Argoli Andrea

Early printing.- Argoli (Andrea) Primi Mobilis Tabulæ, engraved pictorial title by Giovanni Georgi only, trimmed to just outside border, remains of mounts verso, 197 x 145mm., Padua, Heirs of Pao

ƒ Andrea Branzi (born 1938)Tree 3 - N°1/12Wall-mounted bookcasePatinated aluminum and birchEdition of 12 Signed and numbered 'AB 1/12' on the right hand sideModel created in 2010H 80 ×

Artist: Giovanni Andrea Donducci (1575–1655) "Mastelletta", attributed to. Title: Untitled Size: 28 3/4" x 33 3/4" inches; (approximate) Date: early 17th century

olio su tela, cm 120x96,5 in cornice laccata e dorata

Artist: Andrea del Sarto (Attributed to) Title: Untitled (Holy Family) Medium: Oil on wood panel Size: 21" x 26" Approximate panel size (not including frame) Date: 1540 Circa Very good quality Italian

Artist: Andrea del Sarto (Attributed to)Title: Untitled (Holy Family)Medium: Oil on wood panel Size: 21" x 26" Approximate panel size (not including frame) Date: 1540 Circa Very good quality Italian l

Decorative panel with wooden frame and linen fabric with decoration “La Farfalla di Battista”.Prototype of a fabric made of linen. The decoration was later printed on synthetic fabrics.Original si

Small sofa. 1930. Lacquered wood, brass and upholstered fabric.. Cm 121,00 x 91,00 x 48,00. Provenance: Private collection, Lazio.

Artist: Andrea del Sarto (Attributed to)Title: Untitled (Holy Family)Medium: Oil on wood panel Size: 21" x 26" Approximate panel size (not including frame) Date: 1540 Circa Very good quality Italian l

Artist: Andrea del Sarto (Attributed to)Title: Untitled (Holy Family)Medium: Oil on wood panel Size: 21" x 26" Approximate panel size (not including frame) Date: 1540 Circa Very good quality Italian l

Mattioli, Pietro Andrea [Andrew Fletcher of Saltoun] Commentarii in sex libros Venice: Vincenzo Valgrisi, 1565. Folio (363 x 245mm), [86] leaves, 1459, [1] p., [6] leaves; full-page woodcut portrait o

oil on wood panel Provenance: The Estate of Lee Phillip Bell, co-creator of 'The Young and the Restless' and 'The Bold and the Beautiful' Condition: with loss, separation to wood, and repairs througho

(Napoli, 1490 - attivo fino al 1530) San Giovanni Evangelista e Santo Olio su tavola, cm 36X61 Certamente attivo a Napoli nel 1510 con la qualifica di Maestro, Andrea Sabatini mostra sin da subito uno

Pair of Italian Baroque style carved stools or benches in the manner of Andrea Brustolon. Each features four carved figural cherubs supporting carved armrests with scrolled volute ends, above acanthus

Andrea Branzi Gritti bookcase MemphisItaly, 1981laminate over wood, maple, enameled steel, glass, aluminum over wood149.5 w × 12 d × 80 h in (380 × 30 × 203 cm) Meta

Libidarch (Edoardo Ceretto, Andrea Mascardi, Walter Mazzella) "Argine" First production example of the seat / sculpture. Execution by Busnelli, Italy, 1970s. Polyurethane foam. Manufacturer's trademar

Andrea Branzi, wooden and plexi cabinet. Prototype. Metea production, 2012. Andrea Branzi Vetrina in legno e plexiglass, prototipo. Prod. Metea, Italia 2012. Dimensioni: cm 80x60x200

Matteo Thun; Andrea Lera, 2 'Zerodue WWF Tower' floor lamps from the 'Still Light' series, 1985, H. 99 x 37.5 x 37.5 cm. Made by Bieffeplast, Padua. Sheet metal, painted silver-gray, partially perfora

in cornice dorata, olio su tela, W. 126 - H. 100 cm

16th/17th century painting after Andrea Del Sarto,on wood.The composition follows closely the composition of Del Sarto's "Madonna col Bambino, San Giovannino e angeli". 28" x 35"./////////////////////

(Italian, 1847-1912), signed l.r. "A. Landini." Sight size: 13-1/2"h x 10-1/4"w

Andrea Branzi (Firenze 1938) Dormeuse model "Century". Produced by Memphis, Milan, drawing form 1982Structure in aqua green metal tube folded on wheels, top in red painted wood, seat, armrest and back

Andrea Bellosi, 'Arc en Ciel' table light, 1980, H. 28 x 25 x 21 cm. Made by Studio Alchimia, Milan. White marble, sheet metal, partially painted black, plastic, black, Plexiglas lens. Marked: ARC-EN-

Stampa su Fine Art Rag Satin, cm. 107x312; ed. 2/5, 2 pa.. L'opera è divisa in nove pannelli firmati e numerati sul verso. Certificato di autenticità firmato dall'autore.