1812 Engraving Carlo Lasinio (1759-1838) Italian

Pair of Classical Engravings, After Lorenzo Lippi (Italian, 1606-1665), "Orfeo," hand-colored etched plate, drawn by Carlo Bozzolini, etched by Carlo Lasinio (Italian, 1759-1838), engraved by Gaetano

Carlo Lasinio (Italian 1759-1838)- ''Logge del Vaticano, Plate III'' and ''Logge del Vaticano, Plate IV''- 2 hand-colored etchings after Raphael, both have foxing and liquid stains in margins. 17 x 13

circa 1796, Carlo Lasinio (Italian, 1759–1838). After Antonio Bicci (Italian) Printed by Giuseppe Bardi. from Contadini della Toscana Espressi al Naturale Secondo le Diverse Loro Vestiture. Frame si

Carlo Lasinio (Treviso, 1759- Pisa, 1838), rare series of 18th century acquaforte in coloritura. 8.5 x 10.5, Frame- 10 x 12

Lot consisting of two Carlo Gregori (Italian, 1719–1759) etchings, 1) "Virgo Vestalis", depicting a Grecian statue of a female figure with her hovering above an open flame, and 2) "Vir Consular

Carlo Antonini, (8) antique engravings, Carlo Antonini (Italian, 1740-1821), engravings of antique Roman vessels, from Manuale di Vari Ornamenti Componenti la Serie de' Vasi Antichi si' di Marmo Che d

Carlo Lasinio- Cristofano Roncalli and G. Barbieri- 2 engravings. 11 1/4 x 7 1/8''; 11 1/8 x 7 1/4''

An engraving by Carlo Maratti (1625-1713). Italian. Features the tomb of Annibale Carracci, a 16th century Italian painter leading in the Baroque style. Plate measures approx 16 1/2" x 16 1/4&#34

Lot of Six Carlo Antonini (Italian, 1740-1821) Architectural Rosette Engravings. Each engraving measures approx. - 7 5/8" high x 5 1/2" wide. With 22 1/2Kt gold leaf frames. Have a similar ite

Handcolored engraving of Giovanni Stefano Marucelli (1586-1646) by Carlo Lasinio circa 1750. Mounted on paper. Image measures 7 x 11". Reserve: $30.00 Shipping: Domestic: Flat-rate of $5.00 to anywher

Antonio, Attributed to Carlo (Italian, 19th Century), Two Hand Colored Exotic Bird Engravings, image: 10.5 x 13.5 inches, gold finished red wood frame: 20.5 x 23.5 x 1 inches

18th -19th C. Italian Neoclassical Engravings, sacred and historical subjects, includes Stefano Tofanelli, Italian, 1752-1820, 18 Engravings; Bernardino Nocchi, Italy, 1741-1812, 7 Engravings; Theodor

After Leonardo DaVinci The Last Supper print on fabric. After Carlo Maratta (Italian, 1625-1661) The Holy Night engraving. Printed by Roberto Hoesch. Retailed by David Ashley Inc. NYC. White metal rel

After Leonardo DaVinci The Last Supper print on fabric. After Carlo Maratta (Italian, 1625-1661) The Holy Night engraving. Printed by Roberto Hoesch. Retailed by David Ashley Inc. NYC. White metal rel

(British and Continental, 19th century) A French officer wearing an earring signed "R. Carlo", inscribed in Italian, watercolor on ivory, sight 2-1/2 in. dia.; Profile of James Cooke, inscription vers

18th -19th C. Italian Neoclassical Engravings, Stefano Tofanelli, Italian, 1752-1820, 1 engravings; Bernardino Nocchi, Italy, 1741-1812, 6 engravings20 1/4 x 14 3/4Collection from a Hamptons Long Isla

Copper Plate Published 1807-1812, London for "Prospectus of The British Gallery of Engravings, from Pictures of The Italian, French, Flemish, Dutch and English Schools, now in the possession of The Ki

Michelangelo Maestri (Italian, 1741-1812), "Return of Ulysses," gouache over engraving on paper, inscribed lower center, sight: 10.5"h x 18"w, overall (with frame): 22.5"h x 31.5"w

Jesus Nazarene, Church of S. Carlo alle Quattro Fountains of Rome Title: GESU NAZARENO Engraver: Bernardino Consorti (Italian, 1780-1858). Size: 22x34 cms. Inscription: Miracolosa Immagine di GESU NAZ

WINCKELMANN, Johann Joachim (1717-1768). Monumenti antichi inediti [with supplement by Stefano Raffei]. Rome: Carlo Mordacchini, 1821. I - VI (missing IV). Originally consisting of 208 numbered plates

After Nicolas Henri Jacob, Italian 1781-1871, hand colored, with accompanying Italian text, circa 1812, mounted on gold foil mats..sight 11.25H x 7.75W, frame 15.5H x 12.5W

ADEMOLLO, Carlo, (Italian, 1825-1911): Bad Doggies; a Whippet and Terrier were up to mischief, Oil/Canvas, 28.5" x 21.25", signed lower left and dated '72, fine gilded gesso frame, 38.5" x 31.5".

"U.S. Frigate Constitution, of 44 Guns", circa 1812, engraving with aquatint and handcoloring, engraved by A. Bowen after a drawing by William Lynn, published in Boston by William Lynn, image: 15.75"h

Carlo Bugatti (Italian, 1856-1940) plant stand, executed in vellum, ebonized wood, and hammered copper, having a square top, above the apron decorated with geometric pattern medallions, continuing to