Don Glassell aquatint

AUDUBON, John James (1785-1851). Hooping Crane, Plate 226. Whooping Crane, Grus americana Variant 1. First Edition Engravings with Original Hand Color. London: Robert Havell, 1827-1838. Watermarked: J

Audubon, John James (1785-1851). Snowy Owl, Plate 121. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. Dimensions Comparable: Arader, 2015 - $198,250. James Audubon’s

AUDUBON, John James (1785 - 1851). Hooping Crane, Plate 226. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/4" x 38" sheet. Comparables: Arader Galleries, 2018 - $

AUDUBON, John James (1785 - 1851). Common American Swan, Plate 411. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 5/8" x 38 1/2" sheet, 37" x 49 3/4" framed. Compar

AUDUBON, John James (1785 - 1851). Fish Hawk or Osprey, Plate 81. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 3/8” x 25 1/2” sheet. Comparable: Arader

AUDUBON, John James (1785 - 1851). Carolina Parrot, Plate 26. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 24 1/2" sheet. Comparables: Arader Galleries, 201

AUDUBON, John James (1785 - 1851). Wood Ibis, Plate 216. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25" x 37 1/4" sheet. Comparables: Arader, 2015 - $136,640; Guern

KIDD, Joseph Bartholemew (1808-1889), after John James Audubon (1785 - 1851). The Baltimore Oriole. Oil on canvas. Ca. 1831-1833. 26" x 20 1/2" canvas, 30 1/2" x 25" framed. Provenance: Mrs. John Jame

Audubon, John James (1785-1851). Ivory-Billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 3/4” X 37 1/2” sheet, 37” X 49 1/2” framed

AUDUBON, John James (1785 - 1851). Ivory-billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 25" sheet, 45 1/4" x 32" framed. Comparab

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu

Audubon, John James (1785-1851). Great Cinereous Owl, Plate 351. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38” x 25 1/4” sheet, 46” x 34” framed. Comparabl

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

AUDUBON, John James (1785 - 1851). Meadow Lark, Plate 136. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 3/8” x 25 1/2” sheet. Comparable: Guernsey's, 2

AUDUBON, John James (1785 - 1851). Yellow Crowned Heron, Plate 336. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 3/4" x 25 1/8" sheet, 44 3/4" x 32" framed. Compar

Wayne Thiebaud (Born 1920) Meringue 1995 The drypoint etching with aquatint in colors on wove paper is signed by the artist in pencil and dated 1995 lower right, and numbered 39/50 below the image low

*** START PRICE IS THE RESERVE *** AUDUBON, John James (1785 - 1851). White-Headed Eagle (Male), Plate 31. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/2” x

DAVID HOCKNEY (b. 1937) "CONTREJOUR IN THE FRENCH STYLE"Year: 1974Etching and aquatint in colours on wove paperDimensions: 99.2x92 cmSigned and dated in pencil, numbered XX/75 (there were also 18 arti

Samuel Margolies (American, 1897-1974) "Man's Canyons", etching and aquatint, edition of 25, titled and signed. Sight size: 12.25" x 9.25" Titled and signed lower right in pencil, circa 1936. Provenan

AUDUBON, John James (1785 - 1851). Frigate Pelican, Plate 271. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 26 1/4" x 38 3/4" sheet. Comparables: Arader Galleries, 20

Joan Miro (Spanish, 1893-1983). Aqua tint print in colors. Titled, "Charivari" 1976 published by Maeght Editeur. Paris. Full sheet. Artist pencil signed lower right, H/C lower left (Hors Commerce arti

Frank Stella, large-scale aquatint etching, 1989, Frank Stella (American, b. 1936), "Bene como il sale" (As Good as the Salt), Relief-printed etching in 18 colors on TGL handmade paper, from an editio

AUDUBON, John James (1785 - 1851). Green Heron, Plate 333. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 x 38 1/2 x 37 x 50 framed. Comparable: Sotheby's, 2009 - $7

Joan Miró (1893-1983) L'Adorateur du Soleil (Dupin 483) Etching and aquatint in colours with carborundum, 1969, on wove paper, signed and numbered 14/75 in pencil, published by Maeght Éditeu