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Agam FDC with colorful stamps Israeli

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The son of an Orthodox Rabbi, scholar and writer, Agam was born on May 11, 1928 in Rishon Letzion, Israel. As a child, he began to draw, despite religious proscription against visual expression. Agam's family recognized his artistic ability and, in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus, he discovered the differences between other cultures which stress the afterlife and the Hebrew culture which emphasizes the present. Because Judaism believes life is dynamic and ever-changing, Agam determined that static paintings were inadequate to express the constantly occurring changes which surround us. In 1950, upon mordechai ardon recommendation, Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. This was the first important exhibition of kinetic art; in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. The show confirmed Vasarely's international reputation as the father of Op art. In 1951, Agam moved to Paris. A number of the world-famous Surrealist artists living in France were the first to discover and encourage him. His first one-man exhibition held at Galerie Craven, Paris in 1953, featured kinetic and transformable paintings which invited spectator participation. The show was a critical success and attracted considerable attention in art circles. Max Ernst was the first person to acquire a work by Agam. Recently Agam expressed these new conceptions in monumental architectural works such as his "Jacob's Ladder," which forms the ceiling at the National Convention House in Jerusalem. His "Double-Metamorphosis II" is in the Museum of Modern Art in New York. He created a twenty-seven foot high mural for the passenger ship "Shalom". His water fire fountain mixes water, sound and movement. For the Civic Center at Leverkusen in 1970, Agam created a visual space; an environment which embraces the viewer and makes him live within the painting. He no longer looks out of a framed, fixed and static scene, but rather moves within a space-work which changes constantly according to his shifting position and point of observation. In 1972, Agam created a whole Environmental Salon for the Elysee Palace in Paris, including walls, kinetic ceiling, moving transparent colored doors and a kinetic tapestry on the floor. The Environmental Salon is now on permanent exhibit at the Pompidou Museum in Paris. At the same time, an Agam mural was being completed at the President's Mansion in Jerusalem. In the new district of La Defense in Paris, he created a monumental musical fountain (1975) comprising 66 vertical water jets shooting water up to 14 meters (46'). Agam has delivered lectures about his theories and experimentations at many art schools, conventions and universities. In 1968 he was guest-lecturer at Harvard University, where he conducted a seminar on the theory of visual communication. In 1980, a major one-man retrospective exhibit, "Beyond the Visible," was held at the Solomon R. Guggenheim Museum in New York. In 1983, Israel issued an Agam stamp, to commemorate the 35th anniversary of the independence of the State of Israel. His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings "Double Metamorphosis 11" in the Museum of Modern Art in New York and "Transparent Rhythms 11 "in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including "Communication x 9" on the Michigan Avenue in Chicago (1983), "Communication: Night and Day" at the AT&T building in New York (1974), "Super Lines Volumes" at the Pare Floral in Paris (1971), and his murals "Peace" and "Life" arc installed at the Parliament of Europe in Strasbourg (1977). some of his work was cast by susse fondeur. Agam has expressed the new concepts in monumental works as in his "Jacob's Ladder" which forms the ceiling of the National Convention House in Jerusalem He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1 987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work. For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970. Agam created many environmental sculptures, including "Hundred Gates" in the garden of the residence of the President of Israel in Jerusalem, "3 x 3 Interplay" installed at the Julliard School of Music at the Lincoln Center and "Wings of the Heart" at J. F. Kennedy airport in New York. In 1984 he made a sculpture "Beating Heart" for the Hadassah Hospital in Jerusalem. In 1988 he created a transparent torah ark for the Hebrew Union College in New York, and monumental multidimensional sculpture at the Crystal Palace Hotel in Nassau, Bahamas. In 1987, he created a memorial at the Wailing Wall in Jerusalem for the victims of the holocaust. In 1991 he created a sculpture 'Tree of Life" and a room for meditation at the Haidrah Yeshiva at the Wailing Wall Plaza in Jerusalem. He also made 14 stained glass windows for the Holocaust study center of Emunah Women of America building in Jerusalem. In the new district of La Defense in Paris, Agam created a monumental musical fountain (1977), with its pool made of polymorphic mosaic surface. It is comprised of 66 vertical water jets shooting water up to 14 meters; the fountain was further enhanced with the addition of five new triple tulip jets in 1991. Another fire-water fountain was inaugurated in 1991 at the Tampa Convention Center in Florida. Other monumental works, include the painting of the entire building facade of Mondrian Hotel in Los Angeles (1984) and 36-poor Villa Regina building in Florida (1983) He made a large mural for Port Authority Bus Terminal in New York, commission gained through an international competition, in 1984. His kinetic sculpture "Star of Peace" was presented as the Ben-Gurion Award for an Outstanding Contribution to Understanding Between the Peoples of the Middle East to President Anwar Sadat, Prime Minister Menachem Begin and President Jimmy Carter in 1979. Agam has delivered lectures concerning his theories and experiments at many art schools, conventions, universities and museums, and during the year of 1968 he was a guest-lecturer at Harvard University, where he conducted a seminar and course "Advanced Exploration in Visual Communication", International recognition has been widespread: Prize for Artistic Research at the Sao Paolo Biennale (1963), Chevalier de l'Ordre des Arts et Lettres (1974), Honorary Doctorate of Philosophy, Tel Aviv University (1975), Medal of the Council of Europe (1977), Commandeur de l'Ordre des Arts et Lettres (1985), Sandberg Prize from the Israel Museum, Jerusalem (1985), Palette d'Or at the International Festival at Cagnes-surMer (1985), and most recently the Grand Prize at the First International Biennale in Nagoya, Japan, ARTECH '89 (1989). He has participated in shows all over the world and has had many one-man exhibitions, including the retrospective exhibition held at the Musee National d'art Modeme in Paris (1972), which was then shown at the Stedelijk Museum in Amsterdam, Stadtische Kunsthalle in Dusseldorf, and Tel Aviv Museum. Another large-scale retrospective exhibit was held at the Guggenheim Museum in New York (1980). He had a large one-man exhibition at the Museum ofPontoise (1975), the Palm Spring Desert Museum, California, on an occasion of the inauguration of the museum (1976), the Museum of Art Birmingham, Alabama (1976), the Museo de Arte Modemo, Mexico (1976), the National Museum of Art, Cape Town, South Africa (1977). The retrospective exhibition was held at the lsetan Museum in Tokyo, Daimaru Museum in Osaka and Kawasaki City Museum in Japan (1989), and at the Museo Nacional de Bellas Artes in Buenos Aires Argentina (1996). He also held an exhibition "Selected Suites" at the Jewish Museum, New York (1975). Agam has also had many one-man shows in art galleries since 1953, including Denise Rene Gallery, Paris (1956), MarIborough-Gerson Gallery, New York (1966), Gallery Denise Rene, New York (1971) and a series of one man exhibits all over the United States at the Circle Fine Art Galleries.

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