Calcagnini Celio

This is the first volume of the first edition, published in Venice in 1609, of Celio (Orazio Malaspina) Malespini's collection of short stories, Ducento Novelle, this volume containing stories 1 throu

(Roma, 1571 - 1640) Cristo Giudice Olio su tela, cm 43X42 Gaspare Celio fu una figura culturalmente poliedrica, dedicandosi alla pittura ma anche alla matematica, all'architettura e alla scrittura. Su

L. Coelii Lactantii Firmiani Diuinarum institutionum libri septem proxime castigati, et aucti

Curione, Celio Secondo (1503-1569) Pasquillorum Tomi Duo. Eleutheropoli [i.e. Basel: Johannes Oporinus], 1544.First edition, octavo, two parts in one volume; bound in full early-19th century straight-

CELIO COTA, WOOD CARVING H 16" W 9" STREET IN EMBU, BRAZIL:Hand carved and painted. Embu is a charming artist colony. Signed and dated 1994.

Artistic wood carving relief made by Celio Cota Gallery, artist town Ambo, Sao Paulo province Brazil, carved from a whole piece of wood and decorated with hand painting, signed, dimensions: 61X28.5 cm

Swiss President Nello Celio signed small white card, with letter and mailing envelope. Swiss politician from the Canton of Ticino. He was a member of the Free Democratic Party. He was a member of the

Hendrik Frans van Lint called Lo Studio View of the Colosseum from the Celio hill View of Saint Peter from Monte Mario oil on canvas the first signed and dated Studio 1746 lower right the second signe

A fine roman amethyst intaglio. Portrait of the Emperor Balbinus. 3rd century A.D. 11 x 13 x 5 mm This peculiar effigy can be identified with the portrait of the emperor Decimo Celio Calvino Balbino (

(Documentato a Roma dal 1711 al 1733) Veduta del Celio con figure, vaso pentelico monumentale e il Colosseo sullo sfondo Olio su tela, cm 46X66 Il dipinto, già attribuito a Jan Frans van Bloemen, s

"Colle Celio", Indian ink drawing, signed and dated 1875 at the lower right,within black wood frame

Paul A. Buchhorn zu Hofen (1890-1938), große römische Ansicht. Das Kolosseum wohl vom Parco del Celio aus gesehen, mit einer Fontaine im Vordergrund und Staffagefiguren, Öl/Lwd., u. re.

GIOVANNI BATTISTA PIRANESI (Mogliano Veneto, 1720 - Rome, 1778). "Veduta dei muri che investivano le falde del Monte Celio" and "Avanzo degli archi Neroniani". Two etchings. Originally published in "L

Gomes Carlo Antonio, Lettera autografa firmata inviata al marchese Calcagnini, Teatro alla Scala. 21 [1873?], Milano. Manoscritto a inchiostro nero su carta intestata del compositore, con filigra

Giovanni Battista Piranesi, Italian, 1720-1778. Two small engravings depicting the Nero Aqueduct on Mount Celio and Roman remains on the slopes of the Aventine hill. Both with some discoloration. In g

Editto Per Causa Di Peste. Public Health Broadside Signed in Print by Francis Calcagnini Health Magistrate.

High relief porcelain wall plaque in blue and white. Made in Firenze Italy by Zaccagnini. Measures 16" tall x 11" wide x 4" deep.

Dionysius, Periegetes. De situ orbis, translated into Latin by Quintus Remmius Palaemon and with commentary by Celio Calcagnini, text in Greek, translation and commentary in Latin, initial spaces with

CELIO COTA, WOOD CARVING H 32" W 19" STREET SCENE:hand carved wall panel. Signed on verso and "Mariana, Brazil, MG."

Framed engraving by Bartolomeo Pinelli (1790-1857). Titled: Veduta del Colle Celio presa dal Palatino, 1825. Sight measurement, 17" x 24.25". Framed and matted under glass, 26" x 34.75". NOTE: Possibl

Celio Braga 'Brancos' brooch Of glass beads, silk, and felt; c. 2004 4.75 x 3.75 in; Gross weight 57.9 dwts

L. Coelii Lactantii Firmiani Diuinarum institutionum libri septem proxime castigati, et aucti Venezia, eredi di Aldo Manuzio e Andrea Torresano, 1535. In 8°. Marca tipografica al frontespizio e al ve

Ducento nouelle del signor Celio Malespini, nelle quali si raccontano diuersi auuenimenti così lieti, come mesti & strauaganti "Venetia, al Segno dell'Italia, 1609. In 4°. 2 voll. Marca al frontespi

Ducento novelle... nelle quali si raccontano diuersi avvenimenti così lieti, come mesti & stravaganti Venezia, al Segno dell'Italia, 1609. In 4°. Marca xilografica al frontespizio, fregi e capilette