Attrib. to Ludovico Mazzanti (1686-1775, Italian),

Italian mid-century modern sideboard, attributed to Ico Parisi (Italian, 1916-1996), c.1960s, green glass top, shaped sides, four matched veneer doors in a herringbone pattern, two shelves, central dr

Italian modern oak sideboard, attributed by consignor to Paolo Buffa (Italian, 1903-1970), c.1940s, rectangular case, alternating triangle pattern trim, two sets of double-door cabinets, square moldin

Italian modern oak dining table, attributed by consignor to Paolo Buffa (Italian, 1903-1970), c.1940s, three-board tabletop, apron with alternating triangle pattern, pull-out slides to support leaves,

(lot of 6) Italian mid-century modern dining chairs, attributed to Ico Parisi (Italian, 1916-1996), c.1940s-1950s, ebonized frames, bow tie shaped back, vinyl upholstered seat, rising on tapered legs,

Italian mid-century modern three-light floor lamp, attributed to Ercole Barovier (Italian, 1889-1974) for Barovier & Toso, c.1940s-1950s, gilt metal torchiere shade concealing a single light, over two

Enrico Prampolini (attrib.) (Italian 1894-1956). Signed and dated lower right. Futurist figure. Charcoal/Paper. Sight size: 14 x 11 in. Overall Size: 19.25 x 16.25 in. Framed behind glass.

Italian mid-century modern bar cabinet, attributed to Ico Parisi (Italian, 1916-1996), c.1960s, having shaped sides, two cabinet doors each with ceramic medallion of a female figure, open shelf, four

Italian modern oak server, attributed by consignor to Paolo Buffa (Italian, 1903-1970), c.1940s, rectangular case, alternating triangle pattern trim, open niche, over double-door cabinet, square moldi

Giovanni Domenico Campiglia (1692-1775): Italian Noblemen: Two Plates Two engravings in black on paper, c. 1750, with labels from James Papalia, NJ. Both 12 1/2 x 8 1/2 in. (sight), 21 1/4 x 17 1/4 in

Roberto Marcello Baldessari (attrib.) (Italian 1894-1965) Futurist Composition, charcoal on paper, signed with initials R.M.B., Framed under Glass, image size 17 1/2 x 15 1/2 inches

Ludovico Marchetti (Italian, 1853-1909) oil on canvas depicting a young woman seated with her face in profile, highlighting her elegant silhouette, while the red in her gown brings out the red in her

(Italian, 1686-1755) Two Mounted Trumpeters, black chalk, pen and brown ink, brown wash. Corners cut. Sight size: 6-1/2"h x 4-1/4"w Overall: 14-1/2"h x 12-3/8"w

Ludovico de Luigi (ITALIAN, 1933) oil on canvas, SURREAL CITY, 33 x 46 inches

DESCRIPTION: Ludovico De Luigi oil on canvas painting. Titled: "Metallfish" features a surreal scene with architectural accents and naturalistic fish, executed with a mixed technique. Signed "Ludovic

DESCRIPTION: Ludovico De Luigi oil on canvas painting. Features the depiction of "The Venice Grand Canal" executed with an airbrush technique. Signed bottom right "Ludovic De Luigi" reverse signed "Pe

Ludovico Marchetti (1853-1909) Italian. Elegant Figures in an Interior, Studying a Statue, Oil on Canvas, Signed and Inscribed 'Paris', 18.5" x 21.5".

Putti playing Oil on canvas H. 15 3/4"W. 24 1/2" Provenance: Sotheby's London, Catalogue of Fine Old Masters Paintings, July 28, 1976, Lot 135

DESCRIPTION: An oil painting on canvas attributed to Ignazio Manzoni (Italian, 18th Cent.) titled "Brindis" ("The Toast") depicting an interior scene with several man celebrating with a toast. Ignacio

3 pieces of Italian Glass attrib to Venini, largest approx 8" h

Attrib. to Sciolari, Italian Modernist chandelier, Circa 1960s, brass frame with clear glass cups, 24"h x 9"dia. (incl. chain)

Ludovico de Luigi (Italian, b.1933) Oils on Canvas (2) paintings including 'Venetians Peeping Through the Hole of the Wondrous House' and an illegibly titled work, each signed lower right and titled l

Italian mid-century modern mirror, attributed to Veca, c. 1960s, smoked glass with scalloped edge, mounted with flat oval mirror plate, approx 29.25"h, 23.25"w, 19.5lbs

Ludovico de Luigi (Italian, b. 1933), "Sotto Altri Meridiani un Canal Grande di Sabbia e Gondole di Pietra," 1968, oil and sand on canvas, signed lower right, dated and titled verso, inscribed verso,

Museum quality oil painting of Santa Cecilia on metal attributed to Carlo Dolci (Italian,1616-1686). Carlo Dolci was an Italian painter of the Baroque period, active mainly in Florence, known for high