An Italian bronze barrel from a grenade-gun, 2nd half of the 17th century

1st-2nd century AD. A bronze lock case comprising a tapering bar and hinged peg, convex D-shaped cover with slot and human mask modelled in the half-round. 30 grams, 35mm (1 1/2"). Property of a priva

Full title: A Flemish walnut refectory table, 2nd half 17th C. Description: H 80,5 x L 234 x D 72,5 cm

Oil on copper Interesting work, with a curious iconography, in which the scene in the foreground of Saint Anthony stands out on a tribune before a large group of characters, who are represented in a i

FLEMISH MASTER Active 2nd half 17th century LANDSCAPE WITH HUNTING PARTY Oil on oak wood panel. 59 x 77,5 cm (F. 69 x 88 cm). Verso: On the panel the antwerp hand and tower as well as an old label 'Fr

Louis XIII frame : 2nd half 17th c. Decorated by flowers and tendrils. Oak wood, carved, colored and gilded. Light size 59.5 x 40 cm; outer size 77 x 57 cm. - The frame exists only in fragments. // Lo

A FINE TRIPTYCH SHOWING THE PRESENTATION OF CHRIST TO THE TEMPLE, THE ASCENSION OF CHRIST AND THE TRANSFIGURATION Russian, 2nd half 17th century Tempera on wood panels. Finely executed in great detail

A MONUMENTAL ICON OF ST. GEORGE KILLING THE DRAGON North Russian, 2nd half 17th century Tempera on wood panel with double kovcheg. At the side of a mount the Saint upon a rearing white horse plunging

6 architecture facade designs. Jean Lepautre (1618-1682) (artist and engraver). Nicolas Langlois, Paris, 2nd Half 17th Century. Engravings, uncolored. 11 3/4" x 8".

Museum late renaissance cabinet : Southern Germany, probably Augsburg - 2nd half of 17th c. Rectangular, two-door corpus on ball feet, fluted, hinged top, the interior with numerous drawers in archite

2nd Half of the17th Century. A dedicated ‘title page’ to Sir Richard Gilpin, showing a north-east view of Scaleby Castle. In well-carved gilt wood and composition frame, surmounted by a Royal Coat

A Polish/Hungarian hussar's sabre, 2nd half of the 17th centuryLeicht geschwungene, sehr scharfe Rückenklinge mit Jelman, zweischneidiger Spitze und beidseitiger Kehlung, terzseitig im oberen Kling

A German crossbow, 2nd half of the 17th centuryGeschwärzter schlanker Stahlbogen. Einbund aus Hanffaden. Säule aus rotbraun gebeiztem Holz mit gravierten Beineinlagen und Eisenbeschlägen. Auf der O

A plug bayonet, 2nd half of the 17th centuryScharfe Keilklinge, gestempelt "RBOER / ... ORN" (in der späteren Gebrauchszeit gewechselt). Die eiserne Parierstange als Werkzeug ausgebildet, ein Arm i

Gilt-bronze France, 2nd Half 19th century,  Verso numbered 1 and 2  A pair of matching Napoleon III candelabras Oval base with stylized waves on rocaille feet Above that sitting a putto sculpted in

17th Century Italian Bronze Sculpture of Venus Height: 5.25 in.

A good bronze bell, the figural script at the top of the bell reputedly and roughly translates "Produced in Italy for the King of France", reeded moulding lines, original clapper, well balanced with a

17th Century Italian Bronze Memento Mori Skull and Crossbones, 5 x 6 1/2 in. on Base.

10x7x3cm

French. Pendulum with Sevres plaques, fire-gilt bronze, 2nd half of the 19th century, 2 reclining children in front of a rose vase, Sevres plaques with putti polychrome painted on the sides, floral mo

20th century Italian bronze bust of a 17th century man in suit of armor with plumed helmet, mounted on a verde marble veneered base, signed "Hunt, Fond. Att, V. Roocco", 34"h x 24"w x 14"d.

Professor Eugenio Pattarino (Italian, 1885-1971), 2nd half 20th century. An ovoid pottery charger depicting horse and dancer. Signed on underside. Approx. l. 17", w. 13.375"

Italian school; second half of the 17th century. "Christ and the sinner". Oil on canvas. Re-colored. Presents repainting and jumps in the painting. Size: 96 x 133 cm. In a sumptuous interior dominated

Italian school of the first half of the 17th century. "Allegory of Charity". Oil on canvas. It presents restorations and faults on the pictorial surface. Measurements: 118 x 74 cm. Allegory image in w

Italian School, first half of the 17th Century, "Immaculate Conception".Oil on copper.Measurements: 29 x 20,5 cm.The devotional image presents the Virgin within a break of glory, with the moon under h