An Italian ciselled rapier pommel, circa 1560

Pair of Baroque Etchings, including: Maria Magdalene, 29, and Providentia, 27, Dom. Cunego (Italian, 18th century) after Carracci, Annibale (Italian, 1560 - 1609), circa 1772, etchings on paper, signe

Very good 17th - 18th Century Italian rapier featuring a scroll designed swept hilt, a shagreen wrapped handle, an ovoid pommel, and a thin fuller running the length of the blade. Wear consistent with

A vintage Italian fencing rapier sword with a rectangular blade marked AFS Italy, a fastened round epee guard, a tight fabric wrapped French typed grip, and a metal pommel. Holds a plastic protector t

A vintage fencing rapier sword with a marked rectangular blade marked, a foil typed guard, and a tight wrapped grip. Holds a plastic protector to the point. Made in Italy. Circa the 1930s or later. Vi

Rare Pattern 16th-17th C. French or Italian 4-Ring Swept-hilt Rapier Sword with Original Carved Blackwood Grip and Large Hexagonal Pommel. A Very Good Early and Seldom Encountered Example.Full Length

Nice 17th-18th C. Italian SCHIAVONA Broadsword Rapier, Well Marked Broad Double-edged Blade, Complex Iron Basket Guard & a Brass Cat-head Pommel of Traditional Type, Dark Wood Grip Probably Native to

17th-18th Century French or Italian small sword rapier presenting a double edged tapering blade, a brass hilt, a scrolling knuckle guard, a faceted ovoid pommel, complete with a spiraling wire wrapped

Well made and enlarged scale miniature swept hilt rapier in the Italian or Spanish style with wire wrapped grip, round barrel shaped pommel, guard with two sweeping bands and two rings to other side.

European, Italian or Spanish, in the 16th C. style but probably circa 1800-1890's. Fine medieval style sword with tapered straight blade that is pointed and intended primarily for thrusting. Pommel is

English School, circa 1560 Portrait of a lady, half-length, in an embroidered dress oil on panel 73.6 x 63.2cm (29 x 24 7/8in). Footnotes: Provenance With Lane Fine Art, London, where acqui

A MID-20TH CENTURY GOLD BRACELET, ITALIAN, CIRCA 1950 The fancy-link strap formed as an alternating series of textured and polished zig-zags, the lozenge-shaped plaques between with a satin finish, in

A Stazione RN-3 Spy Transceiver, Italian, circa 1942, serial no. N11, with Morse key, aerial wire with ceramic insulators, wired earphones, two crystals, and power supply unit, in grey/green crackle c

AFTER STEFANO MADERNO (Italian, circa 1576 - 1636). The Martyrdom of Saint Cecilia, Continental 19th century alabaster statue on a marble base. - Marble base: 19 x 8 in

A GOLD BRACELET, ITALIAN, CIRCA 1955 Of openwork design, the polished marquise links with rectangular connectors, in 18K gold, Italian registry mark, length 18.7cm

* After Antonio da Correggio (Italian, Circa 1600) Virgin and Child paint on wood panel 12 7/8 x 9 1/2 inches. Estimate $1,000-2,000 The Property of the Detroit Institute of Arts, Sold to Benefit the

A rhinoceros horn walking stick with silver pommel, circa 1890, tapered to a white metal tip 89.5cm overall, 490g gross

Circle of Adriaen van der Linde (Bruges circa 1560-1609) Portrait of a girl, full-length, in a black embroidered dress, holding a posy, with a dog at her side inscribed and dated 'A*tatis Sua*3/ An.16

French Or Italian, Circa 1900, One An Allegorical Summer Garden, The Other Barnyard Fowl, Former 68.25 x 33.5 Inches, Latter 67.5 x 35 One Canvas Detached From Left Side Of Frame. Various Repairs, Inp

Opalino A Fiamma Vase Italian, circa 1950. Ercole Barovier, by Barovier & Toso. Ht. 12 1/2 in.

Gerrit Rietveld (Danish) for Cassina (Italian), circa 1990s. Set of four "Zig Zag" cantilevered cherry wood chairs chairs with leather seat. Manufacturer's mark, designers signature, and "8790" to und

Italian, Circa 1950, 6.5-6.57" L This toy's box doubles as a garage for this stable of automobiles.

Mid-century modern Venini glass and brass chandelier. Italian circa 1960. [Approx: 40" x 18" x 36 1/2"].

Italian, circa 1920s-1930s. A collection of 36 dried flower specimens composed into one large frame, each set behind an individual pane of glass within a wood border thereby creating a vignette for ea

Oil painting on panel attributed to Raffaellino del Garbo (Italian, circa 1466-1527); of the Virgin in prayer; the verso affixed with a partially effaced paper label inscribed […] Texad