3 Complete Voigtländer Series (Slides), c. 1930

A Marion Soho Reflex Camera Serial No:M2550 Body: VG Shutter: Working Lens: Taylor Hobson 8" f/3.5 Series IIA (72982) Optics: VG Notes: 5x4 exposures, c.1930 Provenance: Pam Cauldwell Collection Illus

Hausser, 3 Bunkers, Germany pw, composite + wood, first series before 1930, C 2

'Deardorff 5 x 7 in., c. 1930 1) Deardorff, Chicago. For 5 x 7 in., with red bellows, with Bausch & Lomb Protar Series V, 6 ½ x 8 ½ in., f = 14 cm, Volute shutter works. (3/3) - 2) Unmarked set lens

7 Suitcases for Toy Cars, c. 1930 6 x lithographed tin and 1 x leather, between 1 1/3 and 4 ¾ in. wide. Useful to complete vintage tin toy cars or for a nice decoration. 7 Koffer für Spielzeugautos,

Bing No. 10/132/3 Vertical Steam Engine, c. 1930 Bing Werke, Nuremberg. Patinated brass boiler, Ø 2 1/3 in., water level glass, steam whistle, stopcock, fixed cylinder with slide control, spirit

19th century French cylinder roll desk with a rouge marble reticulated gallery top. [39 3/4 x 35 x 21 inches]. Top repaired; needs complete restoration; slide does not move properly; gallery bent on r

3 Assorted Dimensional Viewers; includes: 19th C. Magna-scope; Craftsman Guild plastic 3 D Viewer and Eumig (Austria) metal day light viewer, series 600, plus 21 slides; all with original boxes. CONDI

UPRIGHT PIANO FIGURAL GLASS CANDY CONTAINER, colorless with worn paint, unpainted metal slide-on closure. Circa 1910-1930. 2 3/4" H.Literature: Eikelberner / Agadjanian / Bowden - The Complete America

This is a beautiful 3 1/4 x 4 1/4 field camera, made from wood and leather. It comes with one holder for plates, and one holder adapted for film packs. The camera folds in and out properly. The shutte

A French mahogany bronze mounted leather top writing desk with bronze capitals and pull out writing slides C 1930. Ht: 30" Wd: 36.5" Dpth: 18.75"

Doll Vertical Steam Engine No. 354/3, c. 1930 Doll & Co, Nuremberg, Germany. Fixed double-action cylinder, burnished brass boiler, weighted safety valve, steam whistle, regulator, drain tap, water-gau

Coca-Cola Fans (3), c.1920's & 1930, wicker from Ruston Coca-Cola Bottling Co-Ruston, LA (pictured in Petretti's 11th pg 514), 1920's Buy by the Carton from Memphis, TN & Drink Coca-Cola from Nashvill

(set of 21) Porcelain dessert service, Mepoco, Japan, from The Lady and Butler series, c. 1930's/40's, comprising (1) teapot, (1) creamer, (1) sugar, (6) cups (one with loss and repair) with (6) sauce

Large Collection of Denver Art Museum Leaflet Series, c. 1930's, 1940's, and 1950's, Native American Interest, FYI: ''In 1929, Frederic H. Douglas joined the Denver Art Museum as Curator of Indian Art

38 - Concrete Dark Horse Comics- includes- 9 assorted #1s, 3- complete series, 68 page annual, hellboy- the mask- Madman apps, +more, comics appear to be in near mint condtion or more

Lot (3) C. 1930's Japanese ceramic pig banks. 5 1/2" to 6" L..

Belgium, 3 chairs, c. 1930, H. 73.5 x 51 x 48 cm. Bent plywood with walnut veneer, spruce wood.,

Unknown Artist, Art deco mirrored screen with 3 panels, c.1930, Wood and mirror, 60.6H x 62.8W x 1.15D inches, 153.9H x 159.5W x 2.9D cm, Left Panel 16.6W inches / 42.2W cm Middle Panel: 29.6W / 75.2W

Two framed examples and one loose drawing. Each is a technical drawing of a piece of silver hollowware. One appears to be for Cartier. Dimensions:From 14" x 15" to 20" x 14".

Locke, Charles W. (American, 1899 -1983). 3 Lithographs. ++ "The Painter". C. 1940. Signed in pencil l.r. Sheet: 16" x 11 1/2". ++ "Street Scene". C. 1930. Signed in pencil l.r. Sheet: 11 1/2" x 10".

3 pipes, c.1930.

"Cactus" Sterling Flatware, not a complete set. C.1930. The cactus cutlery pattern has elements of art deco penchant for striking decoration and the simplicity of form evident in the emerging function

Lot 11 Wrigley's Gum Advertisements, Group of 3 includes c. 1930 Tin over cardboard Advertising Calendar without pad, Wrigley's Double Spearmint ”For it's always 'Fair' weather cardboard advert

A richly inked original etching, image size 8 7/8" x 11 3/4", c. 1930, pencil signed. Gifford Beal grew up in New York City and at the age of 13 began studying art with William Merritt Chase before at