Ten (10) engravings after Edmund Thomas Parris, 1836, from the portfolio "Gems of Beauty," depicting beautiful women in lush costumes and settings (some margin tears, creases and foxing), all 14" x 10-1/2" overall; Seven (7) English Theater color engravings including 2 scenery depictions pub. by Pollock and 5 prints of costumed actors by J. Redington such as Pantaloon, Harlequin, Falstaff, etc. (light foxing; Pantaloon has a small area of light staining to face/hair), all 8-1/2" x 6-3/4"; 1 colored engraving of the New York Crystal Palace (1853) published by Capewell and Kimmel, 9-1/2" x 11-3/4"; 1 engraving after J.M.W. Turner, titled "Regulus Leaving Carthage", pub. S. Bradshaw (foxing, light staining and creasing to margin; image excellent), 17" x 11-3/4" overall; 1 colored engraving titled "Vue du Jardin du Palais Royal Prise de la Galerie Vitree (View of the Palace Garden from the Balcony)" pub. Basset, Paris (poor condition with staining, foxing, and margin losses), 13-1/2" x 20"; 1 View of Mount Hood from Tysch Prairie depicting figures on horseback, published by the U.S. Pacific Railroad Surveys (acid burn around perimeter), 8" x 10" overall; 1 view "The City of Milwaukee" published by D. Appelton 1872, 10" x 13" overall; two (2) 19th century American views published by Putnam, Housatonic Valley and West Rock, New Haven (after Frederick Church) (likely trimmed with acid burn and tape discoloration), 8" x 11-3/4" overall; 1 framed engraving "New Haven Connecticut Looking Southwest Across the Green Towards Yale College" drawn by A.J. Davis, published 1830 by Jennings and Chaplin, 8" x 10"; 1 framed etching view of a European building, illegibly titled and signed in pencil (scattered stains), 9-1/2" x 7-1/2"; Two (2) matted prints after Stephen Mopope from the 1979 portfolio of Kiowa Indian Art "Wedding Ceremony" and "Warrior in Green" (creases and losses to matte), 20" x 13"; 1 vintage movie poster, "Seven Sweethearts" (MGM, 1942) (tape and small tears at fold lines and edges), 41" x 27"; Two (2) contemporary woodblock prints, both artist's proofs, "Mushrooms" by Pamela Holeman, 1969 (10" x 13") and "Park- Italy" (9" x 6"), illegibly signed; and 1 trial proof etching of a man herding sheep, signed George Taylor (creasing and uneven discoloration), 13-1/2" x 8-3/4". All items mid-19th to early 20th century unless otherwise dated.

All items in good condition with expected light toning except where noted in description.