Earle B. Winslow

Earle B. Winslow (1884 -1969), drawing, illustration for 'Titus' story, 'No Gift of Gab', Saturday Evening Post, 1939, 16" x 16", frame 22" x 22".

Earle B. Winslow (1884 - 1969), two illustrations for magazines to include, 'Three Men in a Canoe Beaver Dam' 1939, for Saturday Evening Post, 5 3/4" x 11 3/4" image, 16" x 20" matted and 'Outdoor Lif

Earle B. Winslow (1884 - 1969), three watercolors of brickyard in Glasco, New York, all measure 14" x 20" paper size, 20" x 24" display mattes.

Earle B. Winslow (1884-1969) American circa 1940's 8" x 12" sight, 13 1/2" x 17 1/2" framed From a 40 year NYC collector's compilation.

Earle B. Winslow (Am. 1884 -1969) signed "EB Winslow", lower right. Frame size: 17 1/2" high, 20 1/2" wide. Cracking, crazing, soiling to frames/linen matting

"Chain Factory Terminal Opposite Kingston"; c. 1930; Pastel and Charcoal on Paper; Unsigned; Framed (under glass); Note: titled on verso and "Earle B. Winslow - Woodstock, NY" stamped on verso.

Signed B. Winslow lower right, dated '84, titled "Matmata." Well-framed. Dimensions: (Frame) H 27.5" x W 32.5", (Paper) H 18" x W 23.75" Condition: Paper slightly offset in frame. Few scuffs and marks

Oil on canvas, landscape, barn, signed Earle Bartrom Winslow (Woodstock), 18.25" by 21.5", unframed

A Rev. A B Earle , D D THE MORNING HOUR BOOK PUBLISHED BY JAMES H. EARLE PUBLISHER OF BOSTON. A Family Worship & Private Meditation book eight edition published in 1885.

Eyvind Earle DELPHINIUM (B.pg. 75), 1975, two of the same color screenprints, each signed in pencil, from the numbered editions 250, images 37 x 27”, published by Circle Fine Art; Together with Paul

Chase Kahwinhut Earles(Caddo, b. 1976)Small Brown Bottlefired clayInscribed: [artist cipher] / Kahwighut / -Caddo-5 1/4 x 3 1/8 x 3 1/8 in. (13.3 x 7.9 x 7.9 cm.) Private Collection, Texas

Cornelia Earle (American/South Carolina, b. 1863) , "Beach with Boat and Distant Dock" and "Sand Dunes along the Beach", 2 oils on canvas board, signed lower left and right respectively, 9 in. x 10 1/

Peter Winslow Milton American B. 1930 Interior I: Family Reunion etching and engraving 1984; ed. 151/175; signed, titled, dated and numbered in pencil 19 3/4 x 35 1/4 in. (50.2 x 89.5 cm.)

Helen Stirling Winslow (British, B. 1890-?) Requicken. Egg tempera, signed on gallery label en verso. Provenance: The Mall Galleries, London 19" x 15.25" Frame: 26.75" x 23.25"

1971; etching and aquatint; signed and dated in pencil lower right; numbered II:2 in pencil lower center; published by Aquarius Press; Provenance: from the Estate of Dr. Norman Levine and the late Mor

Beach scene with figures and balls, signed lower left, watercolor and charcoal on paper. 9.5" H X 11.5" W (18.5" X 20.5"). (Estate of Dr. Daniel Lovette, Camp Hill, PA.)

Peter Winslow Milton (b. 1930); Jolly Corner, suite of 21 etchings on Rives Heavyweight Buff paper with wide margins and Robert E. Townsend printers blindstamp, each signed and numbered from an editio

Robert Winslow (American, b. 1950) Organic Abstraction in Marble, 1977 marble signed lower edge 24 1/2"h x 12"w x 6"d Provenance: Wright Auctions, Chicago, Illinois, Modern Design, 10 March 2002, Lot

Peter Winslow Milton (b. 1930) Parade, Second State, 1966/67. Pencil signed, titled and numbered 31/35. Lift-ground etching and aquatint plate 18 x 24 inches, paper BKF Rives.

Peter Winslow Milton (b. 1930) Pennsylvania/New Hampshire; Second Opinion, 1974. Pencil signed, titled and numbered 55/140. Resist-ground etching and engraving over altered transfer of Pastorale (No.

Navajo Crystal Rug/Weaving, CA 1950. Original paper label from J. B. Stiles, Indian Trader, Winslow AZ, weaver identified as Mrs. Little Yellowhair. Block design with medallions in dark brown, red, iv

Peter Winslow Milton, American, b. 1930. Resist-ground etching and engraving, from "The Jolly Corner" series. Numbered 62/90 at the lower left, with "III:5" at the center, and signed and dated "'71" a

Peter Winslow Milton, American, b. 1930. Resist-ground etching and engraving, from "The Jolly Corner" series. Numbered 70/90 at the lower left, with "III:6" at the center, and signed and dated "'71" a

A surrealistic etching Pl.II-7 from the portfolio The Jolly Corner by Henry James with twenty-one etchings by Peter Winslow Milton (American, b. 1930). Signed by the artist lower right and numbered lo