Attributed to Giovanni Martinelli (Italian, 1610–1659) Allegory of Abundance

attributed BOLDINI, Giovanni, (Italian, 1842-1931): "The Artist in His Studio", depiction of an artist painting a landscape with woman looking on, Watercolor on Paper laid on board, signed lower right

Attributed to Giovanni Boldini (Italian 1842-1931) female profile with inscription, ink on paper, image size 4 ¼ x 3 ¾ “

Attributed to Giovanni Milone (Italian, 19th Century) Chickens. Oil on canvas, signed lower right Canvas: 12" x 18.25" Frame: 17.5" x 23.5"

Giovanni Boldini (attrib.), Woman in Carriage, Attributed to Giovanni Boldini (Italian, 1842-1931), oil on canvas, partially signed "Boldin... " lower left, metal artist tag on frame, 32"h x 21"w (sig

Attributed to Giovanni Bastianini (ITALIAN, 1830 - 1868) Carrera marble bust sculpture depicting Johanna Albrizi carved in the manner of Francesco Laurana / Francesco de la Vrana (CROATIAN / ITALY, 14

Attributed to: Giovanni Boldini, Italian (1842-1931) Watercolor "Portrait Of A Woman". Marked lower left GB or 83. Ornately framed. Good condition. Photographed inside and out of frame. Measures 12-3/

Lot 110 Stefano Tofanelli (attributed) Italian (1752-1810) Allegory of Architecture oil on panel 7 3/4 x 12 5/8 inches unframed Provenance: From the Estate of David Schorr

Attributed to Giovanni Battista Piazzetta (Italian, 1682-1754), Anguished Man, chalk and stumping on paper, sheet: 16"h x 11.25"w, overall (with matting): 20"h x 16"w. Provenance: Sotheby's New York:

Featured in this lot is this original sketch attributed to Giovanni Tiepelo an Italian artist born in 1696 and died in 1770. The sketch features a wonderfully and professionally crafted ink and pencil

A lot of two unsigned pen and ink wash/chalk drawings on paper, attributed to Giovanni Battista Crosato (Italian 1697 - 1756). Each depicting classical scenes with female figures. Information provided

(2) Italian mid-century modern armchairs, c.1960s, design attributed to Giovanni "Nino" Zoncada (Italian, 1898-1988), in floral upholstery, curved back over flared armrests, removable seat cushion, ri

Elders and Soldiers, Attributed to Giovanni Battista Gaulli (Italian, 1639-1709) 17th C. (Detto il Bacicco) unframed. Overall: Apx. 20"h x 15"w Sight: 11-1/2"h x 8-1/2"w Provenance. Property from a Pr

Attributed to Giovanni Andrea Podesta (Italian, 1608-circa 1674) The Andrians or The Bacchanal of the Andrians, after Titian, circa 1640-1650 etching 16 1/2" x 22 1/2" Catalog Note: The original etchi

After Giovanni Domenico Tiepolo (Italian, 1727-1804) "Allegory of Justice" fresco in the Colleoni Chapel, Bergamo, Italy, 1913 oil on academy board signed lower right "F. Mancini" for Francesco Mancin

after PAOLO VERONESE (Italian 1528-1588) attributed to GIOVANNI "GIAN" DOMENICO FERRETTI (Italian 1692-1766) A PAINTING, "Abduction of Europa," 1720-1740, oil on canvas, signed indistinctly, "Pietro R

Graphite and pastel on paper. Featuring sketch of the Basilica of Saint Francis in Assisi, Italy. Signed G. Boldini to the right. Attributed to Giovanni Boldini (1842-1931, Italian). 12 x 9 cm (4.75 x

Attributed to Guercino (Giovanni Francesco Barbieri, Italian, 1591-1666), Portrait of a man, red chalk on paper, 11X7.5 cm, apparently unsigned. Tears, minor creases. Not examined out of the frame.

Red chalk on paper. Featuring sketch of a woman with a child. Inscribed on verso with ink. Attributed to Giovanni Battista Tiepolo (1696-1770, Italian). 26 x 18.5 cm (10.25 x 7.25 inches). Provenance:

Attributed to: Giovanni Battista Salvi aka IL SASSOFERRATO (Italian, 1609-1685) Titled: “The Madonna” Medium: Oil on relined Canvas- 17th Century, Image Size: Height 26-3/8”in.; Width 20” in.

Attributed Martinelli Luce, Orbital Glass Top Coffee TableItalian, circa 1990, circular clear glass top with stainless steel mount, underside with orbital arm having a swivel circular glass top, conic

ATTRIBUTED TO GIOVANNI FRANCESCO BARBIERI, BETTER KNOWN AS GUERCINO (Italian, 1591 - 1666). Study of a Child, Pen and dark brown ink, brush with brown wash. With an inscription "Il Guercino fece" uppe

ATTRIBUTED TO GIOVANNI FRANCESCO BARBIERI, BETTER KNOWN AS GUERCINO (Italian, 1591 - 1666). Study of a Child, Pen and dark brown ink, brush with brown wash. With an inscription "Il Guercino fece" uppe

Attributed to Andrew dell'Asta (Italian, 1673-1721), titled "Allegory of Plenty: a Bozzetto for a Ceiling Decoration." Sight size: 10"h x 37-1/2"w Provenance: Anonymous sale, New York, Christie's, Apr

After Pierre Mignard (French 1612-1695) or Sassoferato (Giovanni Battista Salvi, Italian 1609-1685) Holy Family with Allegory of Sin and Salvation, oil on copper, framed. Dimensions: 9.5 x 12.25 in.