Clark (Daniel Kinnear) Railway Machinery: A Treatise on

CHEESE MOLD STANDARD WITH OLIVE (W.31), 1969, color screenprint, signed and numbered 83/150 in pencil, published by Ed Ruscha, printed by Jean Milant and Daniel Socha at Ruscha’s studio, Hollywo

LOONEY TOON CHAIR, cut and painted wood construction, a signature not found, 48 x 30 x 27”. Provenance: POP International Galleries, NYC.

Christopher Clark (1875-1942), "The Tower of London", vintage lithograph advertising poster for the London Midland and Scottish Railway Company, circa 1950, 39 1/2" x 49 1/4" (sight), framed. Provenan

Daniel Anderson (American, B. 1945) Water Tower Teapot. C, 1993. Vessel with one tower, one oil container, and three capped units. Ht. 10" W 15". Garth Clark Gallery, #Nad001. Estate of Annette McGuir

Daniel Anderson (American, B. 1945) Water Tower Teapot. c. 1993. Vessel with One tower and two circular units with caps. Ht. 6" W 10". Garth Clark Gallery, #Nad007. Estate of Annette McGuire Cravens,

EN OBSERVATION, 1992-1993, gouache, watercolor and ink and collage on paper artist mounted to canvas, signed lower left, dated lower right, signed and dated and titled on verso, 53 ½ x 29 &frac

MUJER SENTADO, 1961, oil painting on canvas, 39 ¼ x 51", signed and dated lower right, framed. From the Collection of Herb Solow, the executive in charge of production for Star Trek the original tele

Porcelain chinoiserie and gilt decorated cache pot 6” tall; A pair of later 19th century Chinese export famille rose plates 8 ½” diameter; Two antique Chinese footed plates with stamps and/or sea

THE GARDEN GATE, 1946, watercolor on paper, signed and dated lower right, sight 28 ¼ x 24 ¼”, framed, laid down on mat board, otherwise in apparently good studio condition. Subject to article I in

STUDIES OF THE MALE BACK, triptych, 1987, three color lithographs, each signed in pencil and inscribed H. C. (Hors Commerce), aside from the numbered edition 99, images 23 5/8 x 17 5/8”, sheets 31 3

MUJER, 1986, oil painting on stretched burlap, signed and dated lower right, 23 7/8 x 15 7/8", framed. Original lost provenance: Lopez Quiroga Galeria, Mexico. From the Dr. Burton Fink collection.

SOURCE, 1965, sumi-ink and gold leaf on paper wrapped card artist mounted to wood panel, stamped lower right, signed and dated on panel verso, 16 x 12 ½”, frame 16 ¾ x 13 ¼&

PANTECHNICON (Movers), oil painting on backside of Masonite with wood support on verso, signed lower right, 64 ½ x 48 x ½”, frame 74 x 58 x 2”. Provenance: Atkinson Art Galle

ETRUSCAN (SPECIAL), special order coffee table 60” long, 30” wide, 17” tall, LaVerne Gallery label underneath, in good condition.

PIO PER MARI E MONTI (Pious by Sea & Mountains) 62’/28, c.1985, color embroidery, signed and inscribed 62’/68, on the verso, 6 ½ x 6 ¾”, in good studio condition. Provenance: Artist’s signed

BRIGHT OWL (AR.285), 1955, painted and glazed ceramic rectangular dish, with the Madura and Edition Picasso stamps underneath, from the edition of 450, size 32 cm x 39 cm or 15 ¼ x 12 ¾�

OCCUPY (Ox), 2012, oil painting on linen, signed and dated lower right, 73 x 100”, frame 74 ½ x 101 ½”, available crate 81 x 108 x 7 ½”. Provenance: Corey Helfor

This is from the Pamela Rankin-Smith Estate. Bags of US SILVER COINS. LOTS AND LOTS OF US SILVER COINS.  ALL 1964 and earlier - back to the 1800s.The coin's weight is just over 42lbs. They are all 19

LE DANSEUR (Bloch 1849; MOMA 107), 1965, one-block linoleum cut on Arches Script watermark paper, printed in black and brown, signed and numbered 53/200 in pencil, image 25 x 21 7/8”, sheet 29 5

REACHING FOR THE SKY, 1993, oil painting on panel, signed and dated and copyrighted lower right, 48 x 24”, frame 59 x 34 ½”. Provenance: Galerie Adrienne, San Francisco, CA.

SPECKLED BLACK FACE (AR.49), 1948, rectangular dish of white earthenware clay, decoration in engobes under glaze, white blue, black, turquoise, numbered 7/200 and Madoura Editions Picasso stamp undern

PRIDE OF ALGOMA #2, 1936, watercolor on Imperial Illustration Board, signed and dated lower right, titled and dated and inscribed on verso, stated size by artist on verso 17 x 22 1/2", frame 29 ¼ x 3

UNTITLED, 1971, ink and watercolor and gouache on paper mounted to silk, image 34 ¾ x 21 ¼", with scroll margins 39 ¾ x 26 ½", signed lower right. Originally from the estate of MM Shino Galley Los

UNTITLED, circa 1991, installation in five-parts, each an oil painting on paper mounted to Foamcore mounted to wood, artist recalls signing each on verso, three panels are 53 ½ x 48”, two a