Attributed to Francis Wheatley (1747-1801) - Two young

Attributed to: Francis Wheatley (BRITISH, 1747-1801) oil on canvas, Beautiful Portrait of a young woman holding a dove, 50 in. x 39-1/2in.

Painting: Attributed to Francis Wheatley (United Kingdom, England, Ireland 1747-1801), street scene with tavern, oil on wood panel. 11 1/4" x 12 3/4", frame overall 17 1/2" x 19".

Francis Wheatley(1747-1801), British, Print. Titled "Cries Of London" 1799A woman holding baskets as a focal point. Two men are located behind the woman on the viewers right and horses are located beh

Francis Wheatley (English 1747-1801), See-Saw. Peg-Top, a pair of sepia etchings. With 4 French etchings each of one of the seasons engraved by Mallet. Largest 11 1/2" x 15 1/2".

AFTER FRANCIS WHEATLEY (BRITISH, 1747-1801) PRINTS, LOT OF 14, lithograph on paper, hand-colored, including examples from the series "Cries of London"; engravers include Vendramini, Schiavonetti, and

GROUP OF ENGLISH GENRE PRINTS, LOT OF TEN, from the "Cries of London" series, after Francis Wheatley (British, 1747-1801), later issue marked for publisher upper left corner, each laid on board and ho

Francis Wheatley, R. A. (1747-1801), Tears for Romeo & Julietoil on canvas (lined), unsigned, painted in a feigned oval, presented in a gilt frame with gallery plaque. Stretcher size 28 x 23 in.; Fram

Francis Wheatley (attrib.), watercolor, Francis Wheatley (attrib.) (British, 1747-1801), "The Road to the Village", watercolor on paper, no signature visible, 7"h x 8.5"w (sight), 22"h x 23"w (framed)

After Francis Wheatley, RA (British, 1747-1801) Shakespeare, All's Well that End's Well, Act V Scene III, Engraving by George Sigmund Facius (1750-1814) and Johann Gottlieb Facius (1750-1802) Publishe

after: Francis Wheatley English-Irish (1747-1801) Mezzotint by Eugene Lily "Repairing to Market" Blindstamp Lower Left "Printsellers Association" Good Condition. Frame Measures 28" by 24". Shipping $9

FRANCIS WHEATLEYUnited Kingdom/England/Ireland, 1747-1801“Jeune Fille Arrive”. Unsigned.Pencil and India ink with tinted watercolor on cream (wove?) paper. Framed. Exhibited:“Les Mai

FRANCIS WHEATLEY (BRITISH, 1747–1801) OIL ON CANVAS, H 13.5" W 17" ASCOT LODGE NEAR WINDSOR Relined canvas.

Lot includes two FRANCIS WHEATLEY matted prints which are titled, “Hot Spiced Gingerbread, Smoking Hot” and “Milk Below.” One print depicts man in the street holding a tray with gingerbread wi

Watercolor and ink on paper depicting two young ladies attributed to Sicong Zhou. Signed and holds calligraphy lower right. Measures 27 1/2" (70cm) x 18" (45.5cm).

Antique Japanese ink and color on silk scroll attributed to Mori Sosen (Japanese, 1747-1821); depicting two monkeys atop trees; signed, with seal mark to lower right; 41" x 14" (ap

Attributed to James Reid Lambdin (American, 1807-1889) Two Young Ladies oil on canvas 26 1/2 x 22 1/2 inches.  Property from the Estate of Bernita Buncher, Pittsburgh, Pennsylvania

Attributed to Gertrude Jameson (Jenkins) Barnes (American, 1865 -1939), "Expectations", interior scene with two young children playing with a cat, oil on canvas, 18" x 14 1/4".

Manner of Cheng Shifa (1921-2007), hanging scroll, ink and color on paper, depicting two young girls with two deer, signed with two seals. 52"h. x 12.5"w.

Attributed to Henry Edridge (English, 1768-1821) oil on canvas painting of the Simpson family children: two young ladies in white gowns, a young boy holding a drum, and a baby in the center, housed wi

Attributed to James Hart (Tennessee/Alabama, 1812-1870), "The Bond Children," oil on canvas laid on board three-quarter length portrait depicting two young blond-haired and blue eyed children, shown s

The Chinese scroll painting depicting two young girls wearing traditional garment sharing fruits, ink and color on paper, inscribed, signed with a red seal, attributed to Cheng Shifa. 67_69cm

Attributed to Bernard Gussow 1881-1957, Pastel on Paper of Two Young Woman, signed lower right by artist, in gilt wood frame, from The Rabin & Krueger Gallery, Newark, NJ. Framed size 23" x 27"

Two Louisiana Carved Wood Decoys , incl. a coot, c. 1950, attributed to Francis Uzee, Chalmette, l. 12 in.; and seagull confidence decoy, h. 7 1/4 in., l. 10 1/2 in., presented on a modern stand, tota

Oil on academy board, depicting a leisurely outing among two women in a summer landscape near a brook, initialed on verso; 11" x 13.5" (sight), 14.5" x 17.5" (framed).