Attrib. to Joseph Highmore, British (1692-1780)

Attributed to: Joseph Highmore, British (1692-1780), Oil on Canvas, Portrait of a Lady with Flowers. Unsigned. Measures 33" H, 26-1/2" W; frame measures 36-1/2" H, 30-1/4" W. A work listed as "attribu

Large 19th century English oil on canvas portrait of young girl in blue dress adorned in lace, her sash holding her greyhound attending at her side, attributed to Joseph Highmore (British 1692-1780),

JOSEPH HIGHMORE (BRITISH, 1692-1780), OIL ON WOOD PANEL, H 12 1/2", W 10", LADY IN DRESSING MIRROR:Frame size H.16" x 14". Signed in the lower left corner. From the Estate of William McGuire, Northvil

Follower of Joseph Highmore (1692-1780, British)Late 19th CenturyPortrait of a young woman holding a childOil on canvasUnsignedSight: 49.5" H x 40" W

Joseph Highmore (London 1692-1780 Canterbury) The Christening oil on canvas 25.2 x 30.1cm (9 15/16 x 11 7/8in).

ATT. TO JOSEPH HIGHMORE (ENGLISH, 1692-80), OIL ON CANVAS, H 30", W 25", LADY MARTHA BLOUNT:Attributed to Joseph Highmore, Lady Martha Blount 1690 - 1769 (member of the well-known Blount family of Map

SCHOOL OF JOSEPH HIGHMORE (ENGLISH, 1691-1780), OIL ON CANVAS, H 27", W 35", PORTRAIT OF ALEXANDER POPE AS A YOUNG MAN:Alexander Pope was an 18th-century English poet, best known for satirical verse a

Court of Chancery, Lincoln's Inn Hall. Housed in a black and gilded frame with a tan-color mat. Depicts a colored print of a courtroom. By printer maker Joseph Constantine Stadler (British, 1780 - 181

ROBERT BRICHET (BRITISH, ACTIVE 1780-1790), AFTER JOSEPH FRANZ VON GOZ, HANDCOLORED ENGRAVINGS ON PAPER, 2 PCS., H 7-9.75" W 4.75-6.625", "SOMER UND WINTER" AND "LE SANGUIN" Each having Birds-eye Mapl

JMW Turner (attrib.), oil on canvas, Attributed to Joseph Mallord William Turner (British,1775-1851), Looking towards a Castle View, signed JMW Turner lower left, artist placard on antique gilt frame,

period Chippendale ca 1780's mahog oval tilt top snake ft candlestand attrib to Joseph Short of Newburyport, MA

Pair of oil on canvas landscape paintings, attributed to Joseph Rusling Meeker (Missouri/Louisiana, 1827 - 1887). 1st item: Oil on canvas landscape painting titled "Farm Scene" depicting a farmstead w

Attributed to Philadelphia maker Joseph B. Barry, center bow front, four graduated drawers, three quarter carved and fluted column stiles, front paw feet, turned back feet. Overall 39" h. x 45" x 27.5

[With:] Two autographed endorsements signed recommending Ulric Dahlgren (1842-1864), son of Rear Admiral John A. Dahlgren (1809-1870), for a captain commission: SMITH, Joseph (1780-1877). Autograph

Roger Hilton (1911-1975) (attrib.), British painter of German origin. The importantrepresentative of abstract art is regarded as a pioneer of abstract painting in England. He took part in documenta 2

William Webb - British, 1780-1846 Thomas Hargreaves Esq. With the Holcombe Harriers Oil on canvas 28" x 36" Thomas Hargreaves Esq with Holcombe Harriers The Holcombe Hunt can trace its lineage to the

British, 1780-1831Hunter at GrassOil on canvas23 5/8 x 29 7/8 inches (60 x 75.9 cm)Provenance:The Parker Gallery, London (Frame: 28 x 24 1/4 inches)Q

James Barenger British, 1780-1831 Hounds in Full Cry (Racing for the Kill) Possible remnant of a signature or other inscription (ll) Oil on canvas 14 x 17 1/2 inches (35.7 x 44.5 cm) Provenance: Mrs.

Arthur Joseph Meadows British, 1843-1907 Santa Maria della Salute, Venice, 1907 Signed and dated Arthur Meadows 1907 (ll) Oil on canvas 18 x 11 7/8 inches (45.7 x 30.2 cm) Provenance: Guarisco Gallery

JOSEPH NASH (BRITISH 1809-1878) PETER SCHEEMAKER’S MONUMENT, ST MARY’S BEAMINSTER Signed and dated ‘Joseph Nash 1854,' pencil and watercolour (52.1cm x 36.8cm (20.5in x 14.5in))

Arthur Joseph Meadows British, 1843-1907 Blois Cathedral on the Loire, 1901 Signed and dated Arthur Meadows 1901 (ll); further signed, dated, and inscribed Blois on the Loire / The Cathedral on the re

Arthur Joseph Meadows (British, 1843-1907) Orleans on the Loire, 1885 oil on canvas signed Arthur J. Meadows and dated (lower left) 10 x 14 inches. Property from the Collection of Maestro Raymond Lepp

Probably British, 1765-1780, fine sculptural form, with deeply shaped serpentine back and scrolled arms, molded square mahogany legs with stretchers, set on brass casters, ash, beech, spruce secondary

Joseph Pennell (British, 1857-1956). “The City, Evening / London Out of My Window” - 1909, mezzotint, pencil signed and inscribed lower right of center. Provenance: Private Collection, Cashiers, N