Bernie Lubell, Sculptural 'Ad Hoc Semi Sym Metric'

The abrashed rust-red field displays a four way symmetric pattern of peacocks and numerous other birds, axial cypresses, small flowering trees and assorted millefleurs plants. Green, straw, navy and e

Central Persian urban carpet with lots of knots creating a classic medallion and corner layout on an ecru field with a bilaterally symmetric array of roses and vases. Vases in the black medallion and

Extraordinary Translucent White Jade Brush Washer with melon ridge carving details on the exterior sides. Symmetric ridges details throughout. Diameter 4'' Height 2.25''

VLADIMIR KAGAN (1927 - 2016) NEW YORK COLLECTION Four Tri-symmetric barstools, New York, 1980s Polished aluminum, chromed steel, microfiber Metal labels 28" x 22" ea.

China, blue and white Meiping vase, decorated in six divided sections of symmetric designs featuring flowers in pale blue against white ground. Height 10 1/8 in.

East Asia, China, late Ming to early Qing Dynasty, ca. 17th to 18th century CE. A tranquil stone head of Buddha displaying a pleasing, symmetric visage of downcast eyes, a flattened nose, and plump cl

Mezcala Temple w/ Stargazer & Priest (300 BC-500 AD) The Mezcala sculptural style emphasizes geometric abstraction in both human figures and architectural models. - Mezcala- 300 BC-500 AD- Mesoamerica

A large Egyptian papyrus fragment with Coptic script, c. 4th - 6th Century AD, with 23 partial lines of semi-cursive script on one side, and 2 lines on the opposite side along with some symbols. The t

Roman, ca. 2nd Century AD, Agate and Gold Pendant. Large semi translucent pale blue fragmented oval agate relief of a Roman empress (possibly Faustina Jr. wife of Marcus Aurelius ca. 145 AD). Chip mis

Tang Dynasty, 618-907 A.D. A ceramic horse and mounted hunter figure modelled in the round, standing on an integral rectangular base; the animal with semi-naturalistic anatomical detailing, patches of

Tang Dynasty, 618-907 A.D. A pair of ceramic mounted hunters, each modelled with semi-naturalistic anatomical detailing standing on rectangular bases, and extensive remains of painted pigmentation: on

Northern Wei Dynasty, 386-534 A.D. A ceramic horse modelled in the round standing on an integral base, neck stretched upwards and head turned, mouth open; semi-naturalistic detailing to the head, ches

France, circa 1520 A.D. A stone head, all that remains of the statue of a holy warrior once displayed in Martinvast Castle, modelled in the round wearing a pleated collar, semi-naturalistic detailing

A Russian naturally hand carved Rhodonite stone sculptural group. The sculpture depicts a pig family a mother and four kids. The eyes are encrusted with semi precious stones. The figurine is mounted o

2nd-4th century A.D. A schist bodhisattva head with nimbus decorated with concentric arcs of geometric motifs, texture to hair, extended earlobes and semi-naturalistic facial features; accompanied by

Italy, 15th century A.D. A terracotta head, likely representing Saint Anne, modelled as an older woman wearing a wimple which covers her head and neck; executed with a semi-naturalistic, oval-shaped f

Ca. 900-1100 AD. An iron sword with a long, doubled-edged blade, culminating in a point, a wide, broad guard, and a semi-circular pommel. During the Viking era, swords like this one were used both in

DESCRIPTION:A decorative bronze sculptural table base with applied bronze gargoyles with semi precious stone and colored glass stoned, resting on three paw feet. Missing glass top. CIRCA: 20th Century

"Morons (Sepia)". Siebdruck (Screenprint) auf Bütten, re. u. mit Bleistift sign. Banksy, dat. (20)07 und li. u. Ex. 222/300 im runden Trockenstempel P.O.W. PRINTMAKING (Pictures on Walls Printmaking)

Kubistisches Stillleben "NATURE MORTE CUBISTE (instrument de musique, verre, pipe et journal)", so verso auf Etikett betitelt. Öl/Holztafel, re. o. sign. A. Halicka und dat. 1914 sowie verso mit Blei

Bedroom Blonde Doodle with PhotoFarbsiebdruck auf festem Velinkarton. 1988.133,4 x 114,4 cm (146 x 172 cm).Signiert „Wesselmann“ und datiert. Auflage 100 num. Ex. Ganz prachtvoller, farbin

Mongolia, Qing Dynasty, 19th Century Impressive gilded and chased heavy bronze cast, portraying the Buddha Amitabha (Buddha of Infinite Light, in Chinese Wuliang Guang) seated in vajrasana with hands

"Monica with Tulips". Farbsiebdruck/Museumskarton (l. Verfärbungen und wohl durch Papierstruktur bedingtes l. Oberflächencraquelé), re. u. mit Bleistift sign. und Ex. 34/100 sowie Trockenstempel Im

Kalligraphisches "OM"-Zeichen. Öl/Mischtechnik/l. Karton, re. u. sign. und dat. (19)92. PP.-Ausschnitt ca. 56x 43 cm. PP., R., ca. 75,5x 62 cm.