Attrib. to James Butterworth (British, 1817-1894)

James Buttersworth (British,1817-1894): Sailboats at the Sandy Hook Lightship, oil on panel, signed and framed, reference number on back. The Sandy Hook Lightship was equipped with 2 lanterns, each wi

James E. Buttersworth (British, 1817-1894) Old Ironsides off Long Island oil on panel signed J E Buttersworth, lower right 8 1/2 x 12 1/4 inches.

James Buttersworth (1817-1894) New Jersey, New York / United Kingdom Artist Oil James Edward Buttersworth (1817 - 1894) James Edward Buttersworth was active/lived in New Jersey, New York / United King

Framed oil on canvas painting, Canal with Lock, signed lower left T.J. Soper (Thomas James Soper, British, 1817-1893), sight: approx 37.5"h, 46.5"w, overall: 47"h, 56"w, 36lbs **Provenance: consignor

Marked on plaque on frame, Volunteer 12S thistle. James Buttersworth 1817-1894 Depicts sailing ships on a dark ocean seascape. Framed in carved wooden gold leafed frame. Approximately 24.35 x 34.5 inc

Frederick Goodall. The Song of the Nubian Slave. Antique engraving on wove paper after the original oil on canvas by Master Engraver William Callio Roffe (British, 1817 - c.1894). 1884. Signed in the

James Edward Buttersworth (1817 - 1894) Oil on panel , Signed , measures 17" x 8.5" , w/frame 14" x 21.5" " x

ARTIST: James Hamilton (British, 1853 - 1894) TITLE: Return from the Field MEDIUM: oil on canvas CONDITION: Missing a few flakes of paint. Minor craquelure. One inpainted area in lower right corner. S

2 British watercolors and 1 French print- 1 & 2). Attrib. William James Muller (British 1812-1845)- ''Jebel Mousa Summit of Mount Sinai'' & ''Memnonium''- 2 watercolors on paper. 11 1/2 x 16 1/2'' tog

ARTIST: Charles James Parry (British, 1824 - 1894) TITLE: Seascape with Sail Ship and Fishing Boats YEAR: 1891 MEDIUM: oil on canvas CONDITION: Relined. Few small paint losses. Minor craquelure. Few s

This is an original signed oil painting on board by James Edward Buttersworth (English, 1817-1894). He specialized in maritime art and is considered among the foremost ship portraitists in the United

James Edward Buttersworth (American, 1817-1894) Racing Yacht, Identified as the Sloop Yacht 'Haswell' signed 'J.E. Buttersworth' l.l. Oil on paper or paperboard mounted to wood. Canvas, ht. 10 1/4, wd

James Hamilton, A.R.S.A. (British, 1853-1894), Return from the Fieldoil on canvas, signed at lower right, retaining remnants of a hand-written artist's label to verso, presented in the original gilt c

Title: The Holstein Gate Lubeck. Artist: after Carl Friedrich Heinrich Werner (German, 1808 – 1894) Engraver: John Godfrey (British, 1817-1889). Description: hand coloured antique steel engravin

Thomas Dutton, (2) British naval lithographs, After Thomas Dutton (English, 1817-1894), "The Trafalgar East Indiaman, 1250 Tons", 14"h x 19.5"w (sight), 20.25"h x 25.75"w (frame size) and "The City of

JAMES EDWARD BUTTERSWORTHNew Jersey/New York/United Kingdom, 1817-1894Yachting in the Sound, with a view of New York. Signed lower right ìJ. E. Buttersworthî. Handwritten inscription verso ìY

After William Fisher (British, 1817-1895) , "Field Marshal John Colborne, 1st Baron Seaton", c. 1864, mezzotint, engraved by James Scott (British, 1809-1889), published by Henry Graves, London, "Print

After James Pollard (British, 1792-1867), "Returning Home by Moonlight," 1817, hand colored aquatint, engraved by R. Havell and Son, published in London 1817, overall (with frame): 25.25"h x 28.25"w

1894 British Gold Sovereign. VG Details with soldered suspension loop

Attributed to James Stark (British, 1794 - 1859), oil on canvas English country scene depicting a thatched water-powered mill, apparently unsigned, 21"h x 25"w, overall size with frame 29.25"h x 32.5"

1817 British Architecture Castles Illustrated Stonehenge England Cathedrals 5v James Storer’s “Antiquarian and Topographical Cabinet” is a fascinating collection of descriptions and

Attributed to Thomas Barker of Bath (1769-1817) British, watercolor. Barker was heavily influenced by Gainsborough. He became highly popular in the first half of the19th Century and was extremely prol

After James Pollard (British, 1792-1867), "A Celebrated Fox Hunt, Breaking Cover," 1817, hand colored aquatint, engraved by R. Havell and Son, overall (with frame): 25.25"h x 28.25"w

James W. Baldock (attrib.), (2) Horse Portraits, Attributed to James Walsham Baldock (British, 1822-1898), oil on canvas, both initialed "JWB" and dated 1887, each 17"h x 23"w (sight), 24"h x 30"w (fr