Attributed to William Wallace Gilchrist (American,

William Wallace Gilchrist, Jr.New York / Maine, (1879 - 1926)Portrait of Cleveland banking pioneer Jeremiah Sullivan (1844-1922), 1916oil on canvassigned and dated upper right, gilt-framed.32 x 26 inc

William Wallace Rosenbauer, (American, 1900-1968), Dancer, 1934, bronze, signed and dated, 17"h x 5.5"w x 3.5"d

William Wallace Rosenbauer (American, 1900-1968) Sassy Lady, 1928 carved wood signed Rosenbauer and dated Height 25 inches. Property from the Collection of Leonard Stark, Chicago, Illinois

Attributed to William Wallace Armstrong (Canadian, 1822-1914), Summer Sunset in the Woods, oil on canvas, unsigned, canvas: 33.5"h x 16"w, overall (with frame): 39"h x 21"w

Attributed to William Wallace Armstrong (Canadian/Irish, 1862-1906), "Mt. Shasta," circa 1885, oil on canvas, unsigned, gallery label (Adamson-Duvannes Galleries, Los Angeles, CA) affixed verso, overa

DESCRIPTION: An attributed William Grosvenor (American, 1912-1998) oil painting on board depicting a cityscape with a cathedral as a central motif. Signed on the lower right bottom corner. William Gro

Attributed to: William Chadwick (American 1879 - 1962) oil on canvas, Old Lyme Conn. Spring Blossoms. 16 x 22 inches overall framed 24 x 31 inches

(Attributed to) William Slaughter (American, 1923-2003) Oil on Canvas Undated, signed lower right, depicting a Texas landscape with bluebonnets Condition: Good, canvas mounted on board, small warp on

Attributed William Ashby McCloy (American, 1913 - 2001), "Stone Equations # 11: Demonstrations", c. 1981, acrylic, chalk and collage on linen canvas, depicts large red abstracted figure facing viewer,

Pastel on paper glued to board. Mid-19th century. A three-quarter view of a woman, her arms resting on a table and holding a red book in her hand. She wears a puffy sleeve dress with delicate lace col

Richards, Attributed to William Trost (American 1833 - 1905), Forest Interior, oil on wood panel, 10 x 6.75 inches, Provenance: Rifkin-Young Fine Arts, Riverdale N.Y.; The Estate of Marc and Lillian R

Attributed to William Keith (American, 1838-1911), Untitled (Wooded Clearing with Figure by a Pond), oil on canvas, unsigned, canvas: 16.25"h x 21.75"w, overall (with frame): 22.25"h x 25.75"w

Attributed to William Ritschel (American, 1864-1949), North African City Scene, oil on canvas, unsigned, canvas: 14"h x 13.25"w, overall (with frame): 19.5"h x 18.75"w.

Attributed to William Pope, American, born 1955, oil painting on board, The People You Love Become Ghosts Inside of You and Like This You Keep Them Alive. Signed upper left. Framed. William Pope is kn

Attributed to William Keith (American, 1838-1911), “Mission of the Conception,” oil on canvas, unsigned, titled verso, inscribed verso, canvas: 16.5"h x 24"w, overall (with frame): 22"h x 29.25"w.

Modern work attributed to William Marks (American, Detroit, 1906 - ?) oil on Masonite, a view of the Lodge Freeway in Detroit, a very colorful impressionistic view of cars and trucks moving through th

Attributed to William Keith (American, 1838-1911), Mount Shasta, oil on board, unsigned, board: 18"h x 24"w, overall (framed): 22.5"h x 28.25"w

William Harnett (attrib.), painting, Attributed to William Harnett (American, 1848-1892), Peaches, 1877, oil on canvas, bears signature and date "WM Harnett 1877", lower left, 6"h x 8"w (sight), 13.5"

Attributed to William Kennedy (American, 1817-1871) Sight size: 30"h x 25"w Overall: 35"h x 30-3/4"w

William Forsyth Pastel Edwardian Portrait 1918: Attributed to William Forsyth (American, 1854 - 1935), 1918, chalk pastel portrait on paper depicting a three-quarter portrait on paper of a woman in a

Attributed to Wallace Bassford, American, 1900 to 1998, oil on canvas still life painting depicting a vase with flowers. Signed lower right. Framed. Circa the mid 20th century. Wallace Bassford is kno

DESCRIPTION: Attributed to William Woodward, (American:1859-1939). Watercolor on paper depicting a small fishing cabin with a fishing boat stored and a sailboat on the water in the background. Matted

Attributed to William Watts (American, 1869-1961), Crossing the Bridge, oil on panel, unsigned, overall (with frame): 17"h x 13.5"w

(Attributed to) Lew Wallace, American (1827–1905.) "Portrait of a Young Muslim Man." Oil on canvas, canvas laid onto compressed paper board, in contemporary gilt frame. Sight 19.5" x 15.25". Co