Bob Larkin Pencil Illustration of a Full Body Image of Scorpion

Lot consists of an original pencil on illustration board by Bob Larkin. Great image depicting a cowboy steer roping. Signed in ink and dated 1992 lower left. Overall piece approx. 11" x 15". Board has

Bob Larkin (New Jersey, b. 1949 - ) pencil drawing study illustration for Marvel Comics Jean Grey vs. Callisto title Cyclops. Very good condition and on raged edge paper. Signed and dated '94 lower ri

FREE GIFTS, 1984, color lithograph, signed and numbered 270/275 in pencil, published by Martin Larwence Editions with blind stamp lower left, image 23 x 27”, full margins, frame 36 ¼ x 39

Cato, Robert (Bob) (American, 1923-1999), Blue Flowers - from Nantucket Series, 1970s, screenprint, signed, titled and numbered 55/75 in pencil along the bottom, image 25 x 19.5 inches, full sheet 30

Giacomo Manzu STRUGGLE, aquatint etching, signed in pencil, from the numbered edition 15, image 5 ¾ x 7 ¾â€, full margins; Marc Chagall RUTH AT THE FEED OF BOAZ from Illustrations For The Bib

TWELVE ILLUSTRATIONS FOR THE SABBATH, ten wood engravings, each signed and numbered 27/100 in pencil, images 4 ½ x 3 ½”, full margins, eight framed 12 x 10” with glass, two unfra

Cato, Robert (Bob) (American, 1923-1999), White Flowers - from the Nantucket Series, 1970, screenprint, signed and numbered 3/25 in pencil along the bottom, image 23.5 x 18.5 inches, full sheet 30 x 2

After Pablo Picasso (1881-1973) TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon and numbered 162/200 in pencil, with full margins, unframed. Image 25 5/8 x 19 3/

After Pablo Picasso (1881-1973) TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon, numbered 157/200 in pencil, with full margins, unframed. Image 25 5/8 x 19 3/4 i

After Pablo Picasso (1881-1973) TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon and numbered 161/200 in pencil, with full margins, unframed. Image 25 5/8 x 19 5/

Richard Nonas (1936-2021) UNTITLED Lithograph, 1976, printed on two sheets of wove paper, signed, dated, numbered 18/18 and dedicated for Bob Blumberg in pencil, the full sheets, framed. 25 5/8 x 68 1

δ David Hockney (b.1937)Untitled No.12Ipad drawing printed in colours, 2010, signed, dated and numbered from the edition of 25 in pencil, on wove paper, with full margins, image 840 x 635mm (33 x

John Biggers1924-2001CONTRIBUTION OF NEGRO WOMEN IN AMERICAN LIFE AND EDUCATION1993color lithograph on paper12 x 35 inches (image)full marginssigned, dated and numbered in pencil by the artist,

Lichtenstein, Roy, (American 1923-1997), Shipboard Girl, 1965, offset lithograph on white wove paper, signed in pencil lower right, full sheet 68.7 x 51.4 cm, image 66.3 x 48.7 cm, unframed, published

GREY VILLAGE (Mourlot 423 A; Hatje 423A full page illustration), 1964, color lithograph, signed and numbered 9/50 in pencil, sight 28 ½ x 21 ¼”, frame 40 ½ x 33 ½&rdq

Patrick Heron (British, 1920-1999), January 1973: 15screenprint in colors, 1973, pencil signed, dated, and marked as artist's proof lower margin, with full margins, unframed. Image size 23 1/8 x 32 in

Chuck Close (American, 1940-2021), Self Portraitlithograph and screenprint in colors on wove paper, 2007, pencil signed, dated, and numbered 92/118 lower margin, with full margins, framed. Image size

Lunch, from Delights etching, 1964, on Rives BFK, signed, titled and dated in pencil, numbered 7/100. Published by Crown Point Press, Berkeley, 1965, with full margins, Excellent condition.Image 5 x 6

Pies, from Delights. Etching, 1964, on Rives BFK, signed, titled and dated in pencil, numbered 7/100. Published by Crown Point Press, Berkeley, 1965, with full margins, Excellent condition.Image 5 x 6

Pablo Picasso (Spanish, 1881-1973) Colombe Volant 1952, pencil signed and numbered 37/50, with full margins. Lithograph on paper.image: 19 1/2 x 24 1/2 in. (49.5 x 62.2cm)sheet: 21 1/2 x 29 3/4 in. (5

LOVE from the ‘Book of Love’, 1996, color screenprint, signed and numbered 114/200 in pencil, published by American Image Edition, image 18 x 18”, full margins, frame 26 x 22”

HOT TIME SUMMER IN THE CITY, 1980, early hand-cut 3-dimensional cut-out lithograph collage, signed and dated in pencil, numbered 13/25, image 8 x 6 ”, full margins, framed with glass, in apparently

THE SAME WIND BLOWS AROUND THE WORLD, 1994, color lithograph with 3-D color cut-out collage, signed in pencil, numbered 34/350, image 26 x 13”, full margins, framed, in apparently good condition.

Fernand Léger (French, 1881-1955) Les Deux Visages 1951, ink signed and pencil numbered 49/75, with full margins, Gallery Louise Leiris, Paris, publisher. Lithograph in colors on Arches.image