Attributed to: Frederic Edwin Church (American 1826 -

After Frederic Edwin Church (American, 1826-1900), 19th century oil on canvas depicting Niagara Falls, a rainbow arching from its mist, 34" x 72" canvas.

Frederic Edwin Church (1826 - 1900) American. Oil on Paper. Measure 9 1/2"in H x 11 1/2"in W and 16"in H x 18"in W with frame. Frederic Church was born in Hartford, Connecticut, in 1826, to a wealthy

FREDERIC EDWIN CHURCHNew York/Connecticut/Mexico, 1826-1900Allegorical scene with boys and walruses. Signed lower left "E".Pen and ink and wash on card, 2.5" x 4.75". Framed 17" x 14.5". Provenance:Mr

In the manner of Frederick Edwin Church (1826-1900) American, (untitled) Cypress trees at the river's edge, oil on canvas (laid down on board), signed lower right I or J Church, and dated 1874. Condit

American Landscapes; Frederic Edwin Church; In the Forest of Fountainebleau; The Hudson River School

19th Century American School After Frederic Edwin Church Morning in the Tropics signed and dated 'Powers 70' (lower left), inscribed 'Morning in the Tropics / Copy from Church' (on the reverse) oil on

Item/Description: 19th Century Oil on Board mountainscape of West Rock Ridge in New Haven, Connecticut. This vista was chosen as the subject of American landscape painter, Frederic Edwin Church's 1849

Niagara Falls From The American Side Oil Painting on Canvas of Frederic Edwin Church. Unframed. Estimated Size: 24"*36''.

American, ca. 1870, having laurel and berry top edge and many stage decoration, bears nameplate for Frederic Edwin Church, "Sunset at Catskill Lake". Rabbet: 10 1/2" X 16 1/2", Overall: 20 3/4" X 26",

Heart Of The Andes Oil Painting on Canvas of Frederic Edwin Church . Unframed. Estimated Size: 24''*36''

Sky At Sunset Jamaica West Indies Oil Painting on Canvas of Frederic Edwin Church. Unframed. Estimated Size: 24"*36''.

Antique oil on canvas painting, in Frederic Edwin Church style landscape view of a wetland with palm islands. Ornate golden frame.Circa 19th century. Antique Americana Nature Landscape Art For Interio

Antique oil on canvas painting, in Frederic Edwin Church style landscape view of a wetland with palm islands. Ornate golden frame.Circa 19th century. Antique Americana Nature Landscape Art For Interio

Artist: Frederic Edwin Church Title: Aurora Borealis Medium: Giclee on Cavnas Signature: Hand-signed by the Artist Image Size: Approximately 32 inches x 21 ½ inches Framed: Unframed Note: This

Painting Oil on Canvas Frederic Rondel, American (1826-1892). Signed Lower Right. Panoramic Scene with Farmer & Cows. In Original Frame. Condition: Generally Good Condition. With a couple of very old

attributed to EDWIN GEORGI (American 1896-1964) A PAINTING, "Beauty on a Boat," gouache on paper. 21" x 11" Provenance: Property from a Private Collection, Houston, Texas.

A vintage Southwestern bronze sculpture, Bronco Buster, depicting a cowboy on a horse and a crawling snake attributed to Frederic Remington, American, 1861 to 1909. Inscribed on the base. Mounted to o

Hetzel, attributed to George (American/Pennsylvania, 1826-1899), Scalp Level Forest Interior, c.1890s, oil on canvas, apparently unsigned and undated, 12 x 18 inches, in a period gilded wood frame 21.

BARTON STONE HAYS (AMERICAN, 1826-1914), ATTRIBUTED, FOLK ART PAIR OF PORTRAITS, oil on canvas, depicting a husband and wife, each three-quarter depiction of sitter wearing dark clothing, he with a bo

Lot 13 Frederic Remington (attributed) American (1861-1909) Untitled (Cowboys at a bar) gouache on paper signed lower right 20 x 16 inches Provenance: From a New York Collection

Lot 89 Frederic Remington (attributed) American (1861-1909) Group, five studies on three (3) sheets graphite and ink, and watercolor on paper laid down to mat sight: 11 x 8 inches mat (each): 20 x 15

Lot 88 Frederic Remington (attributed) American (1861-1909) Group, six figural studies on three (3)sheets graphite on paper laid down to mat sight (each): 11 x 8 inches mat (each): 20 x 15 inches Pro

Lot 90 Frederic Remington (attributed) American (1861-1909) Group, six figural studies on four (4) sheets graphite and ink on paper laid down to mat sight (largest): 11 1/4 x 8 1/4 inches mat (each):

139. LARGE AMERICAN TIN CHURCH STILL BANK | Attributed to Hull & Stafford, large scale example for a hand painted tinplate still bank, stenciled doors and windows, open cut outs for bell hung in tower