, Washington. Fr

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after John Hoppner (British, 1758-1810), Portrait of Sir James Shaw (with Mezzotint): after John Hoppner (British, 1758-1810), Portrait of Sir James Shaw (with Mezzotint)oil on canvas, unsigned, half-length, he holds a rolled paper inscribed "The King's Order of Precendence," the canva

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After John Morgan (British, 1822-1885), "Portrait of a Man of Bethlehem," 1894, H.- 11 3/8 in.,: After John Morgan (British, 1822-1885), "Portrait of a Man of Bethlehem," c. 1894, oil on canvas, initialed "H.W." or "N.W." and dated "1894" bottom right, with a "Winsor & Newton, Limited, 38 Rathbon

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Circle of John Vanderbank (1694-1739): Circle of John Vanderbank (1694-1739) Circle of John Vanderbank (1694-1739) Portrait of a gentleman, three-quarter-length, in a red jacket and gold waistcoat oil on canvas 127 x 101cm, unframed

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John Jackson, R.A. (British, 1778-1831) Portrait of Sir: John Jackson, R.A. (British, 1778-1831) Portrait of Sir Thomas Lawrence, PRA. Oil on canvas. Unsigned. Verso bear original plaque reading "Sit Thos Lawrence, P.R.A. Painted by John Jackson, R.A. 1778-

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JOHN CALLINGTON MOORE (BRITISH, 1829-1880) PORTRAIT OF: JOHN CALLINGTON MOORE (BRITISH, 1829-1880) PORTRAIT OF A YOUNG MAN, watercolor on paper bearing English watermark, signed "J. C. Moore" and indistinctly dated at lower sight edge. Housed under glass i

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Attributed to John Opie (British, 1761-1807): Attributed to John Opie (British, 1761-1807) "Portrait of Robert Brereton" oil on canvas unsigned. Framed. 30" x 25", framed 37" x 31-1/2"

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John Russell "Portrait of Miss Blackwood": John Russell (British, 1745-1806) "Portrait of Miss Blackwood", oil on canvas laid down on wood panel, signed "J. Russell" under original varnish which was left intact to preserve signature, 10" x 8"

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LASLETT JOHN POTT (BRITISH 1837-1898): LASLETT JOHN POTT (BRITISH 1837-1898) Portrait of a Young Lady , 1885 oil on canvas 76.5 x 51 cm (30 1/8 x 20 1/8 in.) signed and dated lower right CONDITION

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John Partridge oil: John Partridge (British 1790-1872)- Portrait of A Nun- oil on canvas, 1829, signed J. Partridge 1829 lower right, old restoration, craquelure. 36 x 30''

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Sir John Watson Gordon R.A. (British, 1788-1864) Portrait of Amelia Frances Pellat in a black dr...: Sir John Watson Gordon R.A. (British, 1788-1864) Portrait of Amelia Frances Pellat in a black dress and gold chain, a landscape beyond oil on canvas 76.2 x 63.5cm (30 x 25in). Footnotes: Prov

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John Hoppner, R.A. (British, 1758-1810): John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

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Painting, John Smibert: John Smibert (American/British, 1688-1751) "Portrait of Judge Dr. Willam King In Robes," c. 1705, oil on canvas, titled lower right, artist label with partial signature and title affixed stretcher bar

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John Vanderbank (British, 1694–1739) - Portrait of Mary

Item Details

Description

John Vanderbank (British, 1694–1739) Portrait of Mary Thompson, half length, in white with pearls in her hair signed centre left "Jn. Vanderbank/ fecit 1737" oil on canvas 74 x 62cm (29 x 24in)

Condition

Relined and cleaned and with craquelure overall. A few small areas of retouching in the face and large area in blue cloak, which are well matched to the original. Small area of flaking and loss at the left hand side. Frame has been regilded.