Cavalcanti, Bartolomeo

(Italian, 1648-1729) Still Life with Flowers in a Gilt Vase and Wood Box, with parrot and dishes of fruit, unsigned, oil on canvas, 39-1/3 x 35-1/2 in.; gilt wood frame,. Condition: lined with wax and

17th - 18th century. Italian School. Copy of Bartolomeo Caravarozzi. "The Sacrifice of Isaac" Oil on canvas. Relined. With an imposing carved and gilded wooden period frame. 120 x 182 cm. Frame measur

AFTER BARTOLOMEO BASSI, A MONUMENTAL 'VERONA' MARBLE MASCARON OF POSEIDONITALIAN, 20TH CENTURYPossibly carved by Giovanni Rizzardi, with decorative strengthening colour washes, the mask now on modern

(Cento, 1594 - Bologna, 1661) San Luca Olio su tela, cm 62X51 Bartolomeo Gennari fu il migliore allievo di Giovanni Francesco Barbieri (Cento, 1591 - Bologna, 1666) e nel 1643-1644 è attestata la sua

Ink and wash on paper laid down on paper14.5 x 21.5 cmInscribed 74, P, 8 (on the reverse).Provenance: Dr. Johann Friedrich Lehmann , Dresden (L. 1656B http://www.marquesdecollections.fr/detail.cfm/mar

olio su tela, W. 122,5 - H. 70,5 Cm

(Cento, 1594 - Bologna, 1661) San Girolamo Olio su tela applicato su tavola, cm 115,5X96 Come indicato da Massimo Pulini, il dipinto si rivela una raffinata esecuzione di Bartolomeo Gennari qui intent

Emiliano di Cavalcanti, painting, Emiliano di Cavalcanti (Brazilian, 1897-1976), "Mulata", oil on canvas, initial signed lower right, possibly maquette for Bohemia series serigraph, with four serigrap

19th century Bronze Bartolomeo Colleoni equestrian horse statue with marble base, good condition, H: 24.5 inches, L: 23 inches

Oil on canvas 35 x 25 cm. (13 3/4 x 9 3/4 in)

(Venezia, 1665 - 1732) Paesaggio invernale Olio su tela, cm 66,5X86,5 Ricondotta al catalogo di Bartolomeo Pedon da Dario Succi e datata dallo studioso alla prima metà del Settecento, l'opera esprime

Bartolomeo Cesi. Santo francescano inginocchiato con le braccia alzate. 1590-1600 ca. Carboncino e gesso; carta bianca preparata e tinta di azzurro-grigio. Foglio: mm 290x218. In basso a destra compai

After Bartolomeo Murillo (Spanish, 1617-1682) 'Saint Joseph with Christ Child' Oil on Canvas 19th century, unsigned, depicting a religious scene, in gold-tone gesso wood frame Property from: a Private

(Venezia, 1665 - 1732) Veduta costiera di fantasia con barche e figure Olio su tela, cm 66,5X89 Già riferita a Matteo Stom, la tela trova precise corrispondenze con le opere di Bartolomeo Pedon, si v

After Fra Bartolomeo (Italian, 18th/19th Century) Christ Appearing to the Magdalen oil on canvas 22 3/4 x 18 3/4 inches.   This lot is located in Chicago.

Bosco, Bartolomeo. Bosco Conjuring Broadside. German, ca. 1829. Large letterpress broad sheet with considerable old German text heralding the performance of the famous sleight-of-hand magician, within

Artist: Attributed To Bartolomeo Bimbi Title: Citri Framing Dimensions: 36 x 51 Signature: Signed Style Fine Art- Realistic Material & Techniques: Oil on Canvas Attributed To Bartolomeo Bimbi. This or

Bartolomeo Cesi. Santo francescano inginocchiato. 1590 ca. Carboncino e gesso; carta tinta di grigio e lievemente preparata. Foglio: mm 277x210. In basso a destra compaiono due timbri di collezioni no

Ezra Pound's Cavalcanti Poems, New Directions, New York, 1966. Signed and numbered "69". One of 190 copies bound one quarter vellum with decorated paper to boards; gilt decorations to front board and

Bartolomeo Pinelli (Italian, 1781-1835) Litany in Tivoli, 1822 ink with wash over pencil on paper signed Pinelli, dated and inscribed Roma in pencil (lower right) Paper: 5 3/4 x 8 1/8 inches. Property

No COA - Shipping in USA $120 Emiliano Augusto Cavalcanti de Albuquerque Melo, known as Di Cavalcanti, was a Brazilian painter who sought to produce a form of Brazilian art free of any noticeable Euro

"EMILIANO DI CAVALCANTI 1897-1976 BRAZILIAN. Signed. Image size 27in by 20in. With frame size 30in by 23in. Emiliano di Cavalcanti was born in Rio de Janeiro, Brazil in 1897. Emiliano di Cavalcanti be

Grand Tour bronze of Bartolomeo Colleoni circa 1880.The bronze is 14 inches by 15 inches on a base that is 12.5 inches by 7.5 inches by 7 inches. The total height of the bronze with the marble base is

Rome, Lorenzo Lazzari alle Convertite, 1809. In 2nd oblong. With 50 etching plates numbered and signed in the plate by the artist, blooms, some marginal burnishing, coeval long-grained blue Moroccan b