ELEANOR ELIZABETH GREATOREX AMERICAN 1854-1897

ELEANOR E. GREATOREX (AMERICAN/NJ 1854-1897), PAIR OIL ON CANVAS, HOLLYHOCKS AND TRUMPET VINE, 1/SIGNED 1876. 48 X 12"; FRAMED 51 X 15"

Lot 63 Elizabeth Olds American (1897-1991) White Collar Boys (1936 ) lithograph signed lower right plate: 11 x 14 3/4 inches sheet: 15 1/2 x 19 inches unframed Provenance: From the Estate of Francis

Leonard Ochtman (American, 1854-1935) Winter, 1897 watercolor on paperboard signed Leonard Ochtman and dated (lower left) 24 x 36 inches.

NOURSE, Elizabeth, (American/French, 1859-1938): ''Algerian Man'', Oil/Wood, 8.5'' x 5'', signed upper right ''E. Nourse, Tunis, 1897'', titled verso, painted gilded gesso frame under glass, 13.5'' x

Late 19th century. Hollow handle with cast anthemion around base. Engraved "Elizabeth Knox Stout, From her Grandmother, Elizabeth H. Knox, September 10, 1897". 3.75"H. Approx. 5.8 ozt.

CATLETT, Elizabeth (American, 1915-2012). “I am the Black woman.” [originally created in 1946, this linocut was printed in 1989]. Linocut in black and brown on cream wove paper. Signed and

George Henry Clements (American, 1854 - 1935), "Nassau", 1913, framed watercolor of sailboats at dock, lighthouse in distance, cloudy sky, signed, titled and dated at lower left, matted and framed beh

George Henry Clements (American, 1854 - 1935), "Sailboat", 1899, watercolor on paper, depicts the rear view of sailboat headed towards the shoreline, mountainous horizon with stormy clouds, signed and

A. F. King. Oil on canvas. Signed artwork. Still life. Good condition, no apparent damage. Framed. Size: 24" x 30" inches.

Joseph Rodefer DeCamp (American 1854 - 1923) Portrait of Edith Baker DeCamp, the artist's wife Oil on canvas Unsigned 24" x 21" Provenance: Mrs. Leonora M. Ellison Brookline, the artist daughter by de

Winter landscape oil on canvas h. 20 w. 24 in. overall: 28 x 32 in. signed on back of frame, 'Josephine A. Morton / Williamstown', in a period gilt carved Newcomb Macklin frame The first exhibition at

Incredible piece of Early J. Hoare cut in their ellusive Eleanor pattern. I believe Eleanor is one of Hoare's best designs and is always done on the best quality blanks and polish. It really shows off

William (Bill) Traylor, American, 1854-1949. A 20th century pencil and gouache on cardboard bird silhouette, entitled "Black Goose". Includes original 1983 receipt and brochure from the Hill Gallery,

Samuel Margolies (American, 1897-1974) "Man's Canyons", etching and aquatint, edition of 25, titled and signed. Sight size: 12.25" x 9.25" Titled and signed lower right in pencil, circa 1936. Provenan

FREMONT ELLIS (American 1897-1985) A PAINTING, "The Gold of Autumn," magna and oil on canvas, signed L/R, "Fremont Ellis," verso titled and medium on stretcher; 19 1/2" x 23 1/2", framed 30" x 34". No

WARREN CHASE MERRITT (American, 1897-1968), "The History of Paper Making," 1929, group of eight separate oils on canvas, each laid down on panel, overall: each 73.5 inches tall. Length: (the smallest)

Donald de Lue (American, 1897-1988) Victory, Freedom with Wings, 1948 bronze with dark brown patina signed De Lue, dated sc. 1931 and © 1986, numbered 3/12, and stamped with the TX monogram for t

Donald de Lue (American, 1897-1988) Joy of Life bronze with brown patina signed D.DeLue, dated SC. 1981 and © 1987, numbered 11/12, and stamped with the TX monogram for the Tallix Foundry in Beac

King, Albert F (American, 1854-1945) still life with fruit and blue and gray decorated stoneware pitcher, oil on board, measuring 4 by 6 inches, in a gold frame measuring 7 by 9 inches. Provenance: Co

Artist:Curry, John Steuart (American 1897 - 1946) Title:John Brown (Cole #34) Date:1939 Medium:lithograph Dimensions:14-3/4 x 11 inches (37.5 x 27.9 cm) (image) 18-1/4 x 13-1/4 inches (46.4 x 3

Hy Hintermeister, oil on canvas, illustration art, Henry (Hy) Hintermeister (American, 1897-1972), Checkers, signed "Hy Hintermeister" lower left, 30"h x 22"w (sight), 33"h x25"w (frame) Provenance: P

Lovell Birge Harrison, (American, 1854-1929), The Departure of the Mayflower (also: Return of the Mayflower), oil on canvas, completed 1886, signed lower right, original stretcher, 66.5" x 95", Proven

Henry Hobart Nichols (American, 1869-1962) or Hobart Nichols (American 1897-1955) "Beach scene," signed lower left, "Hobart Nichols," partial label on reverse, "Salmagundi Club," oil on wood panel. Im

Gouache and pencil on paper depicting two men boxing attributed to Bill Traylor (American, 1854-1947). Signed in pencil lower right. Includes Hill Gallery, Birmingham, Michigan receipt from 1983. View