A Dutch engraved façon de Venise serpent-stemmed winged wine glass, second half 17th century

16th century, having a bulbous bowl, repeating abstract design, three prunts to bowl, parcel gilt lion mask stem, circular foot, 7-1/2 in. Note: For a similar example see Corning Museum of Glass, Gobl

DUTCH/FLEMISH SCHOOL Master, active in the second half of the 17th century. ORPHEUS AND THE ANIMALS Oil on canvas (relined). 97 cm x 172 cm (F. 114 cm x 189 cm). Min. restored and min. damaged. Frame.

GROUP OF 10 OLD MASTER PRINTS, DUTCH, 17TH CENTURY. Comprising of 6 scenes from The History of Tobit, after Marten de Vos (1532-1603) engraved by Gerard de Jode (1509-1591) consisting of the followin

Second half 17th century, 175 x 127 cm, West Anatolia, Manisa Province This red-ground double niche carpet of the Transylvanian group presents a floral blue-ground central medallion and a cartouche bo

Early Transylvanian Rug Anatolia c. second half 17th century, Romania is home to one of the most impressive collections of surviving antique Oriental rugs from the Ottoman Empire. This vibrant antique

second half 17th century, 167 x 123 cm, West Anatolia, Manisa Woven in workshops in the West Anatolian province of Manisa, these carpets were highly popular in 17th century Europe and frequently depic

Flemish school from the second half of the 17th century."View of the port of Amsterdam".Oil on canvas. Relined painting.Measurements: 95 x 146 cm; 104 x 155 cm (frame).On this occasion we present a ma

Rotterdam: Abraham Migoen, 1610. Small 4to, second edition, many woodcut illustrations (no volvelles are called for in the second edition), 17th century vellum, early ownership inscription (dated 1676

Luigi Frullini (Italian, 1839-1897), second half 19th century. Exuberantly carved Italian Renaissance revival walnut secretary desk, having a shaped overhanging rais-de-coeur cornice, frieze with garl

Oil on panel, cm. 135x127 The painting bears traces of a brush inscription on the blade of the Archangel's swordThe work has been referred by Prof. Pierluigi Leone De Castris to an artist from the cir

Oil on canvas. Very little is known about the biography and professional profile of this Lorraine painter, active in Naples in the first half of the 17th century, whose production is dominated by this

Oil on canvas. Very little is known about the biography and professional profile of this Lorraine painter, active in Naples in the first half of the 17th century, whose production is dominated by this

A 'BLANC DE CHINE' PORCELAIN DOUMU China, Qing dynasty, second half of the 18th century The deity sitting with crossed legs in padmasana position on a base in the shape of a lotus flower, two hands wi

Full title: A Dutch Delft blue and white dish with the arms of James I, dated 1698 Description: Dia.: 26 cmÊ Marked DPAW on the base for the 'De Paauw' workshop, Delft, late 17th C.

17th century, in ebony case, signed Fromanteel, 8-day movement with anchor escapement and seconds pendulum, striking mechanism on 2 bells, with 3 gilded wooden spheres on the hood, 229 cm. tall.

A Dutch Delft blue and white facetted bottle vase, last quarter 17th C. H.: 33,5 cm Marked SVE on the base for Samuel van Eenhoorn, the 'De Grieksche A' workshop, Delft, 1678-1687. See also: Museum Bo

The unsigned brass instrument with short, fold-out strut attributed to Elias Allen is elaborately engraved exactly as Edmund Gunter (1581-1626) laid out in De Sectore et Radio (On the Description and

A rare late 17th/early 18th century longcase clock movement, the dial with fully engraved minute ring Christopher Gould, London The 12 inch square brass dial with winged cherub's head and foliage span

A 19th century Daum Nancy French enameled and engraved globular bottle with enameled fleur de lis decoration. Signed to base. 3 5/8" tall. Provenance: Reimer Family Collection. Wilmette, IL

Portrait of a Gentleman Three-quarter length wearing an honorary medal, possibly that of a chivalric order Oil on panel Inscribed high left Aetatis 63/Ao 1616 Size: 44.5 x 33.25 in. Provenance: Sedelm

Flemish School, 17th century, Circle of Cornelis de Vos (1584-1651), octagonal portrait of a lady, presumably a noblewoman, attired in a black dress and large white lace collar. Heraldic device upper

A group of four Italian second half 18th century 'lacca' and parcel gilt mirrors Venetian, each one a different model Each decorated with assorted flowers and scrolled foliage, one mirror painted with

Italian SECOND HALF 20TH CENTURY a pair of garden chairs, in the form of a face carved marble Height 27 x width 27 1/4 x depth 28 x seat height 15 1/2 inches Estimate $6,000-8,000

Oil on panel. Portrait of a Gentleman. From a Greenwich, CT collection. Dimensions: 29.5" high x 24" wide