47 J. Laurent (1816-1886) Madrid, 334, Puerta d

George Washington; patinated bronze; signed "NJ Girard" in casting; Susse Freres foundry mark; titled to base; the base 11 inches wide; 7 1/2 inches deep; overall 24 3/4 inches high

Oil on canvasSigned in the lower left corner. Presented in ebonized molded frame by Hijos de J.Cano, Madrid.. 38 x 48 cm

15 1/2" x 19 1/4" signed lower right "J.G. 47". Great WPA Style Painting. Wonderful look.

Paul Jean Clays (Belgian, 1819-1900) Souvenir de la Tamise, London oil on canvas signed (lower right) 24 1/2 x 20 1/2 inches. Provenance (as labeled): Mary J. Morgan Collection, 1886 S.D. Warren, 1892

SET OF SIX MEXICAN GOLD COINS20th Century50, 20, 10, 2, 2Ω and 5 pesos. In a Capital holder numbered 433-J.Approx. 47.8 dwt.

HUNTING SCENE WITH DOGS, OIL SIGNED J.B OUDRY, S.XVIII Oil on canvas of 52 x 47 cm. Signed J B Oudry in black in the lower right corner. Re-ent. On the back it is written in yellow AT 985 Y Nº118

Juan Segura Zodiac wall sculpture, 1970s Painted and sculpted resin. Signed to lower left "J Segura." 47.5" H x 58.5" W x 4" D

Old Spanish painting J M Villaoz "lagoon" Madrid 1908 18x16 inches image size

comprising one 0.45 carat [H-J/SI]; one 0.45 carat [H-J/VS]; two 0.45 carat [H-J/SI]; three 0.50 carat [H-J/SI]; and one 0.70 carat [H-J/I1-I2], .46, .47, .50, .50, .50, .51; Note: diamond weights are

MAHOGANY DESK. Last quarter 19th century. New York. Robert J. Horner was established in 1886 in lower Manhattan, N.Y. They were renown and identified by their incredible quality, there tremendous atte

Pennsylvania nocturnal landscape in Chadd's Ford, Pennsylvania by American painter and student of Andrew Wyeth's Oil on panel, 30 x 40 inches, 37 x 47 inches framed Signed "Karl J Kuerner" lower right

DOMINIC AND HAFF STERLING SILVER FLOWER VASE , 34.07 TO H 14" Reticulated foot and upper border. Retailed by J E Caldwell #6410/47. No monogram. Patent 1909.

Albert Besnard (French 1849-1934)- ''La Femme'' (Delteil 47-58)- series of 12 etchings, 1886-1887, all signed in pencil, titles include- ''La Femme''; ''L'Amoour''; ''L'Accouchement''; ''Le Dejeuner''

J. L. Mott, zinc Molossian Hound, ex-museum, c. 1900, USA, modeled seated on hind legs starring skyward, cast by J.L. Mott Iron Works, NY, 47"h x 44"d x 25"w Provenance: Deaccessioned works benefiting

J. & E. Stevens Company Cromwell, Connecticut, circa 1886 Inscribed: Ã’PROFESSOR PUG FROGS / GREAT BICYCLE FEAT" This bank, designed by Charles A. Bailey (1848-1926) for J. & E. Stevens Company, op

Approximately 33.47 Carats Emeralds And 11.31 Carats Diamonds In This 7.25 Inch Bracelet. 54.2 Grams Total Weight. Scroll Through All Photos To View Appraisal And Additional Information. Wire Transfer

259. Talmud Bavli. Complete set bound in Nineteeneen (19) volumes. Published in Amsterdam, Emmanuel Benveniste, 1644-47. No. 1.- Berachoth and Zeraim. No 2. Shabbat. No. 3 Eiruvin. No. 4. Pesachim, Su

15 Inch Necklace With Concealed Clasp Features Dangling Pear Center Stone With Marquis And Round Cut Diamonds Set In Platinum. 12.37ct Diamonds And Total Weight Is 47.46 Grams. See Appraisal For Full

Pendant Portraits Of A Handsome Lady And Gentleman, William Judd, Esquire And Sarah Judd. Circa 1840, Two Oil On Canvas Paintings, Unsigned Labels Verso, 36 x 28 Inches, Original Giltwood Frames 47 x

German, Circa 1924-1934, Mark Underglaze Blue Cross With Dot Top Edge, Each With Incurvate Crest, Elaborate Flowers, Putti And Plaques Painted With Landscapes On Crest And Pendant, Height 47, Width 29

Chinese, Green Mountain Travel Landscape, Color On Paper, Signed, Titled And Dated February 15, 1969. Localized Qionglin Inscription Left Side, Sight 47 X 23 Inches On Silk Mat And Framed, 54 X 28 X 1

And White Veining Circa 1840 , Large Size, 69 Wide By 47 High By 17 Deep With Black Marble Liner And Hearth Panel

Exceptional Quality Crafted Of King Wood Veneers With Extensive Parquetry Inlays; Having Crisp And Finely Cast Dore Bronze Mounts. Excellent Condition. 47 X 23 X 33H.

Signed Lower Right Belle Firenze (Beautiful Florence). In Later Frame.Early To Mid 20th Century. See Photos For Condition And Typical Craquelure. 4-5 Very Small Flakes; Stretcher Marks. Sight: 47 1/4