2 Goya Spanish Engravings after 18thc

Francisco Goya (Spanish 1746- 1828) "No grites, tonta" (Don't scream, stupid), plate number 74 from Los Caprichos, plate size 8 1/2" x 6"

Francisco de Goya y Lucientes (Spanish, 1746-1828) Donde va Mama, from Los Caprichos, 1892 engraving, plate 65 signed within print Plate 8 1/8 x 6 1/2 inches. Estimate $300-500 No condition issues to

"Esto es lo peor!" 19th century, engraving. From "Los Desastres de la Guerra." Lewis #168. Dimensions: (Frame) H 12.25" x W 15.25", (Sight) H 7.5" x W 9" Condition: Good impression. Printed with plate

4 FRAMED TILES, 2 18THC. DELFT & 2 18THC. SPANISH

Francisco de Goya (Spanish, 1746-1828) Engraving, Ya es Hora (It is the hour), Plate 80 of Los Caprichos. Measures 8 3/8"x 5 7/8". In Frame 21.50"x17.50"x1". Weight 5 pds. From the 7th Edition of 110

FRANCISCO GOYA (SPANISH) Bull Fight Engraving on paper 13" x 18"

Pair of 18th century framed Spanish engravings, depicting the residence of the King of Spain in Aranjuez near Madrid, by D. Domingo de Aguirre, 21.5"h x 29.5"w, overall size including frame 33.5"h x 4

2 Etchings and 2 lithographs- 1.) Francisco Goya (Spanish 1746-1828)- ''Qual la Descanonan!'' (Delteil 58)- Plate 21 from ''The Caprichos'', impression by Associate Artists, some creasing, foxing; 2.)

FRANCISCO GOYA (1746-1828) Ya Tienen Asiento Etching, Created around the 1800s 6" x 8 1/2" Francisco Goya was a Spanish artist widely considered one of the most important painters of the Romantic peri

FRANCISCO GOYA (1746-1828) Mala Noche Etching, Created around the 1800s 6" x 8 1/2" Francisco Goya was a Spanish artist widely considered one of the most important painters of the Romantic period. The

FRANCISCO GOYA (1746-1828) Quien Mas Rendido? Etching, Created around the 1800s 6" x 8 1/2" Francisco Goya was a Spanish artist widely considered one of the most important painters of the Romantic per

FRANCISCO GOYA (1746-1828) Que Sacrificio! Etching, Created around the 1800s 6" x 8 1/2" Francisco Goya was a Spanish artist widely considered one of the most important painters of the Romantic period

Two color engravings by Marie-Guillemine Benoist and Perdoux. Both are dated 1806 lower left. 6. 1) Zalamea, Spain image measures 11.0625 in x 15.875 in. Sheet size 16 in. x 21.8125 in. Owner notes on

Francisco Goya (Spanish, 1746-1828). “La Tauromaquia” Bullfighting Engraving Plate A. Circa 20th century. Unsigned by artist. Approx: 21.5" W X 17.5" H (frame), 13.75" W X 10" H (plate sight).

Spanish 18thc. Occasional table, 23 1/2"h x 32 5/8"w x 18"d

(lot of 2) After Francisco Jose de Goya y Lucientes (Spanish, 1746-1828) "El de la Rollona" and "Cual la descanonan" etchings and aquatints on paper, plate 3 and 21 from "Los Caprichos," unsigned, ove

After Francisco de Goya (Spanish, 1746-1828), "Nadie Nos Ha Visto Engraving" plate 79 from Los Caprichos series. Together with a Francisco de Goya self portrait etching "Franco Goya y Lucientes Pintor

Francisco De Goya (Spanish 1746-1828) Amarga Presencia (Bitter Presence) Engraving, Plate 13 from the Disasters of War. Measures 6.60"x8". In Frame 21.5"x17.50". Weight 4 pds. From the 4th Edition of

This watercolor on paper depicts two girls and has dimensions of 13 x 10 1/2 inches. It is currently part of a private collection in Spain and has been thoughtfully framed to elevate its overall prese

Francisco Goya (Spanish, 1746-1828) Nadie se conoce (Nobody Knows Anybody) (from Los Capricios, plate 6), 1855 etching with aquatint 8 1/2 x 6 inches. Property from the Joshua B. Kind Trust, Downers G

Francisco Goya (Spanish, 1746-1828) Bullfighting (two works) etchings Larger: 8 1/2 x 12 1/4 inches. Estimate $1,000-2,000 Provenance: R.S. Johnson Fine Art, Chicago, Illinois

Francisco Goya (Spanish, 1746-1828) Unos a otros and Hilan delgado engravings on paper Sight of each 8 3/4 x 6 inches. Property from the Estate of Paul Thomas Griffith, Dayton, Ohio Provenance: Sotheb

Francisco Goya (Spanish, 1746-1828) Two plates from Los desastres de la guerra etchings 5 1/2 x 7 1/2 inches. Property from the Collection of David and Elaine Berland, St. Louis, Missouri

(lot of 2) Spanish renaissance revival curule armchairs, Northern Spain, 18th c., having black leather back rest between carved supports sloping into armrests finalizing in scrolling handholds, with l