Artur Markowicz (1872 - 1934) Sunday in Paris, circa

Artur Markowicz (1872-1934), Reading by the Window Technique: Pastel on paper Dated: 1908 Signed, dated 908 and dedicated "To my good friend" in French (lower left). 40 x 32 cm Condition: Good, not ex

Arthur Markowicz (1872-1934) - Double Sided, Figures and Pompeii, Pastel and Pencil on Paper. Signed (pencil). 16x12cmn.

Charlesl Dixon (1872-1934) Travel poster "Red Star Line," circa 1926. J.E. Goossens, Brussels. Version without text at bottom. [43 x 27 1/4 inches]. Restored losses in lower left margin and corner; mi

FERNAND FERNEL (1872-1934) [LA CONTRAVENTION / THE TRAFFIC TICKET.] Circa 1910. 16x36 inches, 40x92 cm. [Dietrich & Cie., Brussels.] Condition B+: repaired tears at edges, one into lower image; minor

Manuel Robbe (French, 1872-1936) Notre Dame de Paris. Color aquatint, circa 1925, pencil signed lower right and numbered 237. Ref: Chase 191 12.75" x 17.75" Frame: 26.75" x 30.75"

A late 19th century French 800 standard silver gilt and guilloche enamel buckle, Paris circa 1880 by Léon Souloy (reg. 17th Oct 1872) Of bowed rectangular form, with engine turned decoration covered

DESCRIPTION: A mixed media (ink, marker and pen) drawing, depicting clowns, signed lower left "Robert Delvel Paris" Framed under glass. CIRCA: 20th Century ORIGIN: France" DIMENSIONS: H. 22" x W. 14",

Pablo Picasso Signed Aquatint Etching Titled Garson et Dormeuse a la Chandelle, Circa 1934. Historically published by Ambroise Vollard, Paris, 1939; printed by Roger Lacouri?re, Paris. Framed measures

Claude Azoulay (French, b. 1934) two gelatin silver prints, of Jean Cocteau, November 9, 1965, printed circa 1965, each with artist Paris Match / Marie Claire credit stamps on the verso. Provenance: P

Meissen (German, founded 1720), post 1934. Group of two figures comprising: "The Rabbit Seller", model 23, after the original modeled by Johann Peter Reinicke, circa 1755, from the "Cries de Paris" se

OSCAR TORLASCO (1934-2004) & LUMI (ÉDITEUR) Suspension à 9 lumières, circa 1950, structure en métal laqué noir et laiton, globes en opaline blanche. A chandelier, c.1950, lacq

OSCAR TORLASCO (1934-2004) & LUMI (ÉDITEUR) Grande applique murale à 12 lumières, circa 1970, structure à gradins en acier, lentilles ovales en verre translucide. A large wall lamp

SEM (GEORGES GOURSAT, 1863-1934) CANNES. Circa 1930. 31½x47½ inches, 80x120½ cm. Draeger, [Paris]. Condition A: punch holes in top margin. Riviera 509.

SEM (GEORGES GOURSAT, 1863-1934) CANNES. Circa 1930. 31x46 inches, 78x118 cm. Draeger, [Paris]. Condition B+: repaired tears at edges; creases and minor abrasions in margins and image. Riviera 509.

Alberto Giacometti (1902-1985), Lamp model "figure", circa 1933-1934, bronze sculpture, monogrammed and numbered "AG 070" by the foundation, h.155 cm; Certificate of the Giacometti Committee, Paris, 2

Louis XV style ormolu mounted commode, in the manner of Stockel and Benneman. Paris, circa 1900. Shaped marble top above three drawers with center lion mask above cabinet doors with large ormolu mount

AN IMPRESSIVE EMPIRE FLAME MAHOGANY "EGYPTIAN" CANAPÉ, PARIS, CIRCA 1800, with a long flat rectangular molded crest rail above a recessed panel frieze, continuing to closed sides and ending with l

Allegory of Love, a Gilt and Patinated bronze mantle clock Paris, Circa 1850. The gilt-metal repousse dial with white and black enamel Roman numerals, the twin train movement and clock case numbered 1

MAX BLONDAT (Crain, Burgundy, 1872 - Paris, 1925). "Le jour de fête. Marble. Size: 67 x 26 x 32 cm. This is a sculpture resolved in a vivid realistic language, representing a girl on her feast day.

A large mid-20th century French modernist 800 standard silver fruit bowl, Paris circa 1950 signed Jean Després (1889-1980) Of broad circular form upon a domed pedestal circular foot. All over plani

AN EARLY GILT-BRASS CARRIAGE CLOCK, BY JULES, PARIS, CIRCA 1840 no. 542, the case cast with scrollwork, the escapement densely engraved with scrolls, hour and half hour countwheel strike on a bell, ei

French Ormolu Mounted Kingwood and Parquetry Dressing Table, Paris, circa 1900, the table and mirror completely trimmed in brass with fine chisel-work on applied knees, feet, escutcheons and girandole

Y A FRENCH ORMOLU, JAPANESE LACQUER-MOUNTED, EBONY, EBONISED AND HARDWOOD CENTRE TABLEAFTER ADAM WEISWEILER, BY HENRY DASSON, PARIS, CIRCA 1880The underside stamped 'HENRY DASSON', one leg with herm m

François Linke (French, 1855-1946) French Ormolu-Mounted Kingwood & Vernis Martin Vitrine Paris, circa 1900. Louis XV Style. Signed 'Linke'. 87 x 57 x 17 in.