Attributed to Francesco Solimena (1657-1747): Rachel Bidding Farewell to Her Father Before Her

Artist: Francesco Solimena (1657-1747), circle of Title: Medium: Oil on canvas Size: 25" x 20" (63.5 x 55.8 cm) canvas size Date: 17th century

Italian school, ca. 1700. Circle of Francesco SOLIMENA (1657-1747) "Saint Nicholas of Tolentino. Oil on canvas. Measurements: 65 x 52 cm; 95 x 82 cm (frame). In this canvas we see Saint Nicholas of To

Neapolitan School, After Francesco Solimena (1657-1747) "Saint Paul with the Word of God and the Sword by Which He Died" Oil on canvas Unsigned. Verso inscribed "Saint Paul ascending into Heaven, 18th

Circle of Francesco Solimena (Italian, 1657-1747), Giambattista Pittoni (Italian, 1687-1767) or Francesco Trevisani (Italian, 1656-1746), Baroque/Rococo, 18th century. A stunning 18th century painting

Francesco Solimena (Italian, 1657-1747) "Madonna and Christ Child" pencil drawing on laid paper, stamped on reverse: "Alexandre Ujlamy Antiquaire Paris," 18th century. Image: 12: H x 8" W; mat board:

Attributed to Francesco Solemena (Italian, 1657-1747) Study ink and wash on paper visible: 7 1/4" x 11 1/4"

Workshop of Francesco Solimena (Canale di Serino, 1657 - Barra, Naples, 1747) "The Descent of Christ" Oil on canvas. Relined. 128 x 75 cm. Prince Eugene of Savoy commissioned various paintings by Soli

Attrib. to Francesco Solimena 1657-1747 Monks/Angels/Fresco gray pen and wash 15x12 Italian 17th cent drawing of a scene with angels and saints in the clouds attributed to Francesco Solimena. The draw

Attributed Francesco Spanghero (Italian, 1892-1945). Marble statue of a winged goddess, likely Nike, the goddess of victory. Signed along the base.Provenance: From the Estate of Horst Rechelbacher, Os

American, First half 19th century Oil on panel, depicting a young sailor bidding farewell to his sweetheart, a three masted sailing ship in the background, mounted in a carved and painted frame of the

(Italian, 1822-1883) La Sala di Giove in the Palazzo Pitti, signed lower right "F. Maestosi", oil on linen, 35 x 47-1/8 in.; gilt wood and composition Regency style frame, 47-3/4 x 61 x 4 in. Provenan

Rembrandt van RijnLeiden 1606 - 1669 Amsterdam, attributedThe Departure of the Prodigal SonOil on wood24 x 28 cm, with frame 53 x 60 cmHdG 112cProvenance: Auction M. P. D. Baron van Sijtzama u. A. in

DESCRIPTION: Attributed to Francesco Tosso (Italian, 1875-1890) Pair of 19th century Renaissance style walnut carved wooden life-size figural statues, depicting a pair of seated monkey figures holding

Rachel Ruysch (attrib.), oil on canvas, 18th c., Attributed to Rachel Ruysch (Dutch, 1664-1750), Floral Still Life with Gourds, Fruit and Dog, no signature observed, old label verso, 48"h x 40"w (sigh

Francesco Guardi (attrib.), drawing, Attributed to Francesco Guardi (Italy, 1712-1793), Figures in a Piazza, sketch study in ink on paper, unsigned but metal tag on frame, matted and framed under glas

FRANCESCO ALEGIANI oil painting TROMPE L'OEIL 19th C19TH C O/C TROMPE L'OEIL Strongly ATTRIBUTED TO FRANCESCO ALEGIANI. ALEGIANI in several works used some of these exact subjects in his other works,

Tabula tertia de Europa. Francesco Berlinghieri (1440-1501) attributed to Francesco Roselli (1445-before 1513). from Geographia. Engraved map. Florence: N. Laurentii, Alamanus, before 1482-early sixte

Attributed to Pier Francesco (Il Ticinese) Mola (Italian, 1612-1666) Maddalena penitente oil on canvas 59 x 44 1/4 inches.

Attributed to Italian Francesco Albani oil painting on canvas depicting playful cherubs. Frame size: 38" x 32" Painting size: 31.5" x 25.75"

Shimohara school, Bushu area (present day Hachioji, Tokyo), an assembled daisho (set of matched longsword and short sword) attributed to Yasushige (the father or the son, both active mid late 16th cen

Father of Russian Futurism, Attributed. Measures 20" by 30". Restored. As found estate condition . Please use photos as part of the description. The absence of a condition report does not guarantee ex

Frank Hoffman's penchant for painting horses can be attributed to his childhood and his father's racing stables. He went West in 1916 and by 1920 had joined what would become known as the Taos art col

Antique German old master painting. A beautiful composition with a woman, dog, and a musical instrument. Really exceptional quality. The painting is attributed to Willem Van Mieris (1662 - 1747). Oil

attributed to Studio or Circle of Francesco di Giorgio (Italian 1439 - 1502), Angel Holding a Drape, tempera and oil glaze and gold on gessoed panel, 11.5 x 6 inches, Predella fragment from a Madonna