Attributed to Severin Roesen (American, 1815-1872)

school of Severin Roesen (American, 1815-1872), Still Life with Flowers and Bird's Nestoil on canvas, unsigned, circa 1850, the verso with stencil mark for S. N. Dodge's Artist & Painter's Supply Stor

Severin Roesen (Prussian, American, 1815-1872) Still Life Oil on canvas 30 x 24.25 (in) 36 x 29.75 x 2.75 (in) Framed Signed Roesen, lower right Provenance: Private Collection, Tucson, Arizona passed

(American, 1815-1872) signed l.r. "S. Roesen". Overall: 40-5/8"h x 35-1/2"w Oval sight: 30-1/2"h x 28"w Provenance: Property from a Private Princeton, NJ Collection

19th c Still life with fruit in the manner of Severin Roesen (Am 1815-1872) oil on canvas 20 x 30 -24 x 34" as framed.

19th century still life with fruit, oil on canvas mounted to panel, in the manner of Severin Roesen (German-American, 1816-1872), no apparent signature. Image: 23.5" H x 17.5" W; frame: 27.75" H x 22"

MAJOR GENERAL GEORGE G. MEADE (AMERICAN, 1815-1872) GIFTED POST-CIVIL WAR 14K-18K YELLOW GOLD CROSS PENDANT, cross with bail to top and an attached hanging loop, front side with chased

Severin Roesen (German-American PA artist) "Still LIfe with Fruit", oil on canvas, signed "Roesen" in the grapevine, 30-1/4" x 25-1/2", framed 36-1/2" x 31-1/2", very good condition, professionally re

Josef Urban (Austrian/American, 1872-1933) attributed gilt bronze table or desk lamp with a hammered textured surface, apparently unsigned. 11.5" H x 7" W x 5.5" D.

AMERICAN SCHOOL (19TH CENTURY) STILL LIFE, oil on canvas, in the manner of Severin Rosen (German-American, 1816-1872), depicting vibrant raspberries, grape bunches with leaf, peaches, and a pineapple

attributed BESSIE POTTER VONNOH (American 1872-1955) A BRONZE SCULPTURE, CIRCA 1900, ROMAN BRONZE WORKS, NEW YORK CITY, NEW YORK, signed in monogram, foundry monogram at base, of a seated baby discove

Attributed to Edward Borein(American, 1872-1945)Cowboys on horseback (3)ink on paperunsigned, framed togetherlargest, sight: 8 1/4 x 10 1/2in (21 x 26.7cm) Provenance:The Collectio

A hand forged twisted iron door pull handle, attributed to Addison Mizner (American, 1872-1933). Depicts an abstract rooster with elongated body, ending in ball claw foot. Cartouche style backplate. N

Attributed to Edward Dufner (American, 1872–1957), Untitled (Maiden in the Garden), oil on panel, bears signature lower right, panel: 10.5"h x 8.75"w, overall (with frame): 15.25"h x 13.5"w

Attributed to Joseph Whiting Stock (American, 1815-1855) Portrait of a Girl with a Basket of Flowers 1830s oil on canvas unsigned 35 1/2 x 28 1/2 inches. This lot is located in Cincinnati.

A large oil on canvas, depicting an industrial plant along A river with boats. Attributed to Aaron Harry Gorson (American, 1872 - 1933). Canvas 31” x 26”, Overall in a gilt frame 38”

Attributed to Robert Winthrop Chanler (American, 1872-1930), early 20th century oil on canvas depicting a peacock against an Orientalist style background, 29" x 35 3/4" canvas, 29 3/4" x 40" framed. P

Oil on Canvas Portrait of Dr. Walton Hazard Peckham, Attributed to Thomas Sully (American 1783-1872), unsigned, in flat gilt, oval frame; artist and sitter identified in pencil on rectangular stretche

Attributed to David Gilmour Blythe (American, 1815-1865), oil on canvas, unsigned, 12.75"x15.5", in a period gilt wood frame measuring 19.5"x22.5"

attributed to JOSEPH HORACE EATON (American 1815-1896) PASTEL ON PAPER, "The Nightingale of Boston," likely inspired by the original hand colored lithograph after James E. Buttersworth, Charles Parson

Portrait oil painting on canvas of a distinguished gentleman attributed to Joseph Whiting Stock (American, 1815-1855). Measures 29" (73.5cm) x 24" (61cm) + 3" (7.5cm) frame.

John Frederick Kensett Landscape Painting, first time to auction, attributed to John Frederick Kensett (American 1816 - 1872), oil on canvas, a landscape with trees and rocks signed lower left "JFK".

Attributed to John Frederick Kensett (American, 1816-1872), Forest Landscape, oil on canvas, bears initials lower left, canvas (relined): 18.25"h x 24"w, overall (with frame): 23"h x 29"w

Attributed to John Frederick Kensett (American, 1816-1872), Forest Landscape, oil on canvas, bears initials lower left, canvas (relined): 18.25"h x 24"w, overall (with frame): 23"h x 29"w

attributed to SAMUEL FINLEY BREESE MORSE (American 1791-1872) A PAINTING, "Lady with Black Mobcap," 1820, oil on canvas, signed in monogram and dated L/L, "R.Q.M. 1820." 28" x 22 1/2"