ELIZABETH KEITH (1887-1956) Two Woodblock Prints Showa era (1926-1989), 1924 and 1935

ELIZABETH KEITH (1887-1956) Showa era (1912-1926), dated 1922 An ōban yoko-e woodblock print titled in the block Lama Temple Peking., signed in pencil Elizabeth Keith and sealed E.K. 1922, publis

ITŌ TAKASHI (1895-1944) Two Woodblock Prints Showa era (1926-1989), dated 1929 and 1933 Two ōban yoko-e woodblock prints, each signed Takashi and sealed Itō Takashi, published by Watana

KAWASE HASUI (1883-1957) Two Woodblock Prints Showa era (1926-1989), 1940 and 1952 Two ōban tate-e prints, the first entitled Chōsen Chiizan Sen'in-ji (Chunum Temple, Chiri Mountain, Korea),

YOSHIDA HIROSHI (1876-1950) Three Ōban Tate-e Woodblock Prints Showa era (1926-1989), dated 1935 and 1937 The first, entitled Sugi namiki (Criptomeria [cryptomeria] Avenue), dated 1937; the secon

ELIZABETH KEITH (BRITISH 1887-1956) WOODBLOCK PRINT, C. 1924, H 12", W 16 1/4", "TEAHOUSE, NATIVE CITY, SHANGHAI" Depicting a waterfront Shanghai teahouse. Pencil signed in the lower right margin. Mon

PAUL JACOULET (1902-1960) Showa era (1926-1989), 1935-1950 Comprising three woodblock prints; the first entitled Homme de Manado et Mangoustans Celebes (Menado Man and Mangosteen. Celebes), 1935, edit

Keith, Elizabeth (Scottish 1887 - 1956). Hong Kong Harbor. 1924. Woodblock print in colors. Signed in pencil in l.r. Printed by Watanabe. Sheet: 13" x 16". Framed. Condition: Good. Tipped onto backing

Artist: Keith, Elizabeth, 1887-1956 Title: Night Scene, Malacca Date: 1924 Medium: Japanese woodblock print Image Size: 14 7/8 x 9 3/4 inches Illustrated: Keith, pl. 89

Artist: Keith, Elizabeth, 1887-1956 Title: Street Scene, Soochow in Kiang-su Date: 1924 Medium: Japanese woodblock print Image Size: 14 7/8 x 10 inches Illustrated: Kei

Artist: Keith, Elizabeth, 1887-1956 Title: Where the Beggars Sleep, Soochow Date: 1924 Medium: Japanese woodblock print Image Size: 14 7/8 x 10 1/8 inches Illustrated:

Woodblock print by Elizabeth Keith (American, 1887-1956) titled Tea House, Native City, Shanghai (written in pencil lower left); monogrammed & dated 1924 lower right, "no. 4" in the right margin; fram

KASAMATSU SHIRŌ (1898-1991) AND KAWASE HASUI (1883-1957) Four Woodblock Prints Showa era (1926-1989), 1934-1938 Comprising three ōban tate-e prints including Haru no yoru, Ginza (Spring Even

Elizabeth Keith (1887-1956): A Woodblock Print Ink and color on paper depicting a view of Hong Kong harbor at dusk, with figures in sampans to the foreground, signed 'Elizabeth Keith' with stamped mon

ELIZABETH KEITH (1887-1956) Man Smoking a Pipe Taisho era (1912-1926), circa 1919 A watercolor on paper depicting a seated Chinese man dressed in a long winter tunic and a fur hat smoking a pipe, a te

1922; woodblock print; signed and dated lower right; titled lower left; 14 1/2 x 9 inches sight; 21 1/2 x 15 3/4 inches frame

MORI YOSHITOSHI (1898-1992) Showa era (1926-1989), 1972-1973 Comprising a large woodblock print and four prints; the first entitled Yorimasa no zange (Yorimasa in Self-Accusation), from the series Hei

Elizabeth Keith (English, 1887-1956), The Wonson Scholar and His Disciples1921, woodblock print on paper, printed E.K. in a circle with 1921 below in lower right corner, signed in pencil Elizabeth Kei

Artist: Keith, Elizabeth, 1887-1956 Title: From the Land of the Morning Calm Date: 1921 Medium: Japanese woodblock print Image Size: 13 x 9 3/8 inches Illustrated: Keit

YOSHIDA HIROSHI (1876-1950) Taisho (1912-1926) or Showa (1926-1989) era, 1926 A large woodblock print entitled Hansen, yoru (Sailboats: Night), from the series Seto Naikai shū (Inland Sea), signe

KAWASE HASUI (1883-1957) Taisho (1912-1926) or Showa (1926-1989) era, 1923-1931 Comprising an aiban tate-e and two oban tate-e prints (each framed); the first entitled Uchiyamashita, Okayama, from the

Artist: Keith, Elizabeth, 1887-1956 Title: East Gate, Seoul, Sunrise Date: 1920 Medium: woodblock Image Size: 12 x 17 inches Illustrated: Keith, pl. 44 Notes

PAUL JACOULET (1902-1960) Four large vertical prints Showa era (1926-1989), 1940-1948 The first, entitled L'Homme accroupi. Chinois (The Squatting Man. Chinese), carved by Maeda Kentaro, printed by Fu

Elizabeth Keith ''Singapore'' 1935 Woodblock Print 17.5''x12.5'' Sheet. An exceptional and scarce interior scene print. Pencil signed and titled lower margin. Excellent condition with full margins. Lo

Elizabeth Keith (British, 1887-1956) "Korean Bride," 1938, woodblock, signed. Size: 17.5'' x 12.5'', 44 x 32 cm (sheet).