19th Century Artist Signed Dry Point Etching

J.F. Millet 1861 drypoint etching, “La Bouille”, 8”X 6.5” (plate) initialed by Wm. Morris Hunt (American 19th C. Artist) with extensive provenance on back, 16” X 12.5&#82

Ca. late 19th-early 20thC. Sight condition is good, however unexamined out of frame. Matted and sealed under glass. Plate size approx. 11 1/2" x 16".Cli

American, late 19th - early 20th Century. Color drypoint etching, signed. "Trial Proof - the wooden bridge in Venice". Faint blind stamp. Framed, 10"h. 14.25"w.

INTERIM DE LA SALUTE VENICE, drypoint etching, signed in pencil, from sixth and final state, image 11 ¾ x 8 ¾” sheet 15 ½ x 10 ¼”; 19 th Century Artist THE HAYC

Ilah Kibbey (1888-1958) The Quarry Bridge - Rockport (Second quarter of the 20th century.) Drypoint etching signed by the artist in pencil lower right, edition 3/75 lower left, includes an exhibition

Friedrich Wilhelm Ludwig Richard Winckel (1870-1941). Professor at The School of Arts and Crafts in Magdeburg. He taught well-known artists such as Annemarie Heise, Herbert Stockmann , Katharina Heise

Charleston SC 1900-1968Early 20th century. Original Drypoint etching titled St. Philips. Signed lower right illegibly. The piece was clearly executed by a well trained artist. Some slight yellowing co

Three Original Etchings, pencil signed by Artist Philip Kappel. One cancelled plate, Mid 20th Century, Each Framed, good condition, Size varies. Keywords: Art, Artist, Drypoint, Print

Etching with drypoint, image size 8 1/2 x 12 inches, 1926, edition of 100, pencil signed and numbered. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He il

Three late 19th C. dry point etchings of the Maine coast, including: an unframed etching of harbor with dockworkers, initialed in pencil lower left, plate size 8.5”H x 10.75”W; a matted, u

known as Charles Emile Auguste DURAND Venice 1863, Paris 1874. Art 9.5 x 7 inches

Samuel Chamberlain, American, 1829-1908, New York Skyscraper, late 19th century, drypoint, signed at lower right (THELS7413) {AM}(THELS) Dimensions:sight: 11" x 6"; framed 17" x 12" Condition:Toning P

Jackson Lee Nesbitt (1913-2008) Blooming Mill - Sheffield Steel of Texas 1945 The dry point etching signed by the artist in pencil below the image lower right, titled lower left, and numbered 46 from

John Taylor Arms (1887-1953) The Balcony, Venetian Gateway (Palazzo Dell'Angelo) 1931 The drypoint etching signed by the artist in pencil below the image lower right and dated 1931, from an edition of

Original pencil signed drypoint etching by American artist Frank Benson 1862-1951. The title of this work is "The Landing", created and printed in 1915 in an edition of only 50. The image measures 7 1

John Taylor Arms (1887-1953) Guardians of the Spire (Amiens, France) 1921 The drypoint etching signed by the artist in pencil image lower right. As shown in 'Churches of France' by Dorothy Noyes Arms,

Phil Epp (Born 1946) Early Plains Elevator The drypoint etching signed by the artist in pencil below the image lower right, titled lower left, and numbered 8 from an edition of 30 prints. Image measur

Lloyd Chester Foltz (1897-1990) The Snowy Street Circa 1927 The drypoint etching signed by the artist in pencil below the image lower right is titled lower left and stamped PRIVATE COLLECTION C.A. SEW

Lyman Byxbe (1886-1980) The collection of six pencil signed drypoint etchings as listed here: 1. The Mountains: Drypoint etching signed by the artist in pencil below the image lower right, titled lowe

Doug Osa (Born 1952) County Line Sunset 1993 The drypoint etching signed by the artist in pencil below the image lower right, titled lower left, and numbered 1 from an edition of 50 prints. Sight size

Fred Harman, Jr. (1902-1982) 1969 The drypoint etching signed by the artist in pencil below the image lower right, signed within the plate and dated /69. Image measures 6 x 8 with a framed size of 15.

Lloyd Chester Foltz (Kansas, 1897-1990) Sunlit Road 1939 The drypoint etching signed by the artist in pencil below the image lower right is titled lower left and numbered 7 from an edition of only 50

John Taylor Arms (1887-1953) Second State (The Crown of Normandy, St. Ouen) 1928 The drypoint etching signed by the artist in pencil below the image lower right, titled lower left. As shown in 'Church

Lyman Byxbe (1886-1980) Restless Winds Circa 1947 The drypoint etching signed by the artist in pencil below the image lower right is titled lower left, Crump number 381. Image measures 10 x 7.25 with