Attributed to Jane Nasmyth (1778-1840) - Lakeside

Alexander Nasmyth (attrib), pair oils on panel, Attributed to Alexander Nasmyth (Scottish, 1758-1840), Three Figures on a Bridge, and Coastal Landscape, no signature observed, artist tag on frame, 8"h

Thomson of Duddingston, attributed to Rev. John (Scottish, 1778-1840), Untitled Landscape, early to mid 19th century, oil on canvas which has recently been relined, unsigned, 21 x 29.5 inches, in a da

19th Century English painting of a castle on a hill with sailing ship in water. Attributed to Rev. John Thomson of Duddington (1778-1840). Measures 8" x 7" (sight) and 13" x 12" w/ frame.

Oil painting on canvas attributed to Alexander Nasmyth. Alexander Nasmyth was a British painter born in 1759-1840. The canvas is not signed but is attributed on the back of the painting to A. Nasmyth.

Historic Americana 1840-Dated Jacquard Coverlet Maker / Customer Attributed 1840 Signed & Dated, Jacquard Coverlet, Lehigh County, Pennsylvania, made for Elizbeth Lay by S. Kuter, Choice Extremely Fin

Jane Peterson (American 1876-1965) oil on canvas The Port 61x51 cm Hand signed lower right.

Painting: After Gilbert Stuart, Attributed to Jane Stuart (1812-1888), portrait of George Washington. Oil on canvas. Note great frame with owl corners. Imperfections to canvas. 23" x 17", overall 31"

Attributed to Jane Peterson. Still life base with Iris. Watercolor on paper. Signed lower left. Framed and glazed. Overall size 20 x 17. Image size 14 x 10.75.

Jane Peterson (attrib.), painting, Attributed to Jane Peterson (American, 1876-1965), Gothic Architectural Study, oil on canvas, signed "Jane Peterson" at lower right, 17.5"h x 21.5"w (sight), 24"h x

American School; oil on board. Study for "On the Pier, Edgartown". Attributed to Jane Peterson. Faintly inscribed "Jane Peterson" on reverse; 12" x 16"(image)

Attributed to Jane Freilicher (American 1924-2014)- Floral Still-Life- oil on panel, 1953, signed Jane Freilicher '53 in pencil lower right, framed. 36 x 12''

Circa 1840, attributed to Thomas Day, Milton, North Carolina. Set of ten, each having the pierced heart back with banister support on a scrolling base. H34" W19" D17" Note: Sold from the private colle

Jane Peterson (attrib.), painting, Attributed to Jane Peterson (American, 1876-1965), Harbor Scene, possibly Gloucester, oil on board, signed "Jane Peterson" lower right, 17.75"l x 23.5"w (sight) Prov

Jane Peterson(1876-1965) Attributed to- Oil Marblehead Street. Oil on canvas. Marblehead, Mass. Attributed to Jane Peterson. Inscribed on stretcher under the overflap; 25in. X 30in., 28.5in. X 33.5in.

attributed to Jane Taylor; on a 14k gold chain. Carved tourmaline with diamonds and sapphire cabochon. Chain: 17 3/4" long; pendant: 1 1/4" high, 1/2" wide. Gross weight: 10.9 DWT. *No credit card pay

ATTRIBUTED TO MARY JANE PEALENew York, 1827-1902Portrait of Mrs. G.W. Peale. Inscribed verso "Portrait of Mrs. G.W. Peale Phila 1879 for A.C. Peale".Oil on canvas, 24" x 20". Frame

ATTRIBUTED TO PATRICK NASMYTH (SCOTTISH 1787-1831) A WOODED RIVER LANDSCAPE WITH FIGURE BY A BRIDGE oil on canvas (46cm x 61cm (18in x 24in))

Claude Monet (1840-1926)Attributed, in the manner of the artist): Waterlilies, signed. Oil on wooden panel bearing the stamp of colourman Emilio Mokelin of Venice, Italy. Verso also bears a hand-writt

Odilon Redon (French, 1840-1916) Attributed: oil on paper, signed bottom right, framed. Odilon Redon was a printsman, draftsman, and painter best known for his brightly colored still lifes, which ofte

Claude Monet (1840-1926) Attributed/manner of: Poplars, tempera on paper, with pencil indications, signed, verso marked with stamp of Simon Galerie, Paris, and reference numbers. With certificate of a

ALEXANDER NASMYTH (SCOTTISH 1758-1840) DRUMTOCHTY CASTLE ON LUTHER WATER Oil on canvas(63.5cm x 91cm (25in x 36in))Literature: Peter Johnson and Ernle Money, The Nasmyth Family of Painters, Leigh-on-S

Claude Monet (French, 1840-1926)Attributed: Westminster Study. Charcoal on paper, signed lower left, unframed. Stamp from Galerie Simon, Paris on reverse*. Possible study for a painting of Westminster

Claude Monet (1840-1926) attributed: Waterlillies, tempera and gouache on paper, signed, verso marked with gallery stamp and reference number, with certificate of authenticity from Art Collectors Grou

Follower or manner of ALEXANDER NASMYTH (Scottish, 1758-1840), set of (2) landscapes with figures, oil on canvas, unsigned. Craquelure, lined. Canvases 12''h, 16''w.