1872 Emile Pierre Metzmacher Cherries Ripe! engraving

After a painting by Emile Pierre Metzmacher (1815-1890,) engraved by Peter Lightfoot, (English, 1805-1885) shows a gentleman passing ripe cherries over a wall to two young ladies. With linen mat and e

Turin, Vincenzo Bona, 1872. In 4th. With numerous albumin photos of the paintings of Emile Pierre Metzmacher, several engraved plates including the folded plan of the city of Petra, in the end of the

Signed Emile Pierre Metzmacher (French, 1815-1890) Oil Painting on Wood Panel Young Beauty by The Brook. Signed lower right, measures H: 23 1/2" x W: 18 1/2", 4" frame

After Emile Pierre Metzmacher (French, 1815-1890), 1891, etching of a young woman huddled in a doorway while a barking bulldog strains against his leash, housed in a period giltwood frame 13 1/2" x 16

Two Antique Engravings by Cornillier and Hornby, 1897 and 1918. Antique French Sanguine Engraving of L'Esperance or Hope dated 1897 by Pierre-Emile Cornillier. Measures 15.5 x 12 inches framed. And, A

Antique French Engraving "A Quoi Tient L'amour" c.1872 After Jean Pierre Alexandre by Paul Girardet, printed by Goupil, Paris. In attractive antique gilt wood frame. In frame measures 27"x36"x1 3/4".

Pierre Auguste Renoir (1841 - 1919). The Sleep (Le Sommeil). Antique copper plate heliogravure engraving on beau paper teinte hand pulled by Emile Fequet in Paris on December 15, 1919. Signed/dated in

Pierre Auguste Renoir (1841 - 1919). The Sleep (Le Sommeil). Antique copper plate heliogravure engraving on beau papier teinté hand pulled by Emile Fequet in Paris on December 15, 1919. Signed/date

Pierre Auguste Renoir (1841 - 1919). Haymaking (La Fenaison). Antique copper plate heliogravure engraving on beau papier teinté hand pulled by Emile Fequet in Paris on December 15, 1919. Signed in

Pierre Auguste Renoir (1841 - 1919). Little Girls (Fillettes). Antique copper plate heliogravure engraving on Japon Imperial paper hand pulled by Emile Fequet in Paris on December 15, 1919. Signed in

Pierre M. Lapie (1779 - 1850) and his son Alexandre Emile Lapie (1809 - 1850) were French cartographers and engravers active in the early part of the 19th century. The Lapies were commissioned officer

Pierre Auguste Renoir (1841 - 1919). Versailles. Antique copper plate heliogravure engraving on beau papier teinté hand pulled by Emile Fequet in Paris on December 15, 1919. Signed in the plate, lo

Pierre Auguste Renoir (1841 - 1919). The Conversation (La Conversation). Antique copper plate heliogravure engraving on Japon Imperial paper hand pulled by Emile Fequet in Paris on December 15, 1919.

Pierre Auguste Renoir (1841 - 1919). The Conversation (La Conversation). Antique copper plate heliogravure engraving on Japon Imperial paper hand pulled by Emile Fequet in Paris on December 15, 1919.

Pierre Auguste Renoir (1841 - 1919). The Judgment of Paris, drawing (Le Jugement de Paris, drawing). Antique copper plate heliogravure engraving on Japon Imperial Paper hand pulled by Emile Fequet in

Pierre Auguste Renoir (1841 - 1919). Léonard Renoir, The Artist’s Father. Antique copper plate heliogravure engraving on beau papier teinté hand pulled by Emile Fequet in Paris on Decembe

Emile Pierre Branchard (American, 1881-1938). Untitled oil on board, ca. 1920s. Signed on the lower right. A wonderful painting of a chicken barn by American artist Emile Branchard. Seven of the chick

Emile Galle (1846-1904), Cherry Blossom vase, Nancy, France, cameo cut glass, signed, 10"dia x 4"h

Hand colored engravings, Pierre Lamy circa 1647, Paris. Heraldic Crest, lot of 8. Custom burlwood frames by Giovanni Baccani, Florence, 14" x 9" unframed, 26" x 22" framed. Provenance: John's Island,

Pierre-Emile Hebert. 'Semiramis', c1885. H. 40.5 cm. Bronze, dark patina. Plinth marked: SEMIRAMIS, EMILE HEBERT, 359, S.

A pair of Victorian silver plated figural three light candelabradesigned by Pierre-Emile Jeannest (French, 1813-1857) for Elkington, Mason & Co., Birminghammid 19th centuryEach impressed PUBD BY ELKIN

Rare English Minton Porcelain Clock, ca. 1851, in the Sevres style, on an oval column-form pedestal base with bleu celeste fluting, each side mounted with Pierre-Emile Jeannest Parian mermen, the cloc

Pierre Gabriel Berthault, (16) engravings, Pierre Gabriel Berthault (French, 1737-1831), "Tableaux Historiques de la Revolution Francaise", c. 1791-1817, plates number 1-16, 10.75"h x 14"w (sight), 11

Pierre Deux cherry wood with Souleiado fabric. Made in Paris, 1990's. Dimensions: H 43" x W 23" x D 31.5" x SH 19" Condition: Soiling to fabric. Wood with faux distressed surface. Signs of age and use