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Beautiful Pair of Sweetheart Sandbottles by Andrew Clemens, in apothecary-type jars with glass stoppers. One retains its original paper label on the bottom reading PICTURED ROCK SAND / PUT UP BY / A. CLEMENS / DEAF MUTE. / McGREGOR, IOWA. Both are filled with sand in more than a dozen colors, arranged in swirls, geometric, and floral patterns, and both bear what we now recognize as Clemens' patriotic trademark eagle and flag. On the opposite sides, the bottles have labels flanked by an assortment of flowers and greenery, including roses, pansies, and lily of the valley. The labels read Helen Wimmler, Milwaukee. and Henry Reinken, Manitowoe, Wis., and above the eagle on Helen's bottle is a small block reading FROM H.R. Velvet bands, one black, one red, decorate the tops of the bottles and, more practically, hide the packing and the seal. An exceptionally rare pair; 8.5" high x 3" diameter (at base)
According to family history, Henry Reinken and Helen Wimmler were sweethearts, and Reinken had these bottles created as sweetheart mementos. Clemens worked his magic on the bottles, and possibly on Henry and Helen, as they were later married, thus uniting the bottles. After their deaths, Henry's brother took possession of the bottles. They remained in his possession until his death, at which point they were left to the family of the current owner. Andrew Clemens (1857-1894), born in Dubuque, Iowa, spent most of his life in nearby McGregor. He lost his hearing and voice to encephalitis at the age of five. At thirteen, his parents sent him to the Iowa Institute for the Education of the Deaf and Dumb in Council Bluffs. After leaving the Institute, Clemens began experimenting with sand art, collecting the naturally occurring, multicolored sands from the Pictured Rocks region of Iowa. He fashioned special tools that he used to arrange the sand in intricate designs and then pack it tightly (he used no glue of any kind). Sizes and designs varied, and orders came to Clemens from around the world, each customer paying about five to seven dollars. His early work was generally geometric in nature, but as his skill and creativity developed, his subjects ranged from boats and ships, flowers, flags, and eagles. He frequently portrayed local subjects, and often created custom sandbottles depicting a scene of his customer's choosing and including their name using a fancy font in multiple colors. Perhaps his best work is a twelve-inch bottle that includes a portrait of George Washington on horseback, now in the collection of the Iowa State Historical Museum. Larger, more complex bottles took as much as year to complete. Clemens received moderate recognition for his work during his lifetime, exhibiting at the South Side Museum in Chicago. He received an invitation to show his art at the 1893 Columbian Exposition, but Clemens refused thinking that he was not good enough for such a venue. Throughout his career, the window in front of his worktable was a popular place for McGregor residents to pass the time, watching the meticulous artist create his sandbottles. In his later years, he became so absorbed in his work, he lost interest in nearly everything else, and the long hours hunched over his table began to take their toll. Clemens, dubbed "the portrait painter without a brush or even paint," died in 1894. He is thought to have produced hundreds of bottles during his lifetime, but relatively few survive today. See the May 1945 issue of The Palimpsest, the journal of the State Historical Society of Iowa. See also Cowan's May 2004 and November 2004 sale catalogues for other Clemens sandbottles. Condition reportMinor wear to label, velvet bands showing expected age, one loose; VG+.
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