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Auction details

 

Impt. Books,Manuscripts,Literature,Americana
11:00 AM PT - Dec 10th, 2008

 

offered by
Bloomsbury Auctions

 

6 West 48th Street

New York, NY 10036-1902
Us Auction

 

       

Lot 161E save

WILDE, Oscar (1854-1900). The Sphinx. first editi

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WILDE, Oscar (1854-1900). The Sphinx.
London: Elkin Mathews and John Lane, 1894. 4to (215 x 165 mm). Printed in three colours, black, bright green and maroon, with decorations by Charles Ricketts. Original full vellum boards with cover designs by Ricketts with his monogram in the bottom left-hand corner of the upper cover, the monogram of the binders, Leighton, Son and Hodge, appears on the back cover, custom cloth case. Condition: usual occasional light spotting, unobtrusive ink inscription to first flyleaf, front pastedown with bookplate, minute wear and slight soiling only. first edition, one of 200 copies for sale in england. Ricketts thought that The Sphinx was his best work as an illustrator, although Wilde disagreed, believing that they were the product of intellect rather than temperament. The book was delayed in its publication on account of the Beardsley illustrated Salomé appearing in 1893. Eventually the book came out in 1894 in an edition of 200 copies; press hostility to Wilde ensured its failure. The book became a rarity almost immediately owing to a fire at the Ballantyne Press destroying many of the unsold copies. "the Sphinx is his [Rickett's] best book ... The result is a perfect whole, as harmonious as it is dazzling. The haunting designs gold-stamped on the vellum covers propose the subject. The poet's mood is established by the figure of Melancholia gazing at the Sphinx in the pictorial title. The adventures of this hybrid creature through the "weary centuries" are obliquely presented in the designs that follow. And the poet's final turning back from the "foul dreams of sensual life" that she has imposed upon him to the creed of the crucifixion is delayed in the conclusion ... this remains his [Rickett's] most original and consistent work." - Ray.Mason 361; Ray, Illustrator and the Book, 262.

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