“The Texas Longhorn†54 ½†X 64 ¾†Oil paint and gold leaf on deer skin parchment by

oil paint and liquid gold leaf on deer skin parchmentAs early as the 24 th century BC, dried animal skin known as parchment has been used tocreate ancient Egyptian scrolls, Biblical books, and famous

Original Painting on Deer SkinAs early as the 24 th century BC, dried animal skin known as parchment has been used tocreate ancient Egyptian scrolls, Biblical books, and famous documents. Parchment is

oil paint and liquid gold leaf on deer skin parchmentAs early as the 24 th century BC, dried animal skin known as parchment has been used tocreate ancient Egyptian scrolls, Biblical books, and famous

Bartlett, Bo (James William III) (American, born 1955); Anima (Six Seconds), 1983-1990, oil on linen with touches of gold leaf, 82 x 64 inches, signed IGN with B lower edge, Provenance: PPOW Gallery,

Meret Oppenheim Simon/Gavina Side table, model Traccia. Designed in 1936, manufactured from 1973. Bronze, wood, gold leaf. 64 x 68 x 53 cm. Designed for the Collezione Ultramobili by Simon, Dino Gavin

Hovsep Pushman (1877-1966) The Fleeting Joy signed 'Pushman' (lower left) oil and gold leaf on Masonite 16 3/4 x 25 in. (42.5 x 63.5 cm.) Painted circa 1950. Footnotes: Provenance Estate of

1988 oil and gold leaf on panel signed, titled and dated verso 22 x 18 1/2 total inches

Patrick Scott HRHA (1921-2014) Untitled Etching with gold leaf, 127 x 130cm (50 x 51¼) Edition 54/75 Signed Provenance: With the Fenton Gallery, Cork, label verso

(Massachusetts/New York/Russian Federation, 1892-1970) Red Table, signed lower right "N. Vasilieff", oil on canvas, 33 x 41 in.; white gold leaf frame, 38-1/2 x 46-1/4 in. Note: Exhibited: The William

Edouard Cortes (French, 1882-1969) "En Attendant La Pratique", ca. 1920-1930 oil on panel signed lower left. Gold leaf frame. 9-1/4" x 9-1/4", framed 17-1/4" x 17-1/4" Provenance: Private collection,

Colonial School. Cuzco. Peru. 18th century. "Assumption of Mary" Oil and brocateado (designs overlaid in gold leaf to represent brocade) on copper. 32,5 x 24 cm.

(Italian 1608-1672) Spring Flowers, including tulips, narcissus, hyacinths, roses and others entwined with a blue ribbon, oil on canvas, 56-5/8 x 47-1/4 in.; gold leaf reverse profile wood frame, 59-5

Albert Bierstadt (Amer., 1830-1902), lone deer in landscape, oil on artist panel sight: 9 x 12.5 in., frame: 14.5 x 18.5 in. Provenance: A Florissant, Colorado collection Likely the most famous and

Oil on Canvas titled Troncs D' Arbres by Teofil Ociepka depicting a fantasy forest scene. Signed and dated '64 on the bottom right. Measures approx 27.5" x 19.75" (33" x 25" framed). Paint shows

Fine folk art Ewe weathervane. Attributed to Cushing and White. Molded copper with historic paint and gold leaf. L 21-1/2" H vane only 17" H w/base 27-3/4" W of base 3". Please refer to this link for

Bruno Zupan oil and gold leaf titled "Searing Beauty of Autumn Light". Provenance: Gallery 1401 in Chattanooga, TN. Zupan is a Slovenian-born American artist best known for his impressionistic paintin

David Hockney Warm Start (from the series "Some New Prints") 1993 lithograph on paper; framed 54.5 x 64.5 cm (sheet size) numbered on the lower left: AP XI/XIV signed and dated by the hand of the arti

Untitled, 1959 48" x 64 1/2" oil on canvas signed and dated versowith Catherine Viviano Gallery, NY, label verso

Cup: 4”H x 5”W x 4”D. Gold Leaf Porcelain cup with a lovely large body atop a delicate foot. The cup and saucer are covered with raised fauna designs, decorated with gold leaf, and b

102 x 50 cm ; 165 x 64 cm ( with frame ) oil on masonite board signed lower right and stamped with artist's seal upper left This lot is located in INDONESIA

Tibetan bronze figure of Shyama or "Dark Green" Tara, the Mother of all Buddhas, Tsang district, c.12th century or later, with later "cold gold" paint, 13 x 5 x 2.25 inches, weight 1300 grams. Goddess

44" x 80". Large framed oil paint and pastel multimedia abstract impressionist piece on paper, done primarily in reds, blues, and grays. Signed along right edge, though signature is partially illegibl

JOHN ALTOON (1925-1969) Untitled, 1963-64 oil on canvas 54 x 51 in. 137.2 x 129.5 cm. Footnotes: Provenance Tortue Gallery, Santa Monica Private Collection, Los Angeles (acquired direct

RICHARD KARLOVICH ZOMMER (RUSSIAN 1866-1939) Repast by a Mosque [Halt], 1916 oil on canvas 64 x 104 cm (25 1/4 x 41 in.) signed and dated lower right PROVENANCEAcquired from the descendants of Richard