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FORE-EDGE PAINTINGS, -- James BEATTIE. Group of tw

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1) The Minstrel; or, The Progress of Genius: in Two Parts. Alnwick: Catnach and Davison, 1807. 4to (160x 90 mm). Plates. Contemorary full red morocco ruled in gilt, a.e.g. Condition: soiling and foxing; binding worn with tear to spine. fore-edge view of stonehenge. 2) An Essay on the Nature and Immutability of Truth. London: 1824. 12mo (130x 65mm). . Contemporary full rough red morocco in gilt and blind, spine in gilt and blind with 4 raised bands, slipcase. Condition: slightly worn, spine edges worn, ownership signature; slight browning and foxing. fore-edge painting "the vennel" edinburgh.(2)

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