After James McNeill Whistler (American, 1834-1903)

James McNeill Whistler (American, 1834-1903) Black Lion Wharf. Etching on paper. Signed and dated 1859 within plate LR. Ref: Kennedy 42. Bearing W. Russell Button gallery label en verso Plate: 5.9" x

James McNeill Whistler (American 1834-1903) The Music Room,1859 Etching and drypoint on laid paper. Kennedy 33 Provenance: Carl Sachs Collection (German-Jewish 1868-1943) Lugt 634a Collector stamps ve

James McNeill Whistler (American, 1834-1903) etching of man on rural dock, "The Punt"; signed in plate. Provenance: From the Museum Gallery Bookshop in Fairfield, Connecticut. [Art: 5" H x 7" W; Frame

James McNeill Whistler (American, 1834-1903). Etching and drypoint on paper titled "Bibi Valentin," depicting the youngest daughter of the Valentin family, Bibi, seated on a bed. Signed and

James McNeill Whistler (American, 1834-1903) Eagle Wharf. Etching dated to 1859, printed on laid paper, sheet measures 6.5" x 9.5". Ref: Kennedy 41 5.5" x 8.5"

James McNeill Whistler (American, 1834-1903) The Adam and Eve, Old Chelsea. Etching dated to 1879, printed on thin Japan paper, sheet measures 8.25" x 13.25", unframed. Ref: Kennedy 175 II/II 7" x 11.

James McNeill Whistler (American, 1834-1903) Billingsgate. Etching dated to 1859. Ref: Kennedy 47 6" x 8.75" Frame: 18.5" x 20.5"

JAMES MCNEILL WHISTLER (American 1834-1903) "La Vieille aux Loques" Etching and drypoint on laid paper (later impression) fourth state of four. Plate: 8 1/4 x 5 3/4 inches; Sheet:10 x 7 5/8 inches; Fr

James McNeill Whistler (American, 1834-1903) Longshoremen. Etching dated to 1859, printed on thin laid Japan, unframed, the sheet measures 7.25" x 10". Ref: Kennedy 45 6" x 9"

James McNeill Whistler, American 1834-1903, Antique Etching Dated 1859 Titled Billingsgate, Signed in Plate. Framed measures 17 inches x 18 inches, art measures 7 inches x 10 inches.

James McNeill Whistler (American, 1834-1903) 'Savoy Pigeons' Lithograph 1896, printed butterfly signature only, 'The Studio' blind stamp lower left margin, depicting a landscape with pigeons in the fo

James McNeill Whistler (American, 1834-1903) Plate IX from A Catalogue of Blue and White Nankin Porcelain by Sir Henry Thompson. Illustrated by Whistler, autotype print on paper. Image size: 6.75" x 6

James McNeill Whistler (American, 1834-1903) etching titled "Little Putney Bridge, signed lower right. [[Plate: 5" H x 8" W; Frame: 9" H x 12 1/2" W]. Aged paper and foxing.

James McNeill Whistler (American 1834-1903) lithograph "Thames Police" on heavyweight paper. , nicely matted and framed. 10"H x 12"W

James McNeill Whistler (American, 1834-1903) The Long Gallery, Louvre. Lithograph, 1894. Ref: Chicago 86 Sight: 8.5" x 6.25" Frame: 17.5" x 14"

Signed James Mcneill Whistler (American, 1834-1903) Etching Thaines Police 1859. Signed lower right, measures H: 8" x W: 10 1/2". Without the frame, sold as is

Signed James Mcneill Whistler (American, 1834-1903) Etching Lime House 1859. Signed & dated, measures H: 8" x W: 10 1/2". Does not include the frame, sold as is

Signed James Mcneill Whistler (American, 1834-1903) Etching Eagle Wharf 1859. Signed & dated, measures H: 8" x W: 10 1/2". Without the frame, sold as is

Signed James Mcneill Whistler (American, 1834-1903) Etching Black Lion Wharf 1859. Signed & dated, measures 8" x 10 1/2". Does not include the frame, sold as is

After James McNeill Whistler (American, 1834-1903), etching depicting people at work in a workshop, noted verso "One of the 'Twenty-Six Etchings' (Second Venice Set)", 6 1/2" x 8 1/4" sight, 14 3/4" x

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

James Abbott McNeill Whistler (American, 1834-1903) The Little Pool (a group of four states), 1861 etchings with drypoint on laid paper including, from left to right, states 2, 4, 3, and 9 of 9 states

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928