19TH CENTURY BRITISH STEEPLECHASE PRINT

The Interior of the Fives Court, with Randall and Turner Sparring, engraved by Charles Turner after T. Blake. Hand-colored aquatint with etched outline, London: W. Sams, Book & Printseller to the Roya

(lot of 3) British School (19th century), Landscapes of England, engravings, largest overall (with frame): 15.75"h x 18.25"w

19th Century Album of British Colonial India Albumen Prints. Collection of approximately 116 mounted albumen prints housed in a hardcover leather bound album, titled INDIA. Images of People, Hunting S

Hare Print By Samuel Howitt 1801: Titled 'A Hare in its Form' is a print by Howitt (1756 - 1822) a 19th century British artist and published by J. Wheble, Warwick Square.

Two wood framed color Victorian racing prints: I. ELIS AT DONCASTER, RIDDEN BY JOHN DAY, after an original oil on canvas, painted in 1836 by artist Abraham Cooper, depicting the 19th Century British r

British, 19th century, woven silk horseracing prints "The Start" and "The Finish", original mats stating beneath picture "Woven In Pure Silk By Thomas Stevens, Stevengraph Works, Coventry.", under gla

An estate lot of seven (7) antique photographic cabinet card prints with depictions of historical 19th Century British writers. Includes: one (1) Alfred, Lord Tennyson (1809-1892), English Poet Laurea

Large 19th century colored English lithograph FORE'S NATIONAL SPORTS, THE START FOR THE DERBY after JF Herring, engraved by Charles Hunt. 26.5 x 46.5 in, framed 34.5 x 54.5 in. VG condition.

BRITISH GENRE PRINT, mezzotint laid on glass, courting couple in a park setting, titled "PERSUASION" in lower margin. Housed in a 19th-century gilt-and-gesso frame. Fourth quarter 18th century. 8 1/2"

BRITISH SPORTING PRINT, hand-colored lithograph, depicting a returning huntsman on horseback being attended by his hounds. Matted and housed under glass in an old frame. Fourth quarter 19th century. 1

Daniel Haigh Esquire W. Giller (engraver) London *Due to size, we cannot offer shipping on this lot. Artist: British ~ London Print Type: Mezzoti

CHARLES HUNT (BRITISH, 1803-1877) BOXING PRINT, hand-colored lithograph on paper, "THE GREAT FIGHT BETWEEN BROOME AND HANNAN", after H. Heath (British, 19th century), published 1841 in London by J. Mo

(British, 19th century) Flowers, in yellow, blue, white, yellow, James Ridgway, publisher, London, 1815-1847, hand colored engravings, plates 7-3/4 x 5 in.; matching gilt wood frames, French mats, 17-

(American, British, 19th century) Currier & Ives, Publisherÿ(American, 19th century), Tom Sayers, Champion of England, hand colored lithograph sight 14-1/2 x 10-1/2 in.; wood frame, 19-3/4 x 15-3/4 i

(lot of 3) Henry Bradbury/Bradbury & Evans (British, 19th century) "Pteris Aquilina var Multifida" "Cystopteris Fragilis," and "Lastrea Cridtate var Uliginosa," botanical illustrations from Thomas Moo

after DAVID ROBERTS R.A. (British 1796-1864) TWO PRINTS, "Sideview of the Great Sphinx," and "Philae," 19TH CENTURY, two tinted lithographs on heavy wove paper, from Views in the Holy Land, Syria, Idu

British School (19th century), Katoogastotte Bridge over the Mahavilla Ganga, Near Kandy Ceylon," 1859, lithograph, by C. O'Brien and F. Jones, published by London Day & Son, to the Queen, overall (fr

Set of 6 chromolithograph prints by Spy from original English version of Vanity Fair. Vincent Brooks, Day & Son, London, England, late 19th Century. 15" x 10 1/2".

British School (19th century), "Trinity House," lithograph with hand coloring, after painting by Thomas Rolandson, published by Ackermans Repository of Arts, London, 1809, overall (with frame): 12.25"

After Charles Dean Wolstenholme, British, Early 19th Century, Each Trimmed And In Vintage Inked Mats And Bronze Mounted Mahogany Frames With Identification Plates, Sight 16 X 21.5 Inches, Overall 23 X

after Douglas Adams (British, 1853-1920), Three Golfing Printshand-colored offset prints, marked as printed late 19th century, possibly printed later, in uniform framing. Frame dimensions 26 x 34 1/2

British School, 18th/19th Century Eight Framed Prints of Thoroughbreds and Jockeys Various artists and engravers, thoroughbreds identified in the plates. Engravings with hand coloring, sights sizes ap

(18th and 19th century) The White Owl, from The British Zoology. London: T. Pennant, 1766. by Peter Mazell, hand-colored engraving on laid paper, 12-1/2 x 13-3/8 in. (sight); [Meleagris Ocellata] (Osc

British or American, late 19th century, the map or print supports with ring-and-baluster turned ratcheted adjustable supports on a trestle-form base, 47-1/4 x 30-1/2 x 21-1/2 in. scattered light surfa