A Geo III silver pedestal salt with openwork, floral

A Geo III silver salt of oval form with pierced fretwork sides raised on ball and claw feet. With blue glass liner. Hallmarked London 1768 maker Francis Spilsbury II. 3 1/4" wide

A Geo III silver salt spoon with bright cut decoration hallmarked London 1796. Approx. 4" long

A Geo III silver Old English pattern salt spoon, hallmarked London 1804, maker William Eaton. Approx. 4" long

A Geo III silver vinaigrette with engraved decoration and floral pierced grille within hallmarked Birmingham 1810 maker Samuel Pemberton Approx. 1" wide

A Geo III silver vinaigrette with engraved decoration and floral pierced grille within hallmarked Birmingham 1810 maker Samuel Pemberton Approx. 1" wide

Cellars, Aesthetic movement era, figural butterflies and fancy openwork floral, 2.5" diameter, #5715.

Pair of George III Sterling Silver Salt Cellars hallmarked London, 1770-1771, by Thomas Shepherd (ca. 1748-after 1792; free 1769), cauldron form with wavy gadrooned rim, with later repousse floral dec

Six George III Silver Salt Cellars comprising two pedestal-dish examples by Thomas Whipham, London, 1802, and four ball-footed examples by Solomon Hougham, London, 1812. 15 ozt 1 dwt gross each hallma

DESCRIPTION: Antique German salt cellar featuring cobalt blue glass insert and 800 silver base with openwork and floral and foliage motifs. Hallmarked on underside. Total weight (without glass insert)

A.M. Soffel Co. Sterling silver pedestal center bowl, border with pierced openwork, relief wreaths and chaised floral designs, signed on base with "S in wreath" A.M. Soffel mark, the number 286 and th

A George III silver cream jug, Thomas Evans and George Smith, London 1770, double ogee pedestal form, embossed with floral garlands and Rococo cartouche, acanthus ear handle, 11.5cm high, 2.49ozt

George III sterling silver cruet stand and salts with associated spoons. 1st item: Neoclassical sterling cruet stand, oval with pierced rosette design, central handle and four ball shaped feet, contai

A GEORGE III IRISH SILVER SUGAR BOWL by Matthew West, Dublin 1790 Ogee form with pedestal foot, engraved with floral swags and elliptical cartouches filled with floral sprigs. 12.5cm high. 7.3 troy ou

figural butterfly and floral aesthetic movement, elaborate openwork, 2.5" diameter....Aestheticism (also the Aesthetic Movement) is an intellectual and art movement supporting the emphasis of aestheti

A George III silver sucrier, A George III silver sucrier, London 1779, the pierced body with a ribbon and floral swag and an oval cartouche with a crest, below a swing handle, on a pedestal base, comp

A George III silver jug, Samuel Godbehere and Edward Wigan, London 1791, pedestal helmet form, on square base, bright cut engraved with floral swags and Neoclassical borders, embossed beaded rim, 14.5

One pair London, 1779, maker's mark is rubbed, one pair London, 1814, maker's mark is rubbed. Each pedestal form, with deep well, and a chased armorial on one side. Each is 1 3/8 in. H, 3 1/8 in. L, 2

London 1801, makers mark H.S. Pedestal foot, with blue glass lilners. Weight: 10.8 ozt [r. 71] (HINC1537/4) (WT) Dimensions: 2 1/2" H x 4" L

DESCRIPTION: A sterling silver centerpiece bowl with open-work floral decoration and round pedestal base. Stamped. "Sterling, 750, 16 1/2" with diamond shaped pictorial mark. CIRCA: 20th Century. ORIG

Good Pair of George III Sterling Silver Salt Cellars hallmarked London, 1791-1792, by Peter and Anne Bateman (fl. 1791-1800), navette pedestal form with upswept ends, fluted and paneled and decorated

Set of Four George III Sterling Silver Salt Cellars hallmarked London, 1794-1795, by William Frisbee (1761-1820; free 1712), navette pedestal form with upswept ends, with reeded rim and arched handles

Grogan and Company Retailed Silver Center Bowl, Boston, early 20thc. simple flared bowl form on openwork short pedestal base decorated with chased floral and fruit forms, on circular foot, stamped Gro

Pair of George III Sterling Silver Salt Cellars hallmarked London, 1791-1792, by Henry Chawner (1764-1851; free 1785), navette pedestal form, with upswept ends and raised on a conforming pedestal foot

A set of six George III sterling silver salts, London 1799 by William Abdy II Each of oval navette from upon an oval pedestal foot with reeded rims, each side with scroll terminals. Each engraved with