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Gary Burnley signed silkscreen 1981

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GARY BURNLEY
PUBLIC PROJECTS, COMMISSIONS & INSTALLATIONS
1994–1988
Principal collaborator on the design of a new light-rail transportation system and its infrastructure for the city of Saint Louis, Missouri
1989
Installation, Snug Harbor Cultural Center, Staten Island, NY
1985
Installation, New Haven, CT
1983
Commission, MTA, New York, NY
1982
Installation, Prospect Park, Brooklyn, NY

ONE/TWO PERSON EXHIBITIONS
2006
Silo, New York, NY
1987
Ted Greenwald Gallery, New York, NY
1984
Weatherspoon Gallery, University of North Carolina, Greensboro
1983
Holly Solomon Gallery, New York, NY
Anderson Gallery, Viirginia Commonwealth University, Richmond
1982
Holly Solomon Gallery, New York, NY
1981
McIntosh/Drysdale Gallery, Washington, DC
1989
Artist Space, New York, NY
1976
Lehigh University, Bethlehem, PA
1974
Yale School of Art, New Haven, CT

GROUP EXHIBITIONS
2002
Barbara Walters Gallery, Sarah Lawrence College, Bronxville, NY
1992
The Forum Gallery, Saint Louis, MO
1990
National Building Museum, Washington, DC
1989
Newhouse Center for Contemporary Art, Staten Island, NY
1988
Contemporary Arts Museum, Houston, TX
Department of Cultural Affairs, New York, NY
1987
Mary Delehoyd Gallery, New York, NY
Ted Greenwald Gallery, New York, NY
1984
Artist Space, New York, NY
Holly Solomon Gallery, New York, NY
University of South Florida
1983
Weatherspoon Gallery, University of North Carolina, Greensboro
Holly Solomon Gallery, New York, NY
1982
Hudson River Museum, Yonkers, NY
Fay Gold Gallery, Atlanta, GA
1981
Hallwalls, Buffalo, NY
Queens Museum, Queens, NY
Hansen-Fuller Gallery, San Francisco, CA
Artist Space, New York, NY
Mattingly-Baker Gallery, Dallas, TX
The Sculpture Center, New York, NY
The Alternative Museum, New York, NY
Tyler School of Art, Philadelphia, PA
Hamilton College, Clinton, NY
Just Above Midtown Gallery, New York, NY
1980
Leo Castelli Gallery, New York, NY
Holly Solomon Gallery, New York, NY
1979
Toni Birckhead Gallery, Cincinnati, OH
112 Workshop, New York, NY
1974
Saint Louis Art Museum
Kansas City Art Museum

SELECTED BIBLIOGRAPHY
1996
Figgatt, Bonnie, The Ridgefield Press, Thursday October 17
1995
Yatzek,Tanya, "Design Collaboration", Maquette Magazine, December
1993
Robinson, Walter, ARTWORLD, Art in America, January
1989
Gass, Mary Henderson, INLANDSCAPE, Inland Architect, January
Degener, Patrica, "Artists Visions", St.Louis Post-Dispatch. January 29
Green, Chris, "Function and Form", Gateway Engineer, May
Fressola, Michael, Staten Island Advance, August 27
1984
Canning, Sue, The Spector, Greensboro, NC, October 10
1983
Merritt, Robert, Review, Richmond Times Dispatch, January 14
1982
Cover, Architectural Digest, July

Green, Lois, "Art- San Francisco", Architectural Digest, July
Lawson, Carol, The New York Times, Sunday June 20
1981
Fleming, Lee, Review, New Art Examiner, March
Fleming, Lee, The Washingtonian, September
Foran, Jack, Review, Buffalo Evening News, February 25
Hunting, Richard, Review, Buffalo Courier Express, February 22
Kunter, Janet, Review, Dallas Morning News, May 8
Lewis, Jo Ann, Review, The Washington Post, January 24
Perreault, John, Review, Soho Weekly News, July 22
Perreault, John, Useable Art, Portfolio, July/August
Wohlfert, Lee, Young Sculptors, Town and Country, September
1980
Rickey, Carrie, Review, ARTFORUM, February
Larson, Kay, The Village Voice, December 24
Zimmer, William, Review, Soho weekly News, December 14

AWARDS & FELLOWSHIPS
2001 – 1996
Whittmore Chair in the Visual Arts, Sarah Lawrence College, Bronxville, NY
1996
National Design for Transportation Award, National Endowment for the Arts and The United States Department of Transportation
1995
Presidential Design Award
Federal Design Award
1989
New York State Council for the Arts Fellowship
1984
National Endowment for the Arts Fellowship
1982
Creative Artist Public Service (CAPS) Fellowship


# 6 FOR HOLLY...
Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan-Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker
Marieluise Hessel acquired the works in this room from the legendary SoHo art dealer Holly Solomon. Famously depicted by Andy Warhol in the 1960s, Solomon became one of the most idiosyncratic and independently minded art dealers of the postwar era. Having worked with artists as distinctive as Gordon Matta-Clark, William Wegman, Robert Wilson collaborator Christopher Knowles, and Sigmar Polke, amongst many others, Solomon came to champion—towards the late 1970s and early 1980s—an eclectic, even eccentric, group of artists whose work fearlessly explored the then-taboo subject of art's relationship with decoration. Seemingly out of synch with the dominant socially and politically charged practices of the era, this work—some of which was aligned under the term Pattern and Decoration—has deftly eluded assimilation into the art-historical canon, affording the work an unusual degree of liberty for revaluation and potential recuperation.



CCS Bard Hessel Museum
Hessel Museum of Art & CCS Galleries
Bard College - The Center for Curatorial Studies

Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection
Curator: Matthew Higgs

Künstler: Jonathan Borofsky; Andy Warhol, Imi Knoebel, Joseph Kosuth, Allan McCollum, Martin Kippenberger, Robert Mapplethorpe, Judy Linn, Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Kim MacConnel, Joe Zucker, Jenny Holzer, Barbara Kruger, Bruce Nauman, Raymond Pettibon, Jack Pierson, Cady Noland, Rob Pruitt & Walter Early, Rita Ackermann, Jonathan Borofsky, John Currin, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, Nicola Tyson, Donald Judd, Blinky Palermo, Jorge Pardo, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, Cindy Sherman,Vito Acconci, Bruce Nauman, Aida Ruilova, Cindy Sherman, Lorna Simpson, Dan Flavin, Felix Gonzales-Torres

EDUCATION
MFA Yale University School of Art
BFA Washington University, Saint Louis, Missouri

unframed

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