An Odegard Mat.

Color etching, aquatint and carborundum. Signed and numbered 40/75 in pencil, lower margin. Printed and published by Maeght, Paris. Date of Work: 1967 Dimensions: 935x640 mm; 36 3/4x25 1/4 inches, ful

Soft-ground etching on Somerset Velvet wove paper. Signed and numbered 8/35, verso. Published by Hauser & Wirth, New York. Date: 2018 Dimensions: 254x302 mm; 10x11 7/8 inches

Color lithograph on Japon nacre. The deluxe edition of 20 on Japon nacre, aside from the edition of 75. Signed and numbered XV/XX in pencil, lower margin. Published by Editions Sonet, Lidingo. From "M

Color screenprint on Arches. Signed, dated and 67/150 in pencil, lower margin. Printed by Kelpra Studio, London, with the ink stamp verso. Published by Marlborough Graphics, Inc., New York. Date: 1972

Color screenprint on white wove paper. Initialed and numbered 82/150 in pencil, lower margin. Printed by Stephen Poleskie, Chiron Press, New York. Published by the Paris Review, New York. Date: 1968 D

Color heliogravure and offset lithograph. Signed and numbered 116/200 in pencil, lower margin. Published by Editions Carmen Guillard, Paris. Date of Work: 1948 Dimensions: 577x461 mm; 22 3/4x18 1/8 in

Color aquatint and etching. Signed and numbered 80/130 in pencil, lower margin. Published by Alain C. Mazo, Paris. From the same-titled suite. Date of Work: 1953 Dimensions: 415x315 mm; 16 1/4x12 1/2

Color aquatint on imitation Japan paper. Signed by Metzinger and numbered 7/200 in pencil, lower margin. Etched by Jacques Villon. Published by Galerie Bernheim-Jeune, Paris. Based on Metzinger's Cubi

Color lithograph. Numbered "A 51/250" in pencil, lower left. Printed by Marcel Salinas. Published by Harry N. Abrams, Inc., New York. From the same-titled portfolio. Date of Work: 1969 Dimensions: 652

Etching, aquatint and electric tools printed in black from 2 plates, with hand coloring in blue acrylic before printing, on Rives BFK. Signed, dated and numbered 32/50 in pencil, lower margin. Printed

Color photolithograph on Magnani Pescia paper. Signed and numbered 61/150 in pencil, lower margin. Printed by Le Arte Grafiche Pardini di Camaiore, Milan. Published by Edizioni del Cinquale, Milan. Fr

Resin relief cast. Signed, dated and numbered 42/175 in black ink, lower left side. Published by Transworld Art, Inc., New York. From "An American Portrait." Date: 1975 Dimensions: 657x485x130 mm; 25

Color lithograph on Arches. Printer's proof, aside from the edition of 125. Signed, titled, dated and inscribed "P. P. I" in pencil, lower margin. Printed by Petersburg Press, London. Published by Bro

Color lithograph. Signed and numbered 23/120 in pencil, lower margin. Printed by Michael Casse, Paris. Published by L'OEuvre Gravee, Paris, with the blind stamp lower left. Date of Work: 1963-64 Dimen

Woodcut. 1500 292x208 mm; 11 1/2x8 1/8 inches. Bartsch 93; Meder 205.

Etching and drypoint. New Hollstein's fourth's state (of 5), with a trace of the delicate horizontal line across the spire upper right. 1657 125x160 mm; 5x6 1/4 inches, narrow margins. Bartsch 70; New

Etching. New Hollstein's third state (of 4). 1638 135x105 mm; 5 1/4x4 1/8 inches, narrow margins. Bartsch 20; New Hollstein 170.

Color screenprint on white wove paper. Printed and published by Marlborough Graphics, Inc., London. Signed, dated and numbered 178/200 in pencil, lower margin. Date: 1970 Dimensions: 610x458 mm; 24x18

Color screenprint. Signed, dated and numbered 28/30, lower right. Printed and published by Simca Print Artists, New York. Date: 1982 Dimensions: 736x965 mm; 29x38 inches

Etchings. Each in the first state (of 2), before the address of rthe publisher Ciartres. 1634 Each approximately 195x150 mm; 73/4x57/8 inches, thread margins. LeBlanc 227-30.

Color aquatint and etching with hand coloring in watercolor. With--PHILIBERT-LOUIS DEBUCOURT. "Paysage, effet de neige," color aquatint and etching with hand coloring in watercolor, 1811. 292x393 mm;

Etching and drypoint. New Hollstein's ninth state (of 11). 1657 152x197 mm; 6x7 3/4 inches, narrow margins. Bartsch 46; New Hollstein 300.

Etching and drypoint. New Hollstein's second state (of 4), before the Basan rework, with burr on the back of the man with his back turned lower left. Ex-collection Ferdinando Salamon, L'Arte Antica, T

Etching and drypoint. New Hollstein's third state (of 7), before the rework and the Basan editions. Seven Provinces with the initials BM watermark (Ash/Fletcher 34). Ex-collection Johann Carl Diedrich