Eduardo Paolozzi, Early Mental of 300 Geniuses,

Eduardo Paolozzi (1924-2005) British. "Appendix 4 From Early Italian Poets" (1975), Screenprint, Signed and numbered 74/200 in Pencil, 29" x 21". Provenance: The Estate of the Late Donald Mitchell.

Eduardo Paolozzi. 'Viernes Sabado', 1979. 100.0 x 70.0 cm. Colour serigraph on vellum. Signed: Eduardo Paolozzi, 1978, numbered, inscribed: Viernes - Sabado (printed). No. 233 from an edition of 300.

§ EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) MOONSTRIPS EMPIRE NEWS - VOLUME 1, The portfolio of 100 prints, 233/500, eight of which are screenprints signed and numbered in pencil

Inscribed 'E.P.' in felt pen verso, cast plaster moulding(14cm x 12cm x 8cm (5.5in x 4.75in x 3in))

Plaster mounted on wooden stand(50cm x 20cm x 20cm (19.75in x 8in x 8in), including stand)Provenance: Purchased from the Paolozzi Foundation c. 2006

6 Eduardo Paolozzi / Wedgwood Dinner Plates, circa 1987, in caseDimensions: 10.75" Dia. Property from the Estate of John 'Parker' Prindle, Jr., Boston, MA.

Framed color screen print, "Universal Electronic Vacuum", 1967, signed lower right Eduardo Paolozzi (British 1924-2005), numbered 14/75, retaining ARCO collection label verso, image: 35"h, 23.75"w, ov

δ Eduardo Paolozzi (1924-2005)Metallization of a DreamScreenprint in colours, 1963, signed and inscribed 'Artist's Proof' in pencil, aside from the edition of 40, printed by Kelpra Studio, London

A Group Of Eduardo Paolozzi For Wedgwood Porcelain Plates. Six porcelain plates titled "Variations on a Geometric Theme", edition of 200 W: 10.5"

Sir Eduardo Paolozzi (British, 1924-2005) Untitled, from 'Buñuel Suite' Screenprint and etching in colours, 1996, on wove, signed, dated and numbered 11/20 in pencil, with the printer's blindstam

Screenprint, Artist's Proof, signed and inscribed in pencil, published by Editions Alecto, London, printed by Kelpra Studios, London(37.5cm x 25cm (14.75in x 10in))

Inscribed with artist's name to underside of base, cast plaster moulding(12.5cm x 20cm x 9cm (5in x 8in x 3.5in))

Plaster Relief. Signed and dated in graphite with dedication on verso: "For Walter & Alice/ November 1991/ Eduardo Paolozzi". Size: 11 in. x 12 5/8 in. ( 27.9 cm x 32.1 cm).

30 pcs, British Art: Group of ephemera relating to the "STAMP OUT ART" Project. From an edition of 250, each work is artist initialed. Includes stamps on envelopes: 5 Eduardo Paolozzi pink stamps, 4 B

One of the nicer examples we have had in a while. It is fairly clean for a change, showing only light to moderate playwear, 1 mounting holes in base from piers, otherwise is C7-7+ with a complete orig

Cup rigged model dating to about 1907, in scarce slate back with bold red hand painted gills, large glass eyes and unmarked pointed props, shiny VG+/Ex- with common varnish flakes, a small nose chip,

Standard gauge. Nice original Hellgate bridge. It shows minimal playwear, but does have some bubble wrap damage on top. It doesn’t detract too much and shows light playwear, C7 ish.

A Chinese Wool Rug depicting Shou Lao in a forest setting. 7 feet 9 inches x 5 feet 3 inches. Estimate $200-300 early to mid 20th century; in overall decent stable condition; dirty; fringe trimmed; fr

300. EARLY SECOR PUCK FLOOR LOCOMOTIVE | Very popular example, clockwork motor contained inside engine drives rear wheels, front wheels pivot to direct path of engine. | Provenance: Paul Cole Collecti

**First Time At Auction** Roman, late Imperial Period to early Byzantine, 300 to 500 CE. A rare set of 2 stamped pendants with slightly raised images, each formed from translucent or semi-translucent

Historically significant and a stunning example of Paul Laszlo's innate design genius early in his career, with original Maria Kipp fabric. This pair of settees are a striking and timeless statement i

Late Roman to Early Byzantine, ca. 300 to 500 CE. A rare and beautiful 94% silver pendant charm of an ovoid form with an integral suspension loop, depicting a seven-lamp (six branches plus the central

Late Roman to Early Byzantine, ca. 300 to 500 CE. A rare and beautiful amulet of a generally circular form with a flat bottom, a raised periphery, and an integral suspension loop, mold-pressed from at

Late Roman to Early Byzantine, ca. 300 to 500 CE. A rare and beautiful amulet of a generally circular form with a flat bottom, a raised periphery, and an integral suspension loop, mold-pressed from at