number 75 of 150 de luxe copies on handmade paper and signed by the author , photogravure frontispiece portrait by Edward Steichen, 20 plates, each tipped to thicker brown leaf with captioned tissue guard, offsetting from brown leaves onto adjacent pages (as usual) and endpapers foxed, original cream cloth, gilt, yapp edges, g.e., spine soiled, 1911; The Marionette, vol.1 [all published] nos.1-4 only (of 12), plates and illustrations, original printed yellow, green, orange and blue glazed wrappers respectively, a little rubbed and soiled, a few creases, no.2 cover becoming loose and lacking corner of upper cover, 1918; Fourteen Notes, number 72 of 350 copies, light spotting, prospectus loosely inserted, original cloth-backed boards, uncut, Seattle, 1931; Paris Diary 1932-1933, edited by Colin Franklin, out-of-series copy from an edition limited to 350, this marked "Author's copy", plates, prospectus loosely inserted, original morocco-backed boards, uncut, North Hills, Pa., Bird & Bull Press, 1982 § Newman (L.M.) The White Fan: Gordon Craig's Neglected Masterpiece of Symbolist Staging, one of 225 copies, illustrations, original marbled wrappers, Malkin Press , 2009; and 2 duplicates of The Marionette , v.s. (10)